For most people, the passing of the years is marked by New Year's and the dropping of the ball in Times Square. However, when you have kids, the passing of the years is really marked by the school year. That is especially true in the Golden household, where my wife is a teacher. Every August marks a new school year - a new beginning filled with new classes, new adventures, new problems and new friends.
This year, my son will be a sophomore in high school, while my daughter will be a sixth grader, her first year of middle school. For the first time since 2008, there will not be a Golden kid at Fairway Elementary.
The recently passed 10 or 11 weeks of summer saw a lot of changes for my kids. My son got his driving learner's permit and is learning to drive. (This may have resulted in a few more gray hairs on my head.) He's also grown about four or five inches this summer. His voice has deepened, he has hair on his legs and he is becoming a young man almost before my eyes. My daughter has shed her glasses in favor of contacts. She looks older just by having done so. The fact that she now wears mascara may play into that as well. She is very excited about going to middle school - having her own locker, having different teachers every hour, having better lunch options.
For the past few months, my kids' days have been filled with sleeping in, trips to the pool, riding bikes to lunch, trips to Six Flags and copious amounts of Fortnite. Daily routines go by the wayside. Things are relaxed and weeknight trips for frozen custard are common. In the weeks to come, routines will change. We will get back to earlier bed times, homework and studying, dance and tennis. Friday nights will feature quick meals before high school football games.
The calendar may still show the same year, but in my house and in homes all across the country, a new year begins this week. The 2018-19 school year is upon us. Here's hoping it is a great one for my kids and my wife, as well as for all of your kids and spouses/friends who are teachers.
Thanks for reading.
Monday, August 13, 2018
Tuesday, August 7, 2018
More Song Lyrics I Love
A while ago, I did a post on my favorite song lyrics. As that list was just a small portion of the voluminous number of song lyrics that I love, I thought I'd share with you another edition. As before, these lyrics may not necessarily come from my favorite artists or my favorite songs, but it's the lyrics themselves that I love.
(Note: If you wish to read my initial list, it was posted on 2/22/17. Feel free to check it out!)
Artist: Pearl Jam
Song: "Black"
Lyric: "I know some day you'll have a beautiful life / I know you'll be a star / In somebody else's sky / But why, why, why, can't it be, can't it be mine?"
Why I Love It: I suspect that there are a lot of people my age for whom this lyric would make their respective lists. While "Black" was never released as a single by Pearl Jam, this song nevertheless became one of their biggest hits. Like many of the lyrics I have previously listed, this one deals with the end of a relationship. Instead of being bitter at the end of it, Eddie Vedder (who wrote the lyrics) wishes his lover the best while still being heartbroken over the end of the relationship. Aside from being poignant and evocative words in and of themselves, Vedder's delivery in the song are the proverbial icing on top of the cake. You can almost feel the ache in his voice as he sings the line. It's my favorite lyric from my favorite Pearl Jam song and that's why it makes the list.
Artist: Turnpike Troubadours
Song: "How Do You Fall Out of Love?"
Lyric: "You bet your heart on a diamond / And I played the clubs in spades / We gambled and lost / Guess we both paid the costs / Look what a mess I have made"
Why I Love It: While this is not one of my favorite Turnpike Troubadours' songs, this lyric is terrific and clever. Evan Felker, the band's lead singer, primary songwriter and lyricist, has a way with words and knows how to turn a phrase. This is an example of his skill - in just a few phrases, he paints a picture of a girl in love with a musician. He deftly mentions all four suits of playing cards and uses them as a motif for a failed relationship.
Artist: Edwin McCain
Song: "Sign on the Door"
Lyric: "We all talk about timing, lifestyles and such / But to a heart that's been shattered, those words don't mean much"
Why I Love It: This song is a terrific blues number that uses the concept of a sign on a door that says "sorry, we're closed" as a metaphor for a person's heart who hasn't healed from a prior relationship and thus isn't yet ready to fall in love again. The line above in question, however, is more universal. We've all either had our heart broken or had a friend or relative who has. And when you are trying to comfort them, your advice may be great, but at that point in time, they are not really in a frame of mind to listen to it. There's nothing you can say to them at that point in time that will make them feel better. Most of you have likely never heard this song, but I'd encourage you to check it out some time. It's one of my favorites by Edwin.
Artist: Better Than Ezra
Song: "Rewind"
Lyric: "Right there a song became a soundtrack for this space in time"
Why I Love It: In my first list of favorite lyrics, I referenced a lyric from the Trisha Yearwood song "The Song Remembers When" and talked about how music can transport us back to a specific place in time. This Better Than Ezra lyric talks about the same thing - how a particular song can become inextricably linked to an event or place in time. It doesn't matter if it's been 2 years or 20 years - there is something about the song that fires some synapsis somewhere in your brain and you will always associate that song with that event.
Artist: Goo Goo Dolls
Song: "Iris"
Lyric: "And I don't want the world to see me / 'Cause I don't think that they'd understand / When everything's made to be broken / I just want you to know who I am"
Why I Love It: This one comes from the Goo Goo Dolls' biggest hit song, which was also one of the biggest hit songs of the 1990s. Whereas all of the aforementioned lyrics occur in the verse or bridge of the song, this one is the chorus. It resonates, though, because it's so accurate. I think we all have times where we'd like to be invisible because we don't think anyone understands us or what we're going through. We're all a little broken and we all want to be loved and accepted for who we are but sometimes that seems impossible and it just seems like it would be easier to slide by unnoticed.
Artist: Metallica
Song: "Holier Than Thou"
Lyric: "You lie so much you believe yourself"
Why I Love It: While most of the lyrics I love are melancholy or introspective, this last one is angry. I've thought about this lyric a lot over the past two years and how aptly it applies to politicians in general and our president in particular. They lie and stretch the truth with such frequency that they themselves lose track of what the truth is and what is a falsehood. Few things in this world bother me more than a liar so I suppose it's only natural that I gravitate toward this lyric.
There it is - my second list of lyrics I love. I hope you enjoyed it. Thanks for reading!
(Note: If you wish to read my initial list, it was posted on 2/22/17. Feel free to check it out!)
Artist: Pearl Jam
Song: "Black"
Lyric: "I know some day you'll have a beautiful life / I know you'll be a star / In somebody else's sky / But why, why, why, can't it be, can't it be mine?"
Why I Love It: I suspect that there are a lot of people my age for whom this lyric would make their respective lists. While "Black" was never released as a single by Pearl Jam, this song nevertheless became one of their biggest hits. Like many of the lyrics I have previously listed, this one deals with the end of a relationship. Instead of being bitter at the end of it, Eddie Vedder (who wrote the lyrics) wishes his lover the best while still being heartbroken over the end of the relationship. Aside from being poignant and evocative words in and of themselves, Vedder's delivery in the song are the proverbial icing on top of the cake. You can almost feel the ache in his voice as he sings the line. It's my favorite lyric from my favorite Pearl Jam song and that's why it makes the list.
Artist: Turnpike Troubadours
Song: "How Do You Fall Out of Love?"
Lyric: "You bet your heart on a diamond / And I played the clubs in spades / We gambled and lost / Guess we both paid the costs / Look what a mess I have made"
Why I Love It: While this is not one of my favorite Turnpike Troubadours' songs, this lyric is terrific and clever. Evan Felker, the band's lead singer, primary songwriter and lyricist, has a way with words and knows how to turn a phrase. This is an example of his skill - in just a few phrases, he paints a picture of a girl in love with a musician. He deftly mentions all four suits of playing cards and uses them as a motif for a failed relationship.
Artist: Edwin McCain
Song: "Sign on the Door"
Lyric: "We all talk about timing, lifestyles and such / But to a heart that's been shattered, those words don't mean much"
Why I Love It: This song is a terrific blues number that uses the concept of a sign on a door that says "sorry, we're closed" as a metaphor for a person's heart who hasn't healed from a prior relationship and thus isn't yet ready to fall in love again. The line above in question, however, is more universal. We've all either had our heart broken or had a friend or relative who has. And when you are trying to comfort them, your advice may be great, but at that point in time, they are not really in a frame of mind to listen to it. There's nothing you can say to them at that point in time that will make them feel better. Most of you have likely never heard this song, but I'd encourage you to check it out some time. It's one of my favorites by Edwin.
Artist: Better Than Ezra
Song: "Rewind"
Lyric: "Right there a song became a soundtrack for this space in time"
Why I Love It: In my first list of favorite lyrics, I referenced a lyric from the Trisha Yearwood song "The Song Remembers When" and talked about how music can transport us back to a specific place in time. This Better Than Ezra lyric talks about the same thing - how a particular song can become inextricably linked to an event or place in time. It doesn't matter if it's been 2 years or 20 years - there is something about the song that fires some synapsis somewhere in your brain and you will always associate that song with that event.
Artist: Goo Goo Dolls
Song: "Iris"
Lyric: "And I don't want the world to see me / 'Cause I don't think that they'd understand / When everything's made to be broken / I just want you to know who I am"
Why I Love It: This one comes from the Goo Goo Dolls' biggest hit song, which was also one of the biggest hit songs of the 1990s. Whereas all of the aforementioned lyrics occur in the verse or bridge of the song, this one is the chorus. It resonates, though, because it's so accurate. I think we all have times where we'd like to be invisible because we don't think anyone understands us or what we're going through. We're all a little broken and we all want to be loved and accepted for who we are but sometimes that seems impossible and it just seems like it would be easier to slide by unnoticed.
Artist: Metallica
Song: "Holier Than Thou"
Lyric: "You lie so much you believe yourself"
Why I Love It: While most of the lyrics I love are melancholy or introspective, this last one is angry. I've thought about this lyric a lot over the past two years and how aptly it applies to politicians in general and our president in particular. They lie and stretch the truth with such frequency that they themselves lose track of what the truth is and what is a falsehood. Few things in this world bother me more than a liar so I suppose it's only natural that I gravitate toward this lyric.
There it is - my second list of lyrics I love. I hope you enjoyed it. Thanks for reading!
Thursday, August 2, 2018
Make America Hate Again
"Fear leads to anger. Anger leads to hate. Hate leads to suffering." - Yoda
"It is never too late to give up our prejudices." - Henry David Thoreau
Our nation, much like the rest of the world, has a long and ignominious history of bigotry and intolerance. From slavery to the Trail of Tears. From "Irish need not apply" to Jim Crow. From the KKK to race riots in the 1960s. While the United States was nothing short of revolutionary in its system of government and the freedoms protected, that doesn't mean that our nation is without its faults.
Over the past 50 years or so, things have gotten better. Overt racism became less acceptable (if not less common) and people learned to live, learn and work next to people of other races, ethnicities, religions, sexual orientations, etc. However, over the past three years, the tide seems to have turned - and not in a good direction. The primary reason? The person who currently resides at 1600 Pennsylvania Avenue.
From the earliest days of his campaign in 2015, Donald Trump made a habit of saying incendiary things and defaming other people. From asserting that all immigrants from Mexico are rapists, criminals and drug smugglers to calling his opponents "Lyin' Ted," "Crooked Hillary," and "Rocket Man," to stating that there were "very fine people" amongst the white supremacists who marched in Charlottesville to his border security policies, his primary modus operandi has been to rile up his followers by playing on their fears and demonizing those of different backgrounds or political persuasions. In a sense, he has made saying xenophobic things in public acceptable again and that is NOT a good thing.
(As an aside, during the Clinton impeachment trial during the late 1990s, I recall Republicans stating that Clinton's lies couldn't be tolerated or allowed because it would send the signal that lying under oath was acceptable. However, many of those same people appear to not have any problem with Trump's antics which appear to send the signal that saying racist things is acceptable.)
Trump's behavior has unquestionably worked well for him so far. He has appealed to the worst of human kind - our unfounded xenophobic fears - to foment disgust over things people do not like or understand. I'm not even sure how much of what he says he actually believes but he understands that, like a dog whistle, he can draw people towards himself by playing on their fears, turning those fears into hatred and pushing his followers to act upon that hatred and vote accordingly. While it has thus far proven to be a successful strategy, it is indisputably a negative thing for our country. He legitimized hatred, bigotry and misogyny and, at the end of they day, no one benefits from that, regardless of your gender, race, ethnicity or religion.
Thanks for reading.
Thursday, July 12, 2018
Best and Worst Sports Stadium Names
I love sports. I also love "best and worst" lists. Anyone who has been a regular reader of this blog can attest to both of those. With that in mind, I wanted to do a list of the best and worst sports stadium/arena names.
Before we get started, let me say that I hate the trend of corporate sponsorships of stadium and arena names. Some work better than others (those corporate names that are also a person's last name - Busch, Miller, Coors, Wrigley - aren't too bad), but in general, corporates names on stadiums suck. Aside from generally sounding stupid, they often result in sports facilities frequently changing names as corporations merge, get acquired or go out of business. For instance, the current arena in St. Louis is now on it's 4th name since 1994 while the arenas in Tampa, Philadelphia and Nashville are all on their 4th name since 1996. Even worse, the football stadium in Nashville is on it's 4th name since 1999! Aside from that, I don't understand why corporations spend tens or millions of dollars on having a sports facility named after them. I mean, Scottrade and Edward Jones both had their names on sports facilities in St. Louis for years and I didn't move any of my investments to either of those companies and I'm sure no one else did, either.
For this post, we're focusing only on "big league" professional sports stadiums and arenas. We're not including any college or minor league facilities. Here we go...
Best Stadium Names (in no particular order):
Candlestick Park (1960-2014), San Francisco, CA - The stadium was named after its location on Candlestick Point on the western shore of San Francisco Bay, which was itself named for the candlestick birds that used to frequent the area. I had the experience of attending a Giants game there in 1987. While the setting for the stadium was beautiful, the stadium was not. In spite of the fact that we were attending a game during the middle of the summer, we had to wear coats to the game and still froze thanks to the cool wind that the area is known for. The game we were at featured a hot dog wrapper that blew around the stadium for several innings. For the last decade or so of its existence, it unfortunately swapped it's great name for dumb corporate names like "3Com Park at Candlestick Point" and "Monster Park."
Riverfront Stadium (1970-2002), Cincinnati, OH - The stadium, which was located on the banks of the Ohio River in downtown Cincinnati, was appropriately named for its location. The stadium itself was one of the multitude of multipurpose cookie cutter concrete bowls that sprouted up all over the country in the 1960s and 1970s, so it was pretty nondescript. But I always loved the name. Unfortunately, toward the end of its run, it succumbed to the corporate name craze, being changed to "Cinergy Field" from 1996-2002 after Cincinnati-based energy company Cinergy.
Three Rivers Stadium (1970-2000), Pittsburgh, PA - Like the preceding stadium, the actual facility was another faceless cookie cutter stadium. But also like the first two stadiums, it had a unique name inspired by the physical location of the stadium. In this case, the stadium was situated in Pittsburgh at the confluence of the Allegheny and Monongahela Rivers where they form the Ohio River. Unlike the first two stadiums on the list, this one never had a corporate name and stuck with its wonderful moniker throughout its 30 year existence.
Mile High Stadium (1948-2000), Denver, CO - Unlike the first three stadiums on our list, this one is nowhere near a body of water. Rather it is named after its location in Denver, which is nicknamed the Mile High City. The name was so good that they tried to maintain a part of it in the stadium that replaced it, in spite of stupid corporate names (Invesco Field at Mile High and then Sports Authority Field at Mile High).
Checkerdome (1977-1983), St. Louis, MO - Perhaps I'm biased, but this is one of the few times when a corporate name tie-in was kind of cooler than the original name. The St. Louis Arena was the premier indoor sports facility in St. Louis from 1929 until the mid 1990s. For all but 6 years of its existence, the venerable old barn (literally - it was built as the permanent home of the National Dairy Show) was called the St. Louis Arena. But from 1977-1983, the arena and the Blues were owned by Ralston-Purina and it was renamed the "Checkerdome" as an homage to Purina's well known checkerboard logo. Once Purina decided to sell the building and the team, it reverted back St. Louis Arena.
SkyDome (1989 - present), Toronto, Ontario - When this stadium opened in 1989, it was groundbreaking. It was a retractable roof dome that featured a Hard Rock Cafe and a hotel. It was the most cutting edge facility, so the name SkyDome was fitting. Unfortunately, in 2005, the naming rights were sold to Rogers Communications and the name was changed from SkyDome to the decidedly less cool Rogers Centre (see worst names section below).
Saddledome (1983 - present), Calgary, Alberta - This arena got its name based upon it's unique saddle shape, which was, in turn, influenced by its location on the Calgary Stampede grounds. It was built in the early 1980s as a new home for the Calgary Flames and to host the hockey and ice skating events in the 1988 Winter Olympics. While it has had some lame corporate sponsorships over the years (Canadian Airlines, Pengrowth and Scotiabank), the have always kept "Saddledome" as part of the name. There is talk of replacing this arena sometime in the near future, but until then we can only hope that that the current building maintains its cool name.
Northlands Coliseum (1974 - 2018), Edmonton, Alberta - Sticking with the Canadian province of Alberta, we move a few hours further north to Edmonton, which is the city furthest north to have one of the "big 4" pro sports teams. This, of course, means that the name Northlands Coliseum fits perfectly, though it's actually named after the Northlands entertainment complex of which it is a part. The arena had several lame corporate names over its existence (Skyreach Centre and Rexall Place among them), but it reverted back to this unique name back in 2016. Unfortunately, the Oilers have moved to a new arena with the terribly common name of Rogers Place (see worst names section below.)
Astrodome (1965 - present), Houston, TX - Known as the so called "Eighth Wonder of the World" when it opened, the Astrodome was the world's first domed stadium. It was a modern, cutting-edge facility that was given the oh so appropriate name of the "Astrodome", which was also a nod to Houston's importance to NASA and America's space industry. The first dome also led to the first artificial grass playing surface which was, of course, named AstroTurf.
Madison Square Garden (1964 - present), New York, NY - It's the most famous arena in the world and it's actually the fourth arena to bear this name. The first two (built in 1879 and 1890) were located in Madison Square in Manhattan. The third (built in 1925) was located further uptown, while the current facility is situated above Pennsylvania Station in Midtown Manhattan. The "garden" name later inspired the name of the Boston Garden. The building has never had a corporate name; rather, the MSG become the name of a corporation and a broadcasting network.
Polo Grounds (1890 - 1963), New York, NY - Staying in The Big Apple, this venerable stadium was site of Bobby Thomson's "Shot Heard 'Round the World" in 1951 as well as Willie Mays's incredible over the shoulder catch in the 1954 World Series. The stadium was built on the site of a former polo field which gave it its unique name and was known for its distinctive bathtub shape with short distances down the lines (279 to left and 258 to right) but extremely deep distances to CF (483 feet). It served as the home of the New York Giants (both baseball and football), the New York Yankees and the New York Mets before being demolished in the mid 1960s.
Oriole Park at Camden Yards (1992 - present), Baltimore, MD - The landmark retro ballpark that marked the end of the multipurpose cookie cutter stadium era and ushered in the era of retro ballparks. It has a simple name that reflects both the name of the team that plays there as well as its location at site of the old Camden Station rail yards. Thankfully, unlike most of the new "retro" stadiums that followed in its wake, this gem has kept its non-corporate name throughout its existence.
Worst Stadium Names (in no particular order):
PSINet Stadium (1998 - present), Baltimore, MD - Just a short distance from Oriole Park at Camden Yards is the football stadium in Baltimore. Initially, it was called Ravens Stadium at Camden Yards, keeping with the same naming convention used with the baseball stadium. Unfortunately, they then went the corporate route and changed it to PSINet Stadium after PSINet, one of the first Internet Service Providers. Within 2 years, the company went bankrupt, so I suppose the idea that this naming right would help the profile of the company didn't work out so well. Unfortunately, the stadium wound up with another lame corporate name - M&T Bank Stadium. The Ravens team name is awesome - seeing as how it is a tribute to Edgar Allen Poe and his poem "The Raven" - but the stadium name stinks.
Anything with AT&T in the Name - There's AT&T Stadium in Arlington, TX. There's AT&T Center in San Antonio, TX. There's AT&T Park in San Francisco, CA. Three different facilities - one for football, one for basketball and one for baseball - all with, essentially, the same name. Any way you slice it, it's dumb. And has anyone actually switched to AT&T from another provider because of it? I think not.
Anything with Rogers in the Name - This is the Canadian equivalent of the AT&T thing. There's Rogers Centre in Toronto. There's Rogers Place in Edmonton. There's Rogers Arena in Vancouver. Three different facilities all with, essentially the same name. Boring and dumb.
Sleep Train Arena (1988-2016), Sacramento, CA - As I stated earlier, corporate names suck. Some are just worse than others. This is one of the worst. Do I really need to elaborate? By the way, do you want to know what this arena was called before this? The Power Balance Pavilion. Yuck. They should have gone with "Capitaldome" or something playing up Sacramento's role as the capital of the country's most populous state.
Vivint Smart Home Arena (1991 - present), Salt Lake City, UT - This is another arena that has had a corporate name throughout its history, though the names just keep getting worse. First, it was Delta Center, which isn't terrible. Then it was EnergySolutions Arena after a nuclear waste company. Since 2015, it has borne its current ridiculous name due to a naming rights deal with a home security company.
Guaranteed Rate Field (1991 - present), Chicago, IL - Originally known as New Comiskey Park or Comiskey Park II, it was known as US Cellular Field for 13 years before switching to this horrendous name in late 2016. Named after a Chicago-based mortgage company that probably none of you have heard of, this has to rank as one of the worst stadium names. In a city as diverse and exciting as Chicago, it's a shame that this is, apparently, the best that the White Sox could do.
St. Pete Times Forum (1996 - present), Tampa, FL - This name is bad for several reasons. First of all, it was named after a newspaper. At a time when newspapers are struggling to survive, who thought it was a good idea to spend millions on a naming rights deal? Even worse, it's named after the paper in St. Petersburg when the arena is in Tampa! To be fair, they did change the name to Tampa Bay Times Forum (which is at least more accurate) in 2012 before changing it to Amalie Arena (after an oil company) in 2014.
KFC Yum! Center (2010 - present), Louisville, KY - A beautiful arena in a terrific location (right on the Ohio River in downtown Louisville) with a stupid, stupid name. The KFC abbreviation would be bad enough, but adding the Yum and the "!" to it just makes it even worse. Something like "Riverfront Coliseum" would have been great. Or how about the "Kentucky Bourbon Barn?"
Smoothie King Center (1999 - present), New Orleans, LA - Of all of the dumb corporate names of sports facilities, this one takes the cake. Do I even need to explain any further? New Orleans is a festive place characterized by all manner of debauchery and lasciviousness, so having an arena named after a healthy, wholesome beverage purveyor just doesn't seem right. How about "Laissez Les Bon Temps Rouler Center?"
Wednesday, June 13, 2018
Just Because
- Just because you disagree with something...that doesn't mean that it should be illegal.
- Just because you disagree with a person's religion or beliefs or lifestyle...that doesn't mean you shouldn't still treat that person with respect and kindness. A little kindness can go a long way.
- Just because you are having a bad day...that doesn't give you permission to ruin someone else's.
- Just because something is right for you...that doesn't mean that it is right for someone else.
- Just because you may not like what someone says about you...that doesn't mean it isn't true.
- Just because you may not like what someone reports about you or about an issue...that doesn't make it false or "fake news".
- Just because a talking head said it on TV or the radio...that doesn't make it true. Think for yourself!
- Just because someone supports Democrats...that doesn't make them a Socialist or a Communist. They may just support a different role of government than you do.
- Just because someone supports Republicans...that doesn't make them a racist who hates poor people or minorities and just loves money. They may just support a different role of government and personal responsibility than you do.
- Just because someone has a college education and a good job that pays well...that doesn't mean that they were born with a silver spoon in their mouth. You have no idea what they did in order to get through college and get to where they are in their career.
- Just because someone doesn't have a college degree...that doesn't mean they are lazy or stupid. We all have different talents and skills and a college degree may not be the right path for everyone.
- Just because a movie or a song is popular or makes a lot of money...that doesn't necessarily mean it's good.
- Just because a movie or song or band isn't popular or makes a lot of money...that doesn't mean it's bad. Some of the best movies I've seen and best music I've heard is completely unfamiliar to most people.
- Just because a person is from one of the coasts...that doesn't mean that they are a snooty, godless, elite.
- Just because a person is from "flyover country" or the South...that doesn't mean that they are an ignorant yokel who "clings to their God and their guns."
- Just because someone is vulnerable...that doesn't mean that you should take advantage of them.
- Just because someone appears to be happy...that doesn't mean that they aren't battling depression.
- Just because you failed before...that doesn't mean you should stop trying.
- Just because something happened before...that doesn't mean it will happen again.
- Just because you can...that doesn't mean that you should.
Friday, May 25, 2018
Parental Worries
A big part of being a parent is worrying. From the moment you find out that you're pregnant (and by you're I'm referring jointly to both mom and dad) until, presumably, you die, you worry about your kids. It's just that over time, what you worry about changes. I was reminded of this again last week when my son got his learner's permit and this past weekend, when I took him for his first driving lesson.
When you're pregnant, you worry about having a healthy baby. That you won't have a miscarriage. That your baby will have ten fingers and toes, etc. Pregnant women spend large amounts of money on prenatal vitamins and healthy eating and forego some of the other things they enjoy (caffeine, alcohol, etc.) to, in part, ensure that they have a healthy baby. Once the baby is here and he or she is healthy and they do, in fact, have the requisite number of fingers and toes, you worry about them hitting all of the milestones they are supposed to hit as infants and then toddlers. Reaching for things. Rolling over on their own. Pulling themselves up. Walking. Crawling. All of those things that show up in books like "What to Expect During the First Year."
Once you get past those hurdles, you start to be more concerned with their cognitive abilities and social skills. Are they learning their colors and letter and numbers? Are they able to get along with other kids and make friends? Will they be ready for kindergarten when they are 5? Parents worry about all of these things often. Meanwhile, their little ones are oblivious to mom and dad's concerns and are instead focused on playing and exploring.
As their kids move on through elementary school and into middle school and high school, parents start to worry about their kids making friends with "good kids" and not fall in with the "wrong crowd." Parents worry about their kids getting into booze or drugs. As kids sometimes get sullen in their teenage years and less willing to communicate with their parents, parents thus worry about what is going on in their kids' heads. Are they happy? Struggling with depression?
As things move on in their high school years, kids (and their friends) start driving and parents start worrying about car accidents and just hoping that their kids make it back home alive every night. And they worry about their kids graduating from high school and then moving on to college or the military or a trade school. Often, those options involve the kid being far from home. For those first 18 years, parents worry about their kids even when they are all under the same roof. So how much worse is it when the kid goes away to college or joins the military? Out of sight certainly doesn't mean out of mind.
Even as the kids move on into adulthood, parents still worry about their kids. Will they graduate from college? Will they be able to get and keep a job? Will they find that special someone and start a family of their own?
So, from conception until death (or dementia), parents worry about their kids. What they worry about changes over time, but the worry is always there.
Having said that, you may wonder why anyone would even WANT to be a parent? Why put yourself through all of those worries if you don't have to? Because with those worries come so much joy and so many rewards. Few things are better than seeing your kids happy and successful. When they get an A on that test they've studied so hard for. When they get that big hit to win the game. When they get asked to that dance at school. When they make good decisions on their own and display the morals and beliefs you have worked so hard to instill in them. When they put on that cap and gown and walk across that stage or when they walk down that aisle. Invariably, every parent sees some of themselves in their child and when they see that child happy or successful, it makes them feel happy and successful. And, believe it or not, those moments make all those years of worry worth it.
Thanks for reading.
When you're pregnant, you worry about having a healthy baby. That you won't have a miscarriage. That your baby will have ten fingers and toes, etc. Pregnant women spend large amounts of money on prenatal vitamins and healthy eating and forego some of the other things they enjoy (caffeine, alcohol, etc.) to, in part, ensure that they have a healthy baby. Once the baby is here and he or she is healthy and they do, in fact, have the requisite number of fingers and toes, you worry about them hitting all of the milestones they are supposed to hit as infants and then toddlers. Reaching for things. Rolling over on their own. Pulling themselves up. Walking. Crawling. All of those things that show up in books like "What to Expect During the First Year."
Once you get past those hurdles, you start to be more concerned with their cognitive abilities and social skills. Are they learning their colors and letter and numbers? Are they able to get along with other kids and make friends? Will they be ready for kindergarten when they are 5? Parents worry about all of these things often. Meanwhile, their little ones are oblivious to mom and dad's concerns and are instead focused on playing and exploring.
As their kids move on through elementary school and into middle school and high school, parents start to worry about their kids making friends with "good kids" and not fall in with the "wrong crowd." Parents worry about their kids getting into booze or drugs. As kids sometimes get sullen in their teenage years and less willing to communicate with their parents, parents thus worry about what is going on in their kids' heads. Are they happy? Struggling with depression?
As things move on in their high school years, kids (and their friends) start driving and parents start worrying about car accidents and just hoping that their kids make it back home alive every night. And they worry about their kids graduating from high school and then moving on to college or the military or a trade school. Often, those options involve the kid being far from home. For those first 18 years, parents worry about their kids even when they are all under the same roof. So how much worse is it when the kid goes away to college or joins the military? Out of sight certainly doesn't mean out of mind.
Even as the kids move on into adulthood, parents still worry about their kids. Will they graduate from college? Will they be able to get and keep a job? Will they find that special someone and start a family of their own?
So, from conception until death (or dementia), parents worry about their kids. What they worry about changes over time, but the worry is always there.
Having said that, you may wonder why anyone would even WANT to be a parent? Why put yourself through all of those worries if you don't have to? Because with those worries come so much joy and so many rewards. Few things are better than seeing your kids happy and successful. When they get an A on that test they've studied so hard for. When they get that big hit to win the game. When they get asked to that dance at school. When they make good decisions on their own and display the morals and beliefs you have worked so hard to instill in them. When they put on that cap and gown and walk across that stage or when they walk down that aisle. Invariably, every parent sees some of themselves in their child and when they see that child happy or successful, it makes them feel happy and successful. And, believe it or not, those moments make all those years of worry worth it.
Thanks for reading.
Saturday, May 19, 2018
Same Title, Different Song
As I was scrolling through my playlist the other day, I noticed that I had several songs that had the same title but were completely different songs by completely different artists. I then started thinking how those songs compared to one another - their similarities, differences and musical styles. Of course, as I'm apt to do, I decided to make a blog post about this.
Here are the rules:
1.) The songs must have the same title but not the same lyrics. No remakes or covers allowed!
2.) The songs must have been recorded and included on a album that was released by a record label. No unrecorded songs allowed.
3.) The songs are listed in rough chronological order based on the release date of the album on which the song was initially included.
Most of these songs - but not all of them - are on my playlist.
Here we go...
Song Title: "Dreams"
Artist #1: Fleetwood Mac (1977) - This song was the second single from Fleetwood Mac's monster album, Rumours, an album that has sold more than 20 million copies in the U.S. and more than 40 million copies worldwide. Interestingly, this song is the only Fleetwood Mac song to top the
Billboard 100 charts and it is, without a doubt, one of their most famous songs. The "thunder only happens when it's raining" line in the chorus is iconic and I remember by parents listening to it when I was a kid. Stevie Nicks wrote and sang the song and, like most of the songs on Rumours, it deals with the end of a relationship. It's really a kiss off to a former lover who the singer opines will regret their decision to end the relationship. A steady drum beat and bass line propel the song, which is why it's on the playlist I use when going for a run. The song also includes the great line "players only love you when they're playing." Stevie has a way with words, doesn't she? TGR Grade: A
Artist #2: Van Halen (1986) - This song was the second single from Van Halen's album 5150, which was their first album after replacing lead singer David Lee Roth with Sammy Hagar. This song is decidedly more upbeat than the aforementioned song, both musically and lyrically. Where Fleetwood Mac's "Dreams" is downcast and subdued (fitting its lyrical contact), Van Halen's "Dreams" is a big,
loud arena rocker in which the narrator encourages his significant other to spread her wings, climb higher and chase her dreams. The song prominently features Eddie Van Halen's synthesizers throughout, as well as his typical searing guitar solo in the middle. We don't hear Sammy Hagar's vocals until nearly a full minute into the song. This song is, in my opinion, a perfect snapshot of the so called "Van Hagar" years. Catchy, anthemic, synth-laden. It was a Top 40 hit for the band and helped catapult 5150 to more than 6 million in sales. TGR Grade: B+
Artist #3: The Cranberries (1992) - Whereas the previous two songs were hit songs by well established American bands, this one was the debut single of a band from Ireland. This song is an ethereal tune prominently featuring the recently departed Dolores O'Riordan's distinctive vocals.
Like the Fleetwood Mac song, the lyrics deal with a relationship. Unlike the Fleetwood Mac song, this one has a more positive outlook at the beginning of a relationship. I think most people can relate to the sentiment of falling for someone, dreaming of a future together, while also pleading that he or she doesn't break your heart. While the song didn't manage to crack the Top 40 on the Billboard 100, it did hit the Top 15 on the Alternative Songs Chart in the U.S. and charted in a half dozen countries around the world. While it wasn't the band's biggest hit (both "Linger" and "Zombie" would exceed this song's popularity), it was their first hit and the song that put them on the map in the world of 1990s alternative music. TGR Grade: B+
Song Title: "Jump"
Artist #1: Van Halen (1984) - This song was the lead single from Van Halen's massive hit album 1984. Released in the waning days of 1983, it became Van Halen's first and only #1 hit on the Billboard Hot 100 in February 1984. It held the top spot for 5 weeks, succeeding Culture Club's "Karma Chameleon", before eventually being knocked out of the top spot by "Footloose" by Kenny Loggins. In addition to being their biggest hit, the song marked a transition for the band. Whereas early Van Halen songs were focused on and built around Eddie Van Halen's guitar licks, "Jump" is propelled instead by a rolling synthesizer line, also played by Eddie. This synth-laden version of Van Halen would foreshadow the band's sound on their next two albums (see the aforementioned "Dreams") and lead, in part, to the departure of David Lee Roth from the band. Lyrically, the song doesn't have much depth or many lyrics, but it is upbeat and catchy. The music video, with Roth dancing, jumping and doing slow motion karate kicks, was a huge hit on MTV. The song and video helped make 1984 the band's biggest hit with more than 10 million copies sold in the U.S. alone. The album peaked at number 2 for five weeks but was held out of the top spot by Michael Jackson's Thriller. TGR Grade: A-
Artist #2: The Pointer Sisters (1984) - OK, officially this song is known as "Jump (For My Love),"
but it was originally called "Jump" when the album Break Out was released in 1983. The parenthetical was only added prior to its release as a single in 1984 to distinguish it from the aforementioned Van Halen song of the same name. This song was released a few months after Van Halen's and it peaked at #3. Whereas Van Halen's "Jump" is an arena rocker, The Pointer Sisters' is an electro-dance tune typical of their sound and much of the R&B and pop music of the early to mid 1980s. "Jump" is the second in a string of four Top 10 hits for the group during 1984 and those songs helped make Break Out their biggest album, going triple platinum. Whereas Van Halen's song still receives plenty of airplay on '80s and classic rock stations, this song is one of those hits that didn't age quite as well and has faded away over the past three decades. TGR Grade: C
Artist #3: Kriss Kross (1992) - Ahhh.....the early 1990s. That period when hair bands were fading into oblivion and being replaced by grunge and alternative rock and when fun (and funny) rap songs
were being replaced by gangster rap. Into this time of transition came this song, which was the debut single for Kriss Kross. Kriss Kross was the moniker of two pre-pubescent rappers whose claim to fame (besides this song) were wearing their clothes backwards and calling themselves "Mac Daddy" and "Daddy Mac," which seems woefully inappropriate considering that these guys didn't even have hair on their junk when this song came out. For some inexplicable reason, this song was a massive hit, topping the charts for 8 weeks. In fact, I'm ashamed to admit that this was the #1 song in the country when I graduated from high school in early June 1992. It's even harder to believe that it was a hit when it's two tweens rapping about how "fly," "lovable, huggable" they are and that virtually every line in the song contains the words "kriss," "kross," "daddy," "mac," and "jump." Seriously, those five words appear a combined total of 132 times. 132 times in a 3 minute, 17 second long song! This was the duo's only #1 hit song, which I'm sure isn't a surprise to anyone when you consider everything I just said about it. TGR Grade: D
Song Title: "Heaven"
Artist #1: Bryan Adams (1985) - This song was actually recorded in 1983 and almost wasn't included on Adams's giant 1984 album Reckless. Both Adams and his producer thought the sound was "too light" and not a good fit amongst rockers like "Summer of '69", "Somebody" and "Run to
You." However, Adams changed his mind at the last minute and included it. It was a smart move, as the song got all the way to #11 on the charts, one of six Top 20 hits from the album, which went on to sell more than 5 million copies in the U.S. and 12 million copies worldwide. Adams had been touring with and opening for Journey and, as such, the song is heavily inspired by that band's power ballads like "Faithfully." The song's lyrics are about finding that special someone and how, when you are with that person, it's akin to being in heaven. It's not the most unique sentiment, but with Adams's raspy, heartfelt vocals, it works. These days, this song doesn't receive the airplay of "Summer of '69," the single released right after this song, but it's still a good song and a precursor to the many ballads that Adams struck big with in the early 1990s. TGR Grade: B+
Artist #2: Warrant (1989) - If you were a so called "hair band" in the late '80s, it was almost a requirement that you record a power ballad. Often, those power ballads became the band's biggest hit. Such is the case with this song. This song, the second single from the band's debut album, was
Warrant's biggest hit, peaking at #2 on the Billboard Hot 100 chart. It stayed at #2 for two weeks, held out of the top spot by, of all songs, "Girl I'm Gonna Miss You" by Milli Vanilli. The general theme of the song is similar to the aforementioned Bryan Adams song: equating heaven with being with the person you love. However, this song is a little more melancholy, looking back at faded photographs and walking alone down a boulevard late at night, making seem as if the singer has lost his love but is still hanging on and hoping that she will come back ("I don't know what to do but I'm never giving up on you.") Musically, this is a perfect example of the hair band power ballad: acoustic guitar and softer verses with electric guitars and a harder rocking chorus. Fortunately, this power ballad isn't quite as saccharine as some of the power ballads released by the band's contemporaries and, as such, it has aged better some of the other songs. TGR Grade: B
Artist #3: Better Than Ezra (1995) - Many of you may have never even heard of this song. It's an album track from the band's major label debut album, Deluxe, which produced hit songs like "Good"
and "In The Blood." I love this album - it's one of my favorites of all time. Every song on it is good and, 20+ years later, I know every lyric of every song. Having said that, I have no idea what this song is about. Unlike the previous two songs, this one is not about being with the one you love. Much of it is, quite frankly, sentence fragments that really have little to no meaning. It does, however, feature this lyric which I really like: "heretics and hypocrites/wear the same face through the years/of telling lies and laying blame/damn the fire to feed the flame" The song has a slower tempo than most of the songs on the album and features a nice bass line from Tom Drummond who co-wrote the song with the band's guitarist, lead singer and primary songwriter Kevin Griffin. This isn't one of the band's best songs, but I still like it. TGR Grade: B
Song Title: "Alive"
Artist #1: Pearl Jam (1991) - This is the debut single from one of the most beloved American rock bands of the last 50 years. It helped launch the so-called grunge movement and "Seattle sound"
that came to define the musical landscape of the 1990s. The album on which this song appeared, Ten, has sold more than 10 million copies in the U.S. While fellow Seattle rock legends Nirvana are typically credited with ushering in the era of grunge, Ten was actually released a month before that band's iconic Nevermind. Closing in on 30 years after its initial release, this song remains one of the most popular songs in Pearl Jam's impressive canon. It's not hard to understand why. It's a rocker with a big, arena-ready chorus that features one of the great guitar solos of all time in the coda. In fact, the solo, played by Mike McCready, was ranked among the 50 greatest guitar solos of all time by Guitar World and Total Guitar. While the music and melody are big, loud and, at first listen, uplifting or inspirational, the lyrics are in fact decidedly dark. They tell the story of a young man whose mother has just informed him that the man he thought was his father isn't, in fact, his father and that his real father is dead. In a sense, those serious lyrics help explain, in a nutshell, the shift in rock from the late 1980s to rock in the early 1990s. While the party hard, hair bands of the late '80s talked about just having "a good time" and staying "up all night," the grunge bands of the early '90s had lyrics dealing with depression and broken families and other dark subjects. Pearl Jam has recorded a lot of great music over the past 30 years, but this song remains one of their best and it's one of my all time favorites. TGR Grade: A
Artist #2: Edwin McCain (1995) - While Pearl Jam's "Alive" was a big hit, this song - which was the first song on McCain's major label debut album, Honor Among Thieves, was never released as a single. While McCain would go on to have some success in the latter '90s with ballads like "I'll Be," this song is a great example of the funky, acoustic, singer-songwriter vibe that dominated his first few
albums. It's both a love letter to New Orleans and the power that music can have on the human spirit. The first verse, for example, deals with a record store owner on St. Charles Street whose father and wife recently passed away but who is still finding the strength to go on, partly because of music. The bridge also contains the great line "you know life's a roller coaster, it ain't got no safety bar." So while the music in this song is completely different from Pearl Jam's song of the same name (Edwin's has acoustic guitar and a wind controller rather than Pearl Jam's big guitars), there are some lyrical similarities. In both songs, people have faced difficult circumstances and are finding a way to persevere and keep going.
TGR Grade: A-
Song Title: "True"
Artist #1: Spandau Ballet (1983) - This song is a great example of the New Wave music that dominated the radio airwaves in the early to mid 1980s. While Spandau Ballet had a lot of success in the UK during the '80s, this song was their only hit US hit, where it hit #4 in 1983. Typical of the
New Wave music of the time, it features prominent synthesizers and electronic drums. Unlike much of the music at the time, it shows some literary and cultural awareness, with lyrics mentioning Marvin Gaye and adapting lines from Nabokov's Lolita. The song ins supposedly about a platonic relationship but who knows because the song is primarily just known for its music and the oft repeated "Uh huh huh HUH huh. I know this much is true" line. While the song was enormously popular worldwide, it has also frequently appeared on "Worst Songs of All Time" lists. This likely largely to do the repetitive nature of the song, which is particularly noticeable on the album version, which drags on for 6 and a half minutes. The song gained a second wind, of sorts, in the 1990s when it was sampled by PM Dawn for their hit song "Set Adrift on Memory Bliss" in 1991 and when Steve Buscemi famously covered it in an uncredited cameo as a cheesy wedding singer in Adam Sandler's hit 1998 film "The Wedding Singer." It was also featured prominently in an ad for the Chevy Malibu in 2012. TGR Grade: B-
Artist #2: George Strait (1998) - The first country entry on the list has to come from none other than King George. While he is arguably the most successful country music artist of all time with more than 50 #1 hits under his belt, this isn't one of those #1s. This song peaked at #2 in 1998 in the U.S., though it did top the charts in Canada. While the Spandau Ballet song is kinda sorta maybe about love, this song (written by Marv Green and Jeff Stevens) is unambiguously about love. But whereas
most country love songs are slow ballads, this song is an upbeat, up-tempo number. While Strait has always stuck to his country roots and avoided the pop crossover crap that has plagued country music over the past decade (God bless him for that), this song is about as close to be big arena rocker as he gets. While it features steel guitar and fiddle, it is primarily driven by an electric guitar hook. The lyrics profess his love and compare it to the sun coming up in the morning, a baby's smile, a mountain river and rain. From that standpoint, using outdoor metaphors to convey the power of his love, it bears some similarities to Randy Travis's smash hit "Deeper Than The Holler" from a decade before. In the hands of a lesser singer, this song might be a little too treacle, but Strait's voice and delivery turn it into something special. While this isn't one of my favorite George Strait songs, it's still a lot better than most of the garbage you can find on country radio these days. TGR Grade: B+
Song Title: "Shout"
Artist #1: The Isley Brothers (1959) - Of all of the hit songs that came out of the first two decades of rock 'n roll, this is one of the most enduring. How many other nearly 60 year old songs still get played regularly at sporting events, dances and wedding receptions? Interestingly, the song never even cracked the Top 40. However, in spite of its lack of chart success, it is unquestionably an
enormous hit, as evidenced by the aforementioned frequency at which it is still played and the fact that it was inducted into the Grammy Hall of Fame in 1999 and listed as #118 on Rolling Stone's list of "The 500 Greatest Songs of All Time." Though it was originally written and recorded by The Isley Brothers in 1959, it has been covered countless times by other music legends such as The Beatles, Tom Petty & The Heartbreakers, and - most famously - by Otis Day and the Knights. Their version was featured in the 1978 comedy classic National Lampoon's Animal House, which re-introduced the song to a whole new generation of music lovers and party animals. The song is incredibly simple but also incredibly catchy. It's a call and response with the lead singer saying different phrases, to which the rest of the band or backing singers reply "Shout". However, it's the dance and the "little bit softer now" that really gave the song its longevity, some of which can invariably be linked to Bluto and the gang dancing to it at the toga party in Animal House. The song is still a favorite nearly 60 years after it's initial release and there's no reason to believe that will change in the next 60 years. TGR Grade: A
Artist #2: Tears for Fears (1985) - Tears for Fears' sophomore album Songs From The Big Chair was one of the biggest hit albums of 1985. It sold more than 5 million copies in the U.S. and more than 7 million copies worldwide. The album produced 3 top 5 hits, including this song, which was the band's first #1 single. Whereas The Isley Brothers' "Shout" is a fun party song, Tears for Fears'
"Shout" is a protest anthem of sorts, encouraging people to raise their voices against things they don't agree with. Musically, the song is another good example of pop music in the mid 1980s, with synthesizers, shimmering guitars and a drum machine. The song, however, has an interesting structure. Instead the typical verse-chorus-verse-chorus set up, the song starts with the chorus twice followed be a few verses, another chorus, another verse, and then the chorus several more times. It gets a little repetitive after a while. Overall, it's a good song and it's often considered their signature song, though I'd put several of their later songs, namely "Everybody Wants to Rule the World," "Head Over Heels" and "Sowing the Seeds of Love," above this song. TGR Grade: B
There you have it - a unique look at some different songs that have the same name but completely different styles and stories. I hope you enjoyed it. There are some other song titles for which I could do this, but I'll save those for a future blog post.
As always, thanks for reading!
Here are the rules:
1.) The songs must have the same title but not the same lyrics. No remakes or covers allowed!
2.) The songs must have been recorded and included on a album that was released by a record label. No unrecorded songs allowed.
3.) The songs are listed in rough chronological order based on the release date of the album on which the song was initially included.
Most of these songs - but not all of them - are on my playlist.
Here we go...
Song Title: "Dreams"
Artist #1: Fleetwood Mac (1977) - This song was the second single from Fleetwood Mac's monster album, Rumours, an album that has sold more than 20 million copies in the U.S. and more than 40 million copies worldwide. Interestingly, this song is the only Fleetwood Mac song to top the
Billboard 100 charts and it is, without a doubt, one of their most famous songs. The "thunder only happens when it's raining" line in the chorus is iconic and I remember by parents listening to it when I was a kid. Stevie Nicks wrote and sang the song and, like most of the songs on Rumours, it deals with the end of a relationship. It's really a kiss off to a former lover who the singer opines will regret their decision to end the relationship. A steady drum beat and bass line propel the song, which is why it's on the playlist I use when going for a run. The song also includes the great line "players only love you when they're playing." Stevie has a way with words, doesn't she? TGR Grade: A
Artist #2: Van Halen (1986) - This song was the second single from Van Halen's album 5150, which was their first album after replacing lead singer David Lee Roth with Sammy Hagar. This song is decidedly more upbeat than the aforementioned song, both musically and lyrically. Where Fleetwood Mac's "Dreams" is downcast and subdued (fitting its lyrical contact), Van Halen's "Dreams" is a big, loud arena rocker in which the narrator encourages his significant other to spread her wings, climb higher and chase her dreams. The song prominently features Eddie Van Halen's synthesizers throughout, as well as his typical searing guitar solo in the middle. We don't hear Sammy Hagar's vocals until nearly a full minute into the song. This song is, in my opinion, a perfect snapshot of the so called "Van Hagar" years. Catchy, anthemic, synth-laden. It was a Top 40 hit for the band and helped catapult 5150 to more than 6 million in sales. TGR Grade: B+
Artist #3: The Cranberries (1992) - Whereas the previous two songs were hit songs by well established American bands, this one was the debut single of a band from Ireland. This song is an ethereal tune prominently featuring the recently departed Dolores O'Riordan's distinctive vocals.
Like the Fleetwood Mac song, the lyrics deal with a relationship. Unlike the Fleetwood Mac song, this one has a more positive outlook at the beginning of a relationship. I think most people can relate to the sentiment of falling for someone, dreaming of a future together, while also pleading that he or she doesn't break your heart. While the song didn't manage to crack the Top 40 on the Billboard 100, it did hit the Top 15 on the Alternative Songs Chart in the U.S. and charted in a half dozen countries around the world. While it wasn't the band's biggest hit (both "Linger" and "Zombie" would exceed this song's popularity), it was their first hit and the song that put them on the map in the world of 1990s alternative music. TGR Grade: B+
Song Title: "Jump"
Artist #1: Van Halen (1984) - This song was the lead single from Van Halen's massive hit album 1984. Released in the waning days of 1983, it became Van Halen's first and only #1 hit on the Billboard Hot 100 in February 1984. It held the top spot for 5 weeks, succeeding Culture Club's "Karma Chameleon", before eventually being knocked out of the top spot by "Footloose" by Kenny Loggins. In addition to being their biggest hit, the song marked a transition for the band. Whereas early Van Halen songs were focused on and built around Eddie Van Halen's guitar licks, "Jump" is propelled instead by a rolling synthesizer line, also played by Eddie. This synth-laden version of Van Halen would foreshadow the band's sound on their next two albums (see the aforementioned "Dreams") and lead, in part, to the departure of David Lee Roth from the band. Lyrically, the song doesn't have much depth or many lyrics, but it is upbeat and catchy. The music video, with Roth dancing, jumping and doing slow motion karate kicks, was a huge hit on MTV. The song and video helped make 1984 the band's biggest hit with more than 10 million copies sold in the U.S. alone. The album peaked at number 2 for five weeks but was held out of the top spot by Michael Jackson's Thriller. TGR Grade: A-
Artist #2: The Pointer Sisters (1984) - OK, officially this song is known as "Jump (For My Love),"
but it was originally called "Jump" when the album Break Out was released in 1983. The parenthetical was only added prior to its release as a single in 1984 to distinguish it from the aforementioned Van Halen song of the same name. This song was released a few months after Van Halen's and it peaked at #3. Whereas Van Halen's "Jump" is an arena rocker, The Pointer Sisters' is an electro-dance tune typical of their sound and much of the R&B and pop music of the early to mid 1980s. "Jump" is the second in a string of four Top 10 hits for the group during 1984 and those songs helped make Break Out their biggest album, going triple platinum. Whereas Van Halen's song still receives plenty of airplay on '80s and classic rock stations, this song is one of those hits that didn't age quite as well and has faded away over the past three decades. TGR Grade: CArtist #3: Kriss Kross (1992) - Ahhh.....the early 1990s. That period when hair bands were fading into oblivion and being replaced by grunge and alternative rock and when fun (and funny) rap songs
were being replaced by gangster rap. Into this time of transition came this song, which was the debut single for Kriss Kross. Kriss Kross was the moniker of two pre-pubescent rappers whose claim to fame (besides this song) were wearing their clothes backwards and calling themselves "Mac Daddy" and "Daddy Mac," which seems woefully inappropriate considering that these guys didn't even have hair on their junk when this song came out. For some inexplicable reason, this song was a massive hit, topping the charts for 8 weeks. In fact, I'm ashamed to admit that this was the #1 song in the country when I graduated from high school in early June 1992. It's even harder to believe that it was a hit when it's two tweens rapping about how "fly," "lovable, huggable" they are and that virtually every line in the song contains the words "kriss," "kross," "daddy," "mac," and "jump." Seriously, those five words appear a combined total of 132 times. 132 times in a 3 minute, 17 second long song! This was the duo's only #1 hit song, which I'm sure isn't a surprise to anyone when you consider everything I just said about it. TGR Grade: D
Song Title: "Heaven"
Artist #1: Bryan Adams (1985) - This song was actually recorded in 1983 and almost wasn't included on Adams's giant 1984 album Reckless. Both Adams and his producer thought the sound was "too light" and not a good fit amongst rockers like "Summer of '69", "Somebody" and "Run to
You." However, Adams changed his mind at the last minute and included it. It was a smart move, as the song got all the way to #11 on the charts, one of six Top 20 hits from the album, which went on to sell more than 5 million copies in the U.S. and 12 million copies worldwide. Adams had been touring with and opening for Journey and, as such, the song is heavily inspired by that band's power ballads like "Faithfully." The song's lyrics are about finding that special someone and how, when you are with that person, it's akin to being in heaven. It's not the most unique sentiment, but with Adams's raspy, heartfelt vocals, it works. These days, this song doesn't receive the airplay of "Summer of '69," the single released right after this song, but it's still a good song and a precursor to the many ballads that Adams struck big with in the early 1990s. TGR Grade: B+
Artist #2: Warrant (1989) - If you were a so called "hair band" in the late '80s, it was almost a requirement that you record a power ballad. Often, those power ballads became the band's biggest hit. Such is the case with this song. This song, the second single from the band's debut album, was
Warrant's biggest hit, peaking at #2 on the Billboard Hot 100 chart. It stayed at #2 for two weeks, held out of the top spot by, of all songs, "Girl I'm Gonna Miss You" by Milli Vanilli. The general theme of the song is similar to the aforementioned Bryan Adams song: equating heaven with being with the person you love. However, this song is a little more melancholy, looking back at faded photographs and walking alone down a boulevard late at night, making seem as if the singer has lost his love but is still hanging on and hoping that she will come back ("I don't know what to do but I'm never giving up on you.") Musically, this is a perfect example of the hair band power ballad: acoustic guitar and softer verses with electric guitars and a harder rocking chorus. Fortunately, this power ballad isn't quite as saccharine as some of the power ballads released by the band's contemporaries and, as such, it has aged better some of the other songs. TGR Grade: B
Artist #3: Better Than Ezra (1995) - Many of you may have never even heard of this song. It's an album track from the band's major label debut album, Deluxe, which produced hit songs like "Good"
and "In The Blood." I love this album - it's one of my favorites of all time. Every song on it is good and, 20+ years later, I know every lyric of every song. Having said that, I have no idea what this song is about. Unlike the previous two songs, this one is not about being with the one you love. Much of it is, quite frankly, sentence fragments that really have little to no meaning. It does, however, feature this lyric which I really like: "heretics and hypocrites/wear the same face through the years/of telling lies and laying blame/damn the fire to feed the flame" The song has a slower tempo than most of the songs on the album and features a nice bass line from Tom Drummond who co-wrote the song with the band's guitarist, lead singer and primary songwriter Kevin Griffin. This isn't one of the band's best songs, but I still like it. TGR Grade: B
Song Title: "Alive"
Artist #1: Pearl Jam (1991) - This is the debut single from one of the most beloved American rock bands of the last 50 years. It helped launch the so-called grunge movement and "Seattle sound" that came to define the musical landscape of the 1990s. The album on which this song appeared, Ten, has sold more than 10 million copies in the U.S. While fellow Seattle rock legends Nirvana are typically credited with ushering in the era of grunge, Ten was actually released a month before that band's iconic Nevermind. Closing in on 30 years after its initial release, this song remains one of the most popular songs in Pearl Jam's impressive canon. It's not hard to understand why. It's a rocker with a big, arena-ready chorus that features one of the great guitar solos of all time in the coda. In fact, the solo, played by Mike McCready, was ranked among the 50 greatest guitar solos of all time by Guitar World and Total Guitar. While the music and melody are big, loud and, at first listen, uplifting or inspirational, the lyrics are in fact decidedly dark. They tell the story of a young man whose mother has just informed him that the man he thought was his father isn't, in fact, his father and that his real father is dead. In a sense, those serious lyrics help explain, in a nutshell, the shift in rock from the late 1980s to rock in the early 1990s. While the party hard, hair bands of the late '80s talked about just having "a good time" and staying "up all night," the grunge bands of the early '90s had lyrics dealing with depression and broken families and other dark subjects. Pearl Jam has recorded a lot of great music over the past 30 years, but this song remains one of their best and it's one of my all time favorites. TGR Grade: A
albums. It's both a love letter to New Orleans and the power that music can have on the human spirit. The first verse, for example, deals with a record store owner on St. Charles Street whose father and wife recently passed away but who is still finding the strength to go on, partly because of music. The bridge also contains the great line "you know life's a roller coaster, it ain't got no safety bar." So while the music in this song is completely different from Pearl Jam's song of the same name (Edwin's has acoustic guitar and a wind controller rather than Pearl Jam's big guitars), there are some lyrical similarities. In both songs, people have faced difficult circumstances and are finding a way to persevere and keep going.
TGR Grade: A-
Song Title: "True"
Artist #1: Spandau Ballet (1983) - This song is a great example of the New Wave music that dominated the radio airwaves in the early to mid 1980s. While Spandau Ballet had a lot of success in the UK during the '80s, this song was their only hit US hit, where it hit #4 in 1983. Typical of the
New Wave music of the time, it features prominent synthesizers and electronic drums. Unlike much of the music at the time, it shows some literary and cultural awareness, with lyrics mentioning Marvin Gaye and adapting lines from Nabokov's Lolita. The song ins supposedly about a platonic relationship but who knows because the song is primarily just known for its music and the oft repeated "Uh huh huh HUH huh. I know this much is true" line. While the song was enormously popular worldwide, it has also frequently appeared on "Worst Songs of All Time" lists. This likely largely to do the repetitive nature of the song, which is particularly noticeable on the album version, which drags on for 6 and a half minutes. The song gained a second wind, of sorts, in the 1990s when it was sampled by PM Dawn for their hit song "Set Adrift on Memory Bliss" in 1991 and when Steve Buscemi famously covered it in an uncredited cameo as a cheesy wedding singer in Adam Sandler's hit 1998 film "The Wedding Singer." It was also featured prominently in an ad for the Chevy Malibu in 2012. TGR Grade: B-
Artist #2: George Strait (1998) - The first country entry on the list has to come from none other than King George. While he is arguably the most successful country music artist of all time with more than 50 #1 hits under his belt, this isn't one of those #1s. This song peaked at #2 in 1998 in the U.S., though it did top the charts in Canada. While the Spandau Ballet song is kinda sorta maybe about love, this song (written by Marv Green and Jeff Stevens) is unambiguously about love. But whereas
most country love songs are slow ballads, this song is an upbeat, up-tempo number. While Strait has always stuck to his country roots and avoided the pop crossover crap that has plagued country music over the past decade (God bless him for that), this song is about as close to be big arena rocker as he gets. While it features steel guitar and fiddle, it is primarily driven by an electric guitar hook. The lyrics profess his love and compare it to the sun coming up in the morning, a baby's smile, a mountain river and rain. From that standpoint, using outdoor metaphors to convey the power of his love, it bears some similarities to Randy Travis's smash hit "Deeper Than The Holler" from a decade before. In the hands of a lesser singer, this song might be a little too treacle, but Strait's voice and delivery turn it into something special. While this isn't one of my favorite George Strait songs, it's still a lot better than most of the garbage you can find on country radio these days. TGR Grade: B+
Song Title: "Shout"
Artist #1: The Isley Brothers (1959) - Of all of the hit songs that came out of the first two decades of rock 'n roll, this is one of the most enduring. How many other nearly 60 year old songs still get played regularly at sporting events, dances and wedding receptions? Interestingly, the song never even cracked the Top 40. However, in spite of its lack of chart success, it is unquestionably an
enormous hit, as evidenced by the aforementioned frequency at which it is still played and the fact that it was inducted into the Grammy Hall of Fame in 1999 and listed as #118 on Rolling Stone's list of "The 500 Greatest Songs of All Time." Though it was originally written and recorded by The Isley Brothers in 1959, it has been covered countless times by other music legends such as The Beatles, Tom Petty & The Heartbreakers, and - most famously - by Otis Day and the Knights. Their version was featured in the 1978 comedy classic National Lampoon's Animal House, which re-introduced the song to a whole new generation of music lovers and party animals. The song is incredibly simple but also incredibly catchy. It's a call and response with the lead singer saying different phrases, to which the rest of the band or backing singers reply "Shout". However, it's the dance and the "little bit softer now" that really gave the song its longevity, some of which can invariably be linked to Bluto and the gang dancing to it at the toga party in Animal House. The song is still a favorite nearly 60 years after it's initial release and there's no reason to believe that will change in the next 60 years. TGR Grade: AArtist #2: Tears for Fears (1985) - Tears for Fears' sophomore album Songs From The Big Chair was one of the biggest hit albums of 1985. It sold more than 5 million copies in the U.S. and more than 7 million copies worldwide. The album produced 3 top 5 hits, including this song, which was the band's first #1 single. Whereas The Isley Brothers' "Shout" is a fun party song, Tears for Fears'
"Shout" is a protest anthem of sorts, encouraging people to raise their voices against things they don't agree with. Musically, the song is another good example of pop music in the mid 1980s, with synthesizers, shimmering guitars and a drum machine. The song, however, has an interesting structure. Instead the typical verse-chorus-verse-chorus set up, the song starts with the chorus twice followed be a few verses, another chorus, another verse, and then the chorus several more times. It gets a little repetitive after a while. Overall, it's a good song and it's often considered their signature song, though I'd put several of their later songs, namely "Everybody Wants to Rule the World," "Head Over Heels" and "Sowing the Seeds of Love," above this song. TGR Grade: B
There you have it - a unique look at some different songs that have the same name but completely different styles and stories. I hope you enjoyed it. There are some other song titles for which I could do this, but I'll save those for a future blog post.
As always, thanks for reading!
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