Gen X's Rock Revolution

When people talk about seminal, groundbreaking periods in rock ‘n roll history, they often talk about 1967, specifically the first 6 months of that year.  It was the height of psychedelic rock and a time in which rock ‘n roll expanded its horizons.  Between January and mid-June 1967, such iconic records such as The Doors (January 4), Surrealistic Pillow by Jefferson Airplane (February 1), The Grateful Dead (March 17), Are You Experienced? by the Jimi Hendrix Experience (May 12) and Sgt. Pepper’s Lonely Hearts Club Band by The Beatles (May 26) hit the charts and turned pop music and rock ‘n roll on its head.  These releases were followed by the legendary Monterey International Pop Festival in Monterey, CA from June 16-18, a renowned music festival remembered for the first American appearances of the likes of The Jimi Hendrix Experience, and The Who which also featured Jefferson Airplane, Janis Joplin, Buffalo Springfield, The Grateful Dead and The Mamas & The Papas.  It was six months of some of the most groundbreaking and creative pop and rock music to ever have been recorded and released.  Nearly 60 years later, many Baby Boomers and music critics hail 1967 as once-in-a-lifetime explosion of musical creativity and envelope-pushing.

While there is no denying the importance of those 6 months of music history, I would submit that we Generation X folks had something similar in the late summer and fall of 1991.  In a span of just 14 weeks, 6 groundbreaking and paradigm shattering albums were released, albums that shook the very foundation of rock ‘n roll.  Albums that ended the hair band and glamor rock eras and pushed heavier, grittier, angrier rock to the forefront.  Between mid-August and mid-November of 1991, these albums changed rock ‘n roll and had impacts not just in America but around the world.  So, on the 35th anniversary of these halcyon days of music, I wanted to pay tribute to these albums – in the order in which they were released in 1991.

 

Metallica – Metallica (aka The Black Album). Released 8/12/91. Sold 20 million copies in the U.S. and 30 million copies worldwide. Prior to the release of this album, heavy metal was largely a fringe, underground segment of rock ‘n roll.  While bands such as Black Sabbath, Iron Maiden and Judas Priest had forged successful careers in the 1970s and 1980s, they weren’t exactly topping the charts.  Even Metallica, the most successful and well known of the “Big 4” thrash bands, was largely successful via word of mouth and underground channels.  That all changed with this album.  Powered by the lead single and opening track “Enter Sandman,” this album blew open the doors on the accessibility and popularity of heavy metal.  While some deride this record as not being as heavy as its predecessors, I disagree.  It is every bit as heavy – it is just a different KIND of heavy.  While the material on …And Justice For All, Master of Puppets, Ride the Lightning and Kill ‘Em All were intricate and blisteringly fast, Metallica features a wall of heavy but slower riffs.  Whereas Metallica’s earlier stuff paid tribute to and was undoubtedly influenced by the British New Wave of Heavy Metal licks of Iron Maiden and Judas Priest, this album leaned more into the Black Sabbath side of metal.  I would offer that “Sad But True” is as heavy as any Metallica song before it – it was just a different kind of heavy. Three of its songs (“Enter Sandman,” “The Unforgiven” and “Nothing Else Matters”) actually charted in the Top 40 on the Billboard Hot 100 while those plus two others (“Wherever I May Roam” and the aforementioned “Sad But True”) charted on the Mainstream Rock Charts, achievements that were essentially unheard of for a heavy metal band.  Metallica brought metal to the masses in a way that had never been seen before.  While some metal heads dismiss the album as being too commercial and brand the band as sellouts, it’s not a coincidence that many of those who first came to hear and love Metallica via this album subsequently went back and discovered some of their earlier albums. I include myself in that category and many of my favorite Metallica songs actually come from the first four albums, the releases prior to Metallica.

 

Pearl Jam – Ten. Released 8/27/91. Sold 13 million copies in the U.S. and 16 million worldwide. The “Seattle Sound”, more commonly known as “grunge” was a term originally applied to a number of rock bands in the Pacific Northwest in the late 1980s and early 1990s.  It was always a misnomer, though, because within the “grunge” category, there were different types of grunge.  Some were heavier and showed heavy metal influences while others owed a clear debt to punk rock while still others were grounded in big, arena rock chops.  This album falls in that latter category.  Ten offered the guitar hooks and big, anthemic choruses of arena rock but paired it with more serious, downcast lyrics and subject matter. With three huge hits in “Alive” (which deals with some, shall we say, delicate family dynamics), “Even Flow” (about a homeless man) and “Jeremy” (about a school shooting), Ten helped put Pearl Jam individually and grunge collectively on the rock ‘n roll map.  The crunching guitar riffs helped replace those from hair bands while the darker, more serious lyrics resonated with a generation of young people who were raised as latchkey kids and many of whom were the product of broken homes and divorce.  Instead of singing along to songs about having a good time and partying, rock fans had an outlet to sing along to songs about serious real world concerns with which they or their friends had likely experienced. For many of them, it was quite cathartic. Three of the most famous Seattle grunge bands released records during this 14-week period – this just happened to be the first and it spawned the longest lasting bands of the three, as Pearl Jam continues to record music and tour more than 30 years later.

 

Nirvana – Nevermind. Released 9/24/91. Sold 13 million copies in the U.S. and 30 million worldwide. Nirvana had been a part of the Seattle scene for a few years – and had previously released an album on Sub Pop Records – before Nevermind hit record stores.  But, more than any other album on this list, this one is the one that REALLY shook things up. Propelled by its iconic, genre bending lead single “Smells Like Teen Spirit,” Nevermind blew the doors off the rock ‘n roll world.  Residing more on the punk rock side of grunge, Nirvana mixed fuzzy, crunchy garage rock guitars with brash, sometimes screamed vocals. Whereas ‘80s rock and hair bands were polished and theatrical, Nirvana was imbued with a gritty, do-it-yourself vibe reflected in the grubby attire (flannel shirts and unkempt, seemingly unwashed hair) and the simple, straightforward songs.  But make no mistake – as loath to be commercial and popular as Nirvana frontman Kurt Cobain was – he had innate, undeniable pop rock sensibilities.  He knew how to write a hook and build a catchy 3-minute song around it.  Filled with legendary songs like the aforementioned “Smells Like Teen Spirit,” “Come as You Are,” “Lithium” and “In Bloom,” Nevermind is unquestionably the seminal alternative rock album of the ‘90s, the one that helped catapult alternative rock to the forefront of the music world. Even though Nevermind was released a few weeks AFTER Ten, its success was the thing that got the likes of Pearl Jam and Soundgarden noticed outside of the Pacific Northwest.  For example, while Ten was released in August 1991, its first single (“Alive”) wasn’t released until the Spring of 1992, following the overwhelming success of “Smells Like Teen Spirit” and “Come as You Are” off of Nevermind. Without Nevermind, there’s no telling how successful some of the other Seattle and grunge groups would have been.  Nirvana was the match that lit the rock music world on fire and Nevermind was the gasoline poured on it to make the blaze catch and spread.

 

Red Hot Chili Peppers – Blood Sugar Sex Magik. Released 9/24/91. Sold 7 million copies in the U.S. and more than 13 million worldwide. Incredibly, this record was released on the same day as Nevermind.  What are the chances of two imminently influential albums – both of which have sold tens of millions of copies- both being released on the same day?  The Chili Peppers had been around for nearly a decade and had released four albums and an EP prior to this release. They had had some minor success on the alternative music charts, most notably with their blistering cover of Stevie Wonder’s “Higher Ground” in 1989, but they will still largely unknown by most music fans.  That all changed with Blood Sugar Sex Magik. Produced by the esteemed Rick Rubin, who had a wealth of prior experience working with both rock and hip-hop artists, the album took the Chili Peppers to unexpected heights.  Rubin was the perfect person to shepherd the band’s unique blend of funk, punk, rap and rock into a new decade.  Songs like “Give It Away” and “Suck My Kiss” delivered the funky grooves expected from the band but those brash numbers were paired with and buoyed by more melodic songs like the monster hit “Under the Bridge” and “Breaking the Girl.” This variety brought in hordes of new fans.  “Under the Bridge” was a Top 3 hit in the U.S. and peaked in the Top 5 in countries around the world.  Blood Sugar Sex Magik made the Red Hot Chili Peppers a household name and helped push a funkier side of alternative rock into the mainstream.

 

Soundgarden – Badmotorfinger. Released 10/18/91. Sold 3 million copies worldwide. If Pearl Jam represents the arena rock side of grunge and Nirvana represents the punk rock side, Soundgarden – especially their first 3 albums – represents the heavy metal side of grunge. This album wasn’t as commercially successful as the other albums on this list but it is still incredibly influential. Similar to Metallica, this album helped bring metal to the masses.  With alternative tunings and a wall of guitars supporting Chris Cornell’s soaring, one-of-a-kind vocals, Badmotorfinger showed a band that was maturing, honing their craft and hitting their stride on their third album. “Jesus Christ Pose” offers deft political criticism, while “Rusty Cage” offers distorted guitars and odd time signatures that keep up with any thrash band out there.  The album’s biggest hit, “Outshined” – in addition to showcasing Chris Cornell’s vocals – provided us with one of rock’s all-time great lines: “I’m looking California and feeling Minnesota.”

 

U2 – Achtung Baby. Released 11/18/91. Sold 8 million copies in the U.S. and more than 18 million worldwide. Unlike the other groups on this list, U2 was a well-established, world-famous band long before 1991.  One could argue that, following the success of 1987’s The Joshua Tree, U2 was the biggest band in the world. However, some of that shine wore off with the clunky follow-up, Rattle & Hum, and even the band themselves was at a crossroads.  After nearly breaking up, the band spent nearly a year recording Achtung Baby. They wanted to create something that sounded different than what people expected of U2. They wanted to reinvent themselves to show that they were still relevant for another decade.  With Achtung Baby, they did just that.  The band leaned into European dance music while also channeling the sounds of the emerging alternative music of the late 1980s.  In the mid-1980s, with The Unforgettable Fire and The Joshua Tree, U2 had a distinct sound that was different from almost anything else on the radio while still being very accessible.  With Achtung Baby, the band created an album that didn’t sound like much of anything else on the radio but that also didn’t sound like U2…while still being very accessible.  Anchored by the funky beats of “Mysterious Ways”, the crunching guitars and conversational vocals of “Until the End of the World” and the unifying, anthemic “One,” Achtung Baby took a band that was on the precipice of dissolution and proved once again that they were the biggest band in the world.  Along the way, the new sound U2 put forth on the record lent credence to and helped further acceptance of alternative rock in the early 1990s.

 

Honorable Mention:

In addition to those 6 iconic albums, the aforementioned 14-week period also produced some other great, popular albums:

·       Spin Doctors, Pocket Full of Kryptonite. Released 8/20/91. Some fun funk rock that produced monster hits is “Little Miss Can’t Be Wrong” and “Two Princes”

·       Toad the Wet Sprocket, fear. Released 8/27/91. Jangly, folk alternative rock at its finest.  Produced two big hits in “All I Want” and “Walk on the Ocean.”

·       Guns ‘n Roses, Use Your Illusion I and Use Your Illusion II. Both released 9/17/91. The two records pushed Guns ‘n Roses from the gritty blues hard rock of their earlier releases into more of an art rock direction, with longer songs and elaborate videos for massive hits like “November Rain” and “Don’t Cry.”

Thanks for joining me on this trip down memory lane of one of the most consequential 3-month periods of rock history.

Ranking the MLB Ballparks

I love baseball.  While I love most sports, baseball has and always will hold a special place in my heart.  Coming of age in St. Louis during the Whiteyball era of Cardinals baseball in the ‘80s certainly didn’t hurt, nor did being raised by two baseball lovers.

One of the great things about baseball is the fact that every stadium is different.  In football, basketball, hockey or soccer, the playing surface is always the same – same dimensions and measurements from one stadium or arena to another.  With baseball, that’s not the case.  While the measurements between the bases (90 feet) and the distance from home plate to the pitching rubber (60 feet, 6 inches) are always the same, the rest of the field varies from stadium to stadium. Some of have abundant foul territory; others have minimal.  Some have deep fences that are shorter, while others have shorter fences that are taller.  These differences make each stadium unique and, in my opinion, makes it extra special to attend a game in each of them.

Over the course of my life as a traveler and baseball fan, I have been fortunate enough to attend games at 21 different Major League Baseball ballparks.  Several of them have been demolished since my visit, while many are still standing and in use.  Some I have visited recently (I’ve attended games in 8 MLB stadiums in the last 4 seasons) while others I haven’t visited since I was in middle school or high school.  Regardless of the status of the stadium or when I visited it, I wanted to share with you my ranking of all of the MLB stadiums that I have visited.

Full disclosure: Another thing that I love about baseball is its unmatched history.  No other professional sport in America can even come close to the history of baseball and its longevity.  Toward that end, I’m a sucker for the old, historic baseball cathedrals.  They may not be as comfortable as the newer stadiums and they may not have the amenities that modern ballparks have, but they have history and lore that newer ballparks cannot recreate. Sitting in the stands and realizing that legendary players like Babe Ruth, Ty Cobb, Willie Mays and Stan Musial played in the very same stadium where you are sitting…there’s just something awesome about it.

Additional disclaimer: Because I hate dumb corporate names for stadiums, I will be referring to the stadiums by their original or most well known non-corporate name where possible.

Here we go, my ranking of the MLB Stadiums that I have visited, from worst to first:

21.        Candlestick Park, San Francisco, CA. Visited in 1987. Demolished in 2015. – This was, without a doubt, the WORST stadium I’ve ever been to.  While the location on Candlestick Point, jutting out in San Francisco Bay, was neat, the stadium was terrible.  The concourses were cramped and dingy. Despite the fact that we were there in the middle of the summer, the stadium was freezing for the night game we attended.  Part of the chill was the wind, which caused the same hot dog wrapper to float around above the field for nearly the entirety of the game.  It was a multipurpose stadium that was ill-suited for football or for baseball, with unused seats in the outfield and a temporary, chain link fence for the outfield wall in left field. Loathed by both visiting players as well as Giants players, there was, quite simply, nothing redeeming about this dump of a stadium.

20.        Riverfront Stadium, Cincinnati, OH. Visited a few times in the late 1980s. Demolished in 2002. – It had a great location, right on the banks of the Ohio River in downtown Cincinnati, but you’d never know it once you got inside.  It was a bland, cookie cutter, concrete bowl with artificial turf. No charm and no character.

19.        Atlanta-Fulton County Stadium, Atlanta, GA. Visited in 1993. Demolished in 1997. It was a bland, cookie cutter, concrete bowl surrounded by a big parking lot - but at least it had grass.

18.        Jack Murphy Stadium, San Diego, CA. Visited in 1987. Demolished in 2021. It was a bland, cookie cutter, concrete bowl surrounded by a big parking lot - but at least it had grass and palm trees.

17.        Busch Memorial Stadium (aka Busch Stadium II), St. Louis, MO. Visited more than hundred times, most recently in 2005. Demolished in 2005. For the most part, it was a bland, cookie cutter, concrete bowl.  A few things made it a little better than our number 17-20 entries: the “crown of arches” around the top of the stadium and a more open feel in the outfield.  It also was located in the heart of downtown St. Louis and wasn’t surrounded by a sea of parking like #18 and #19. With the addition of grass and a hand-operated scoreboard in the late 1990s, you could make the argument that the stadium looked the best it ever had at the end of its time.  Obviously, the nostalgia of this being the ballpark I grew up going to games at may also be causing me to rate it higher than it should be.

16.        New Comiskey Park, Chicago, IL. Visited in 1991 and 2015. This was the last new ballpark built before Camden Yards made retro ballparks all the rage and it shows.  There’s not a whole lot here to like.  It’s largely an enclosed bowl and there isn’t much to look at. The upper deck was ridiculously high when it first opened, though some subsequent renovations have improved that.  Located between an interstate and a rail yard and largely surrounded by a parking lot, it’s arguably the worst new stadium built in the last 50 years.  Having said that, it’s not completely enclosed and it has some decent amenities, so it rates above the cookie cutter stadiums built in the 1960s and 1970s.

15.        Globe Life Field, Arlington, TX. Visited in 2023. This one may surprise some of you, since it’s the newest stadium on this list.  It’s nice in terms of amenities and such, but it’s just a bland suburban box. It’s like going to a game at a shopping mall.  They replaced a beautiful, retro classic (more on that later) with something sterile and corporate…all because the old place was “too hot.”  This one has a retractable roof and fake grass.  It’s nice and new but it has no character.

14. Minute Maid Park, Houston, TX. Visited in 2004. Similar to our #15 entry, it’s a retractable roof dome that is a little bit like going to a shopping mall.  This one, however, rates marginally higher because it has a more open, spacious feel in the outfield and it has a natural grass playing surface. Small bonus points for removing the stupid hill in center field, too.

13.        SkyDome, Toronto, ON, Canada. Visited in 1991. The stadium was groundbreaking and futuristic when it opened, the first stadium to have a fully functional retractable roof.  It also featured (at least when I was there) a hotel and a Hard Rock Café in the stadium, rarities at the time.  While some of the “awe” factor has been diminished by the subsequent introduction of newer, fancier stadiums with retractable rooves, it was still an impressive place to watch a game. It gets the nod over the other domed stadiums in #15 and #14 because it was the first of its kind.

12.        Citi Field, New York, NY. Visited in 2026. The ballpark itself is pretty good.  The scoreboards are great and the mini scoreboards in the Jackie Robinson Atrium that display the Mets batting order alongside the entry escalators and stairs were a really nice touch.  Bonus points for using team colors for the outfield walls and the foul poles.  Unfortunately, the area around the ballpark doesn’t offer much to do or see. Perhaps that will get better as the new soccer stadium opens next door. Also, the public address announcer sounded like she was 12 and the DJ incessantly playing hip-hop music (plus the utter absence of an organ) knock it down a notch or two as well.

11.        Great American Ballpark, Cincinnati, OH. Visited in 2024 and 2025. The location alongside the Ohio River in downtown Cincinnati is great.  The view of the river and Kentucky from the upper deck is great as well.  The concourses are nice and the food options are plentiful.  The view of the interior of the stadium from the seats is solid if not quite as impressive as some of the others. Still, compared to the concrete bowl it replaced, it’s definitely a big improvement.

10.        Yankee Stadium (new), New York, NY. Visited in 2026. I will always regret never getting to visit the original Yankee Stadium but this one does a nice job of paying tribute to it.  Monument Park is very cool and the airy Great Hall with banners of Yankee legends is likewise impressive.  They have done a great job of paying tribute to the most decorated American professional sports franchise – with one exception.  While Monument Park, the Great Hall and the retired numbers all pay tribute to the franchise’s legendary players, the only nod in the seating bowl to the actual 27 World Series championships are small metal pennants along the façade between the lower and upper decks that don’t stand out at all.  Whereas the Cardinals prominently display flags for each of their championships, the Yankees do not.  It seems like a missed opportunity, especially for such a star-studded franchise.  The limestone exterior and white-painted metal give the stadium a clean, unique look.  Unfortunately, similar to Citi Field, the area around the ballpark is not great and doesn’t offer much to see or do. I also think this stadium has more ads than any ballpark I’ve visited.  The outfield wall is almost completely covered with them and what could be huge scoreboards above the left field and right field seats are instead covered with ads.

9.          Jacobs Field, Cleveland, OH. Visited in 2005. One of the earlier “retro” ballparks, this one foregoes a brick exterior in favor of a more modern look featuring metal and steel.  It has good site lines and a nice view of part of the Cleveland skyline.  It’s right next to the arena in Cleveland, too, with a plaza connecting the two.  There are several bars and restaurants nearby, helping to make the most of its downtown location.

8.          Kauffman Stadium, Kansas City, MO. Visited numerous times, most recently in 2019. Kauffman is a bit of an anomaly, a baseball-only park built in the multipurpose cookie cutter days of the early 1970s.  Structurally, from foul pole to foul pole, it is – for all intents and purposes – half of one of those concrete, cookie cutter stadiums.  The outfield, however, it what sets the stadium apart.  The fountain and waterfall displays are unique amongst baseball stadiums and arguably the stadium’s most famous and noteworthy feature.  It also features a main scoreboard in the shape of a crown in center field, another unique feature.  The area around the stadium doesn’t offer much besides asphalt (a huge parking lot it shares with Arrowhead Stadium on three sides and Interstate 70 on the remaining side), but the stadium itself has held up quite well and it remains a good place to watch a ballgame.

7.          The Ballpark in Arlington, Arlington, TX. Visited in 1995 and 1996. One of the earlier new retro ballparks, it replaced a glorified minor ballpark that had been home of the Rangers since they arrived from Washington in 1972.  It featured nods to several older ballparks like Tiger Stadium (roofed stands in right field), Fenway Park (scoreboard in a taller left field wall) and Yankee Stadium (decorative frieze running along the top of the stands). It had spacious concourses and an office building incorporated into the outfield design.  Unfortunately, its suburban location meant a lack of bars, restaurants or entertainment options within walking distance.  Sadly, this gem was replaced with our #15 selection.  It is, in my opinion, a big downgrade.

6.          Busch Stadium (aka Busch Stadium III), St. Louis, MO. Visited dozens of times, most recently earlier this summer. Built partly on the site of its predecessor stadium (see #17) in downtown St. Louis, the red brick stadium offers a great view of the Gateway Arch and part of the St. Louis skyline.  The stadium also features a nod to the Eads Bridge over its primary entrance near third base, above the famous Stan Musial statue.  It’s a nice, retro ballpark fit for one of the best baseball cities in America.  The Cardinals have done a great job of recognizing the team’s World Series titles as well as their retired numbers. The addition of Ballpark Village just outside the stadium has helped complete the look and feel of the stadium. My biggest complaints are scoreboards which aren’t as big or as informative as the scoreboards in some of the other newer stadiums.

5.          Dodger Stadium, Los Angeles, CA. Visited in 1987. Opened in 1962, it is now the third oldest MLB stadium and it remains a classic and a gem.  Ringed by palm trees and offering views of the San Gabriel Mountains, it is known for wavy rooves atop each outfield pavilion and the Dodger logo on the elevator shaft behind home plate.  It was the last baseball-only stadium built before the proliferation of cookie cutter multipurpose in the ‘60s and ‘70s and it remains as iconic now as when it was built more than 60 years ago.  It is the perfect stadium for Southern California.

4.          Tiger Stadium, Detroit, MI. Visited in 1991 and 1999. Closed in 2001, demolished in 2008-09. With double decked, roofed stands in which the upper deck actually extended over the lower deck by 10 feet, it had a one-of-a-kind unique look.  The double deck and accompanying support posts allowed fans to sit closer to the field than in any other ballpark. Even seats in the last row of the upper deck behind home plate felt very close to the field. The only thing that keeps this one from being ranked higher was the area around the ballpark, which wasn’t as nice as those around our #3 and #1 selections.

3.          Wrigley Field, Chicago, IL. Visited in 1986 and 1988.  The iconic ivy-covered, brick outfield walls. The memorable red marquee outside the stadium.  The flagpole the has flags of all of the teams in the division hanging in order of the current standings. The rooftops across Waveland Ave. The less-than-desirable piss troughs in the men’s restrooms.  (OK, maybe not that last one.) The seats may not be the most comfortable  and the support beams cause obstructed views in some seats, but there’s no denying the longevity and history of the place. What it lacks in modern amenities, it makes up for in character and history.  Add in the surrounding bars and restaurants of Wrigleyville and you have a great baseball experience.  I plan on getting back to a game there sometime soon.       

2.          PNC Park, Pittsburgh, PA. Visited in 2025.  This is the nicest ballpark on the list.  It combines the cozier size of those old ballparks with the amenities of modern ballparks.  It offers amazing views of the downtown Pittsburgh skyline surrounding the Roberto Clemente bridge.  It has a large, clear, informative scoreboard in left field. The only thing that keeps this ballpark from topping the list is the lack of history and the fact that the atmosphere inside the ballpark isn’t great due to the small crowds and the team’s historically lackluster play.  When the team hasn’t even won a playoff series since winning the World Series in 1979 (yes, they technically won the NL Wild Card Game in 2013, but that was just one game), there isn’t a lot for the fans to get excited about. Setting that aside, this ballpark is an absolute gem and it should be a must visit for any baseball fan.

1.                  Fenway Park, Boston, MA. Visited in 2000 and 2024.  Yes, the seats are old, cramped and uncomfortable. Yes, the support posts create obstructed view seats.  Yes, it lacks some of the shiny, modern accoutrements of the newer parks.  But it has unmatched history and walking inside this baseball cathedral is like going back in time.  The Green Monster with the iconic Citgo sign beyond it.  The Triangle in Center Field. Pesky’s Pole. Williamsburg.  The crowd singing "Sweet Caroline." The fact that the team closes off Jersey Street prior to, during and after games and essentially makes it part of the stadium – complete with security, ticket takers, vendors and concessions – helps make the cramped corridors of the old ballpark easier to navigate and helps create a street festival feel surrounding the ballpark. The neighborhood around Fenway offers shops, bars and restaurants that enhance the feel of going to a game there.  Pro Tip: Take the T to the game and soak in the atmosphere while listening to that famous Boston accent in the wild.

There you have it – my ranking of the MLB stadiums that I have attended.  As I attend games at additional stadiums in the future, I will make a new post and add those new ballparks to the rankings.

As always – thanks for reading!!

A 12-pack of Alan Jackson Tunes - plus one to go

Last week marked the retirement of one of country music’s most acclaimed artists, Alan Jackson.  Since arriving on the scene in the late 1980s, Jackson was consistently one of the successful artists in country music – both commercially and critically. In a career that lasted more than 35 years, Jackson produced:

·         15 Platinum records, 8 of which were multiplatinum

·         55 Top 20 hits

·         49 Top 10 hits

·         44 Top 5 hits

·         25 #1 hits

·         A whole bunch of songs with unnecessary parenthesis 😉

Throughout it all, Jackson never strayed from his country roots.  While other artists may have dabbled in rock or pop, Jackson – much like his contemporaries and friends George Strait and Randy Travis – remained steadfastly in the world of fiddles and steel guitars. Jackson was essentially forced to retire as a result of his ongoing battle with a neurological disorder and he capped his terrific career with an emotional farewell concert in Nashville.

As a tribute to AJ and his influence on country music, I give you my favorite 13 Alan Jackson songs.  Think of it as a 12-pack of tunes—plus one to go.  (By the way, it was really hard to whittle this last down to just 13.  But when you have an artist who has had so much success and produced so much great music over the years – as evidence by the statistics listed above – it’s always going to be tough to come up with a list of favorites.)

Having said all of that, here we go – my 13 favorite Alan Jackson songs of all time:

13.        “Where Were You (When the World Stopped Turning)” (2001) – Written and recorded in the wake of the 9/11 attacks, the song addresses the shock and anger the country experienced in their aftermath.  Through a series of questions, it presents numerous situations and possible reactions to what happened.  With a catchy chorus and a blessedly unpolitical bent (jn contrast to songs by Toby Keith, Aaron Tippin and Darryl Worley that were also released following the terrorist attacks), the song captured the country’s mood and became a way to unite people. The song was also a monster hit for Jackson, topping the country charts for five weeks, winning multiple “Song of the Year” awards and even his first Grammy Award. It also even cracked the Top 30 on the Billboard Hot 100, a rarity for a country artist at the time.

12.        “Livin’ On Love” (1994) – It’s a sunny, straightforward, singable tune about relationships surviving on love as opposed to money or other things. The first verse tells of a young couple who don’t have much in the way of material possessions, but they have each other and that is enough.  The second verse tells of that same couple who are now old and who have raised their kids. They still don’t have much in terms of possessions, but they are just happy to spend time together sitting on their front porch swing. Again, all they really need is one another.

11.        “Here in the Real World” (1990) – The song was Jackson’s first hit song, peaking at #3 on the country charts.  It deftly juxtaposes the fiction of the movies (where there are almost always happy endings) and real life, where hearts get broken and tears fall. The well written lyrics are paired with Jackson’s mournful vocals and backed by fiddle and steel guitar and showed that the new “hat act” was going to be a force to be reckoned with.  Readers of this blog undoubtedly know my affinity for sad songs and this one definitely delivers.

10.        “Drive (For Daddy Gene)” (2002) – One of the great things about country music is the story telling and how a 3 or 4 minute song can take you in a time machine or down memory lane.  This song may be one of the best examples of that in all of Jackson’s repertoire.  It pays tribute to Jackson’s father by relaying the times when his dad allowed him to drive a boat on a lake and drive an old built-up truck down a dirt road and how he felt like “king of the ocean” and “Mario Andretti” (respectively) when he did so.  The third verse flips the script and has Jackson as the dad teaching his daughters to drive his old Jeep on a pasture and hoping that those memories will mean as much to them as his time with his own father did.  It’s a timeless, heartfelt sentiment which no doubt is one of the reasons the song not only topped the country charts but also made it to #28 on the Billboard Hot 100.

9.           “She’s Got the Rhythm (And I Got the Blues)” (1992) – Co-written with Randy Travis, the intent was to originally pitch it to B.B. King.  Instead, Jackson elected to record it himself and it wound up topping the country charts in late 1992. This was one of the earlier non-Garth Brooks country songs I came to like, seeing as how it was released during the fall of my freshman year of college in Texas. It has a great title (with the arguably unnecessary parenthetical), a great two-step beat, plenty of fiddle and steel guitar and what might be the funniest “yee haw” in country music history.

8.           “(Who Says) You Can’t Have It All” (1994) – A superb country weeper dripping with mournful steel guitar, the narrator details that he has a bedroom with just a single “stark naked” lightbulb, a double bed with “one lonely pillow” and walls papered with pictures of and letters from his former love.  In the chorus, he says that “he’s got everything a broken heart needs” and sarcastically says “who says you can’t have it all?” The lyrics and Jackson’s broken-hearted delivery of them, backed by the sad steel guitar and the waltz beat – make this a terrific example of a sad country song.

7.           “Midnight in Montgomery” (1992) – It’s an eerie ghost story about visiting Hank Williams’s grave site in Montgomery, AL at midnight on New Year’s Eve and having an encounter with Hank’s ghost.  Largely acoustic with some steel guitar and a sprinkling of fiddle, it’s an imaginative, evocative number that pays tribute to one old country music legend while helping to solidify the status of a new one.

6.           “Don’t Rock the Jukebox” (1991) – This one is a catchy number in which the heartbroken narrator pleads for someone in line for the jukebox to play a sad country song instead of a rock and roll song.  In the chorus, it cleverly rhymes “Jones” (as in George Jones) with “Rolling Stones”. In addition to being a chart-topping hit, it also was the ASCAP award for Country Song of the Year. It’s one of those songs that is fun to sing along to and that might have you driving a little faster down the highway than you realize.

5.           “Gone Country” (1994) – The only song on this list not written or co-written by Jackson, it simultaneously celebrates country music while also skewering the carpetbaggers who have turned to country music in an attempt to revive their flagging careers. I initially liked the song because it was so catchy and singable but grew to like it even more once I realized the double meaning of the lyrics.

4.           “Chasin’ that Neon Rainbow” (1990) – It’s a semi-autobiographical tale of a young man trying to make it big as a country singer, with “chasin’ that neon rainbow” being a metaphor for pursuing success by playing in honky tonks while trying to make it to Music Row in Nashville. 

3.           “Wanted” (1990) – The lyrics in the verses are half of a conversation between a brokenhearted man talking to someone at a newspaper in which he wants to take out a classified personal ad in an attempt to win back his ex-lover.  The lyrics in the chorus contain the words of that classified ad.  It’s a unique and clever approach that made it stand out and helped put Jackson on the map as a country hit maker.

2. “Chattahoochee” (1993) – It’s a fun song about growing up and the fun times the narrator had while growing up with his friends along the Chattahoochee River in Georgia.  It includes the great line in which “he was willing” but his date “wasn’t ready” so “he settled for a burger and a grape snow cone.” It oozes nostalgia about the fun summers of youth and it’s impossible to listen to without tapping your toe and singing along. (Full disclosure: while I love the original version, which is two and a half minutes of pure country summer bliss, I loathe the longer dance mix version which adds a drum machine and is needlessly repetitive.  Darn those ‘90s country line dancers!)

1. “Dallas” (1992) – This one may be a surprise because it’s not one of Jackson’s biggest hits or most well-known songs, though it did hit #1 in early 1992. Propelled by a little steel guitar and a lot of fiddle, it cleverly has the singer in love with a girl named Dallas, who left him in Tennessee to go back to Dallas, Texas.  This lends a double meaning to the line “Oh how I wish Dallas was in Tennessee.”  Maybe it was because I had recently arrived in Texas for college when I discovered the song, but it’s always held a soft spot in my heart. It’s another song that I love to sign along with and I never get tired of hearing it.

 

There you have it – my 13 favorite Alan Jackson songs – a tribute to a country legend whose songs will still be played, sung and listened to long after his retirement.

What songs did I miss or did you expect to see on my list?  With someone who has such a rich catalog of music, I’m sure some of you have favorites that didn’t make my cut.

 

 

Still More Song Lyrics I Love

A few times in the distant past (February 2017 and August 2018) I did previous posts about my favorite song lyrics.  (Feel free to check those previous posts out!)  Now, all these years later, I’d like to dip back into that well and share with you more of my favorite song lyrics.

Artist: Goo Goo Dolls
Songwriter: John Rzeznik
Song: “Name”
Lyric: “Scars are souvenirs you never lose, the past is never far”
Why I Love It: No matter how long ago you sustained a scar, it remains there for the rest of your life, a reminder of things that happened in the past. This rings true whether you’re referring to physical scars – from a past injury or surgery – or emotional scars from a prior trauma or a past relationship that went sour.

 

Artist: Simon & Garfunkel
Songwriter: Paul Simon
Song: “The Sound of Silence”
Lyric: “People talking without speaking, people hearing without listening”
Why I Love It: This line sums up, in a lot of ways, our society today, especially in terms of politics and what passes as “discussion” in this age of sound bites and social media posts.  People are so concerned about saying their piece that they don’t take the time to stop and figure out a way to say it coherently or respectfully, without yelling.  Likewise, others are so anxious to respond that they are working on their talking points without actually listening to what the other person is saying.  It’s wild to me that Paul Simon captured the essence of this dynamic when he wrote the song in the mid-1960s and that it rings just as true – and maybe more so – 60 years later.
 

Artist: Indigo Girls
Songwriter: Emily Saliers
Song: “Closer to Fine”
Lyric: “Darkness has a hunger that’s insatiable, lightness has a call that’s hard to hear, and I wrap my fear around me like a blanket”
Why I Love It: As someone who has battled depression in the past, I relate to the hunger of darkness and how it can sometimes be quite seductive.  At the same time, sometimes it’s easy to miss (or, conversely, tough to see) the light and the good things in your life or in the world around you.  Too often too many people lean into the darkness and use their fear to “protect” them from things they don’t like or don’t understand.  In many ways, I think this is at the root of the MAGA movement in the U.S. – seeing the bogeyman or the enemy everywhere and dealing with things they don’t understand (different religions, people from different countries with different languages or cultures) by wrapping themselves in a blanket of fear rather than making efforts to actually see the positive aspects of these things.
 
Artist: American Aquarium
Songwriter: BJ Barham
Song: “Cherokee Purples”
Lyric: “Ain’t it funny how a memory comes flooding back so fast when you accidentally stir up moments from the past”
Why I Love It: I’ve written before about the power of music and how a song can transport you back to a specific place in time.  The same thing can happen with certain sounds or smells.  Often, it’s unexpected and it just hits you and a certain scent or sound can stir up memories and moments from your youth. This whole song is about that phenomenon but the aforementioned lyric from the song’s chorus really summarizes it and brings it home.
 
Artist: Pearl Jam
Songwriter: Eddie Vedder (lyrics); Pearl Jam (music)
Song: “Rearviewmirror”
Lyric: “Saw things so much clearer once you were in my rearview mirror”
Why I Love It: Whether we want to admit it or not, every one of us has had some sort of a toxic relationship in our lives.  Maybe it was with an ex-spouse or ex-lover or a former best friend. Maybe it was with a boss or a co-worker.  Regardless, because all of us have experienced a bad relationship or a bad situation, we can all also relate to this lyric, especially the truth that we oftentimes don’t realize HOW toxic or HOW bad the relationship or situation was until after we have escaped and we’re looking back at where we were.  The lyric itself is enough, but the way it is delivered in the song really drives it home.  Over a propulsive beat that makes you feel like you are driving in a car, leaving that bad situation or relationship behind, Eddie Vedder delivers the above lyric in a clenched, strangled near scream that you can completely relate to. I suspect that all of us can picture a situation or a person when we listen to this song; I know that I certainly can.
 
   
Artist: Gary Allan
Songwriter: Gary Allan, Hillary Lindsey, Matt Warren
Song: “Every Storm (Runs Out of Rain)”
Lyric: “So hold your head up and tell yourself that there’s something more and walk out that door. Go find a new rose, don’t be afraid of the thorns ‘cause we all have thorns.”
Why I Love It:  Similar to “Rearviewmirror,” this song touches on the end of relationship, using a storm as a metaphor to describe it.  The line “go find a new rose, don’t be afraid of the thorns ‘cause we all have thorns” was what initially caught my attention.  I loved that imagery, of relating a new relationship to a rose and not being afraid to grab new one.  But I think the prior line, about walking out the door makes the line about the rose that more poignant.  It paints a picture of someone having the courage to leave one (presumably bad) relationship and likewise having the courage to be vulnerable and pursue a new relationship.  As someone who personally saw one relationship end badly and who subsequently found his soul mate not too long afterwards, this whole idea resonates with me.
 
Artist: INXS
Songwriter: Andrew Farriss, Michael Hutchence
Song: “Devil Inside”
Lyric: “Words are weapons, sharper than knives”
Why I Love It:  The old saying “sticks and stones may break my bones but words will never hurt me” is, to be frank, a bunch of crap. While it may seem true on the surface, those broken bones tend to heal a lot quicker than the wounds caused by unkind words.  Words can cause emotional and psychological damage that lasts years and, in some cases, a lifetime.  With that truth acknowledged, this lyric certainly delivers, conveying in six words the power that words can have.
 
Artist: Better Than Ezra
Songwriter: Kevin Griffin
Song: “Scared, Are You?”
Lyric: “Kind words are scarce at best when you need them most”
Why I Love It:  Continuing the theme of how powerful words can be, this lyric looks at things from the opposite side from the lyric in “Devil Inside.”  While that one focuses on the damage that words can do, this one focuses on how the absence of kind words can also hurt.  We can all relate to having a really bad day and then a kind word or a kind gesture directed your way can make a huge difference. It can turn around your whole day and break you out of your funk.  By the same token, when you’re in a really dark spot and you really need a kind word, sometimes they are nowhere to be found, which can make that darkness even more smothering.  Needing a kind word or gesture is something universal, as is the absence of the same, which is why I can absolutely relate to what Kevin Griffin is saying here.
 
Artist: American Aquarium
Songwriter: BJ Barham
Song: “Messy as a Magnolia”
Lyric: “Behind every good man is a better somebody that should have never stuck around”
Why I Love It:  I’m convinced that behind every good or great man is someone else even better who has supported that person and given them the foundation and the courage to be good.  Oftentimes, that “better somebody” is a spouse or significant other – but it doesn’t necessarily have to be.  It could be a sibling or a best friend or a parent.  Aside from the truth of the point that Barham is making, I love the fact that he words it in such a way as to make it more universal than the usual “behind every good man is a better woman.”  Incidentally, I think the same sentiment holds true regardless of the gender of the protagonist or the supporter.  The bottom line is that no one can be great without getting support from others.
 
Artist: Trisha Yearwood
Songwriter: Jon Ims
Song: “She’s in Love With The Boy”
Lyric: “What’s meant to be will always find a way”
Why I Love It:  It’s almost a throwaway line at the end of the song and I didn’t even pay any attention to it the first 500 or so times I’d heard it.  It wasn’t until the other day, actually listening to a cover version of the song by American Aquarium, that the lyric really reached out and grabbed me.  Maybe it’s because of how my wife and I met – the improbability of it but then also the many obstacles that presented themselves along the way – that the lyric finally hit me the way it did.  She and I have talked about how our meeting and our relationship was “a God thing” and this line has much the same sentiment, albeit without the overt religious overtones.  “What’s meant to be will always find a way.”  The inevitability of God’s plan or fate or whatever you want to call it – that if something is destined to happen, it will, in spite of any hurdles or obstacles that may appear to get in the way. In what is often an angry, cynical world, the sentiment is something that can bring everyone a little hope and happiness.
 
OK, that’s all for now.  As always, thanks for reading!

Are We Living in a Dystopian Novel?

At many times over the past decade, it has been hard to believe some of the things that have happened or are happening in the United States.  From overt and verbalized racism from the president and other top government officials to attempts to overthrow the 2020 presidential election by attacking the U.S. Capitol to bands of masked, militarized federal police forces on the streets of our cities, it seems in many ways like we are living in a dystopian novel.

For decades, novels that relayed or portrayed a dystopian future country or planet have been written and gained prominence.  Some of you very well may have read some of them in school, while others may have watched film or television adaptations of the novels, while still others of you may have done both.  While some of these books may have been written and published merely for entertainment value, others were intended to be satires and cautionary tales about the dangers of fascism, totalitarianism and authoritarianism.  Considering that some of these novels were written in the aftermath of World War II in the late 1940s and early 1950s, it can be very unsettling to see how accurately they portray things that we see happening around us every day.

Perhaps the most well-known and most frequented referenced dystopian novel is George Orwell’s Nineteen Eighty-Four.  First published in 1949, it tells the story of a fictional (or is it?) future in Oceania, a totalitarian state/country.  Oceania is led by Big Brother, a dictatorial leader.  In addition to introducing the concept of “big brother” to represent a repressive or overreaching government, it featured government surveillance and propaganda, with the latter largely to create a cult of personality related to Big Brother.  The “Ministry of Truth” churns out propaganda extolling the virtues of Big Brother and aimed at convincing the citizens of Oceania that things are great, in spite of concrete evidence to the contrary.  Anyone who has been paying attention sees these trends in our country today, with social media posts from The White House, the Department of Labor and other government agencies constantly praising President Trump and how prices are down even as everyday Americans see their grocery bills continue to skyrocket.  They tout job creation numbers and unemployment figures that are undercut by empirical data from the Bureau of Labor Statistics and others.  When there are was government shutdown last fall, Trump and his cabinet members – as well as others beholden to Trump – did a full court press to convince Americans that the shutdown was all the fault of the Democrats.  In press conferences, interviews and social media posts, we were inundated with daily instructions that “It’s the Democrats’ fault” when there was much evidence to the contrary.  The very fact that government entities and representatives were trying so hard to convince people who to blame was chilling. One recurring theme in Nineteen Eighty-Four and other dystopian novels is blaming someone else – “them,” “others,” “the enemy”– for everything bad that happens.  We have seen this countless times in the past several years, as Trump and his MAGA bootlickers try to pin the blame for all the ills of the country on immigrants or minorities or college professors.

In Nineteen Eighty-Four and other dystopian novels, one common theme is that the leader is always right.  When he (because it’s pretty much always a male) is actually wrong, interviews are given and press conferences are held to try to explain away inconsistencies or attempt to rewrite or reframe what the leader said or did.  How many times over the last year have we seen Karoline Leavitt stand at a podium and repeat blatant lies in defense of Trump?  After promising during the campaign last year that he would release the Epstein files, Trump and his administration have instead obstructed, redacted and moved the goalposts in an effort to hide the fact that they are hiding something.  Again, it’s the sort of behavior you routinely see leaders in dystopian novels exhibit.

In The Hunger Games, the corrupt Capital sends out groups of masked, heavily armed security forces (called “peacekeepers”) to keep the citizens in line and enforce the Capital’s rules. It does not take much to see much of the same thing in what has been happening in Minneapolis, Chicago and other cities with ICE.  Masked, heavily armed, questionably trained “police” forces indiscriminately arresting, assaulting and, yes, even killing innocent citizens.  They act with impunity and say that basic constitutional protections do not exist and that they take their orders directly from the executive branch.  Many of the peacekeepers in The Hunger Games are sadistic individuals who thrive on a show of force and violence. Sadly, it seems like the same can be said for some of those in ICE.

Another issue over the past few years has been the censorship of books and the disdain for reading, things that call to mind Ray Bradbury’s Fahrenheit 451, first published in 1953.  While we may not see the sorts of book burnings that occur in that novel, and that occurred in Germany during the Nazi regime, there have been Congressional hearings on censorship and banning books simply because some people find the material in those books objectionable.  In almost all of these dystopian novels, there is a hatred of education and a desire by the state for citizens to just follow along and do what those in power want them to do.  How many times in the past 10 years have we heard people denigrate college degrees or being educated, talking about how universities are “woke” and how they “indoctrinate” students?  Of course, those who are well read recognize that an uneducated populace is more easily manipulated, a theme that appears countless times across countless dystopian novels. Ironically, many of the people lambasting colleges and education are themselves graduates of elite, selective private universities.  Donald Trump went to Penn.  Josh Hawley went to Stanford and Yale.  Ted Cruz went to Princeton and Harvard.  Education at the highest levels was fine for them, but you shouldn’t do it because it will warp your mind and make you “woke.”  Of course, that’s because they know that an educated populace will see through their bullshit and understand that the game is rigged and those who are wealthy and in power are only concerned with remaining wealthy and in power.

A few months ago, Trump announced some upcoming “Patriot Games” in which a few people from each state would compete against one another for bragging rights and the entertainment of an elite few.  Anyone who has read The Hunger Games undoubtedly sees the chilling similarities between what happens in that novel and what Trump has proposed.

Finally, novels such as The Handmaid’s Tale describe a society in which the only value of women is to get pregnant and have babies.  Those who cannot or who choose not to are scorned and treated with contempt.  Heaven forbid a woman think and make choices for herself in terms of what is right for her in terms of getting an education, having a career or becoming a mother. Sadly, similar viewpoints have been espoused more and more often lately by some on the extreme right.  We have politicians and political talking heads advocating for the repeal of the 19^th Amendment to the U.S. Constitution – you know, the amendment that gave women the right to vote – because they say women are “too emotional” and cannot be trusted to make good decisions in the voting booth.  As absurd as that notion is in and of itself, it’s blatantly hypocritical having seen what we’ve seen out of Trump and other MAGA folks over the past 10 years.  Donald Trump is the most emotionally unhinged person to ever occupy the White House and his frequent deranged rants on social media and in press conferences have shown him time and again to be mentally unstable.  So, it’s okay for someone like that to occupy the presidency but it’s not okay for the average female to be able to vote?  Men have controlled the levers of power in this country and all around the world for millennia and all it has gotten us are countless wars and an oligarchy that increasingly concentrates obscene wealth in the hands of a small contingency of males while millions are starving or homeless.  Lately, there has been talk of “marriage camps” and “money for babies” and other ways to try to convince women that they need only to worry about being a mother.  Don’t learn, don’t vote, don’t speak, don’t think for yourself.  Just keep popping out babies and everything will be wonderful.

It’s one thing to read some of the aforementioned dystopian novels and perhaps be taken aback by the conditions presented, while at the same time saying “That could never happen to us, here in the real world, here in the United States of America.”  But if you look around these days, you’ll see that some of these things ARE happening here today – and suddenly the worst of those fictional, oppressive government regimes doesn’t seem so far fetched or fictional.

 

Redesigning College Conferences

 At a time in our country when we can agree on very little anymore - even the definition of what is true and what isn't is somehow up for debate these days - college sports fans all over the USA can agree on one thing: college athletic conferences have gone off the rails.  We have an Atlantic Coast Conference that features schools from Texas and the San Francisco Bay Area. The Big Ten, formerly the bastion of the Midwest, now has 18 teams and spans from Southern California and the Pacific Northwest all the way to New Jersey.  While this is bad enough for football teams who potentially have to travel across multiple time zones for conference games, it is much, much worse for those non-revenue, so called "Olympic" sports because they have games during the week as opposed to just on weekends.

This unnecessary expansion - all due to greed and the almighty dollar - has ruined long-standing rivalries, which are one of the things that make college sports so compelling.

So, with that in mind, I propose a radical overhaul of college conferences.  Get rid of the old names and create eight truly regional, geographically logical conferences. 

A few guidelines or guiding principles in this conference redesign:

• The conferences will all have 10 teams.  This allows for a full round-robin schedule in football (9 conference games) and a full double round-robin schedule in basketball (18 conference games).  This will foster rivalries because everyone will play everyone every year and it has the side benefit of really determining who is the best team in each conference.
• Major college teams in each state will be grouped together wherever possible.
• The service academies are considered "major college teams" in this scenario.
• The focus is on grouping current "Power 4" teams in these conferences, with a few exceptions.  So, most of the "Group of 5" teams are out of luck.  Sorry!

NOTE: When I list the number of national championships that the teams in each conference have won since 2000, I am basing this on eight main sports, four men's sports (football, basketball, baseball and soccer) and four women's sports (basketball, softball, soccer and volleyball.)  Feel free to argue with my methodology if you want, but this is my list so I make the rules.

OK, with that out of the way, here we go...starting out West and working our way back East.

Conference 1

States represented:  California, Oregon, Washington

Potential names: Pacific Coast Conference, Left Coast Conference

Members: Cal, Fresno State, Oregon, Oregon State, San Diego State, Stanford, USC, UCLA, Washington, Washington State

Championships won since 2000: 33 (tied for 2nd place)

Comments:  A conference that is truly a West Coast Conference and that only has teams in the Pacific Time Zone.  This is similar to the old Pac-8 conference, with two new California schools added.  The California schools included cover a broad swath of the state (Northern California/Bay Area, Central Valley, LA and San Diego). It restores the Apple Cup in Washington and the Civil War in Oregon.  We could potentially substitute San Jose State for Fresno State, but given that the Bay Area already has two teams included, including Fresno makes more sense to cover a broader section of California. From a media standpoint, you have 6 of the top 30 media markets in the country (LA, San Francisco Bay Area, San Diego, Sacramento, Portland, Seattle) and exclusivity in the late Saturday night "after dark" time slots.

Conference 2

States represented:  Arizona, Colorado, Idaho, Nevada, Utah

Potential names: Rocky Mountain Conference, Cactus Conference, Western Mountain Conference

Members: Air Force, Arizona, Arizona State, Boise State, BYU, Colorado, Colorado State, UNLV, Utah, Utah State

Championships won since 2000: 6 (8th place)

Comments: A mix of the old Pac-12 and the Mountain West, it features 2 schools from Arizona, 3 schools from Colorado and 3 schools from Utah.  This will significantly help with travel. We add a school from Nevada and a school from Idaho to make it a conference that truly spans the Rocky Mountain region of the country. 9 of the 10 schools are in the Mountain Time Zone. It keeps both the Holy War (BYU-Utah) and Territorial Cup (Arizona-Arizona State) as conference games and finally puts the Rocky Mountain Showdown (Colorado-Colorado State) as a conference game. From a media standpoint, you have Phoenix, Las Vegas, Salt Lake City and Denver.

Conference 3

States represented:  Arkansas, Oklahoma, Texas

Potential names: Red Dirt Conference, New Southwest Conference

Members: Arkansas, Baylor, Houston, Oklahoma, Oklahoma State, SMU, TCU, Texas, Texas A&M, Texas Tech

Championships won since 2000: 21 (6th place)

Comments: Part old Southwest Conference and part Big 8/12, this is a conference that is concentrated in three states that either maintains or restores a plethora of great rivalries. Texas-Texas A&M. The Red River Showdown. Bedlam. The Revivalry. While Arkansas has generally been in a different conference from the rest of the schools for the past 30+ years, they also have long, historical rivalries with Texas and Texas A&M. Nearly every game is easily driveable for fans of either team, which should only help enhance the atmosphere at games. From a media standpoint, you have all of Texas (which includes 4 of the Top 35 media markets), as well as Oklahoma City, Tulsa, Little Rock and Northwest Arkansas.

Conference 4

States represented:  Illinois, Iowa, Kansas, Minnesota, Missouri, Nebraska, Wisconsin

Potential names: Great Plains Conference, Midwestern Conference

Members: Illinois, Iowa, Iowa State, Kansas, Kansas State, Minnesota, Missouri, Nebraska, Northwestern, Wisconsin

Championships won since 2000: 7 (7th place)

Comments: A mix of the old Big 8/Big 12 and the Big Ten, we are essentially taking the old North Division of the Big 12 and joining it with the Big Ten teams that are in the Central Time Zone.  You keep the Sunflower Showdown as a conference game and CyHawk becomes a conference game. The Missouri-Illinois Braggin' Rights game becomes a conference game as well. Nebraska has plenty of history with most of these teams, either from their Big 8/Big 12 days or from their time in the Big Ten.  All of the teams are in the same time zone and are in contiguous states. I realize that the long-time Big Ten schools may be loathe to give up their Big Ten identity, but there is (ironically) no way to keep the Big Ten together if we can only have 10 teams per conference and keep things geographically sensible. Media-wise, you have Chicago, Milwaukee, the Twin Cities, St. Louis, Kansas City, Omaha and Des Moines.

Conference 5
States represented:  Indiana, Michigan, Ohio, West Virginia
Potential names: Rust Belt Conference, Great Lakes Conference
Members: Cincinnati, Indiana, Michigan, Michigan State, Notre Dame, Ohio State, Penn State, Pittsburgh, Purdue, West Virginia

Championships won since 2000: 22 (5th place)

Comments: It's a combination of the traditional Big Ten teams from the Eastern Time Zone, with a couple of Big 12 teams and, of course, Notre Dame.  That gives you 3 teams from Indiana, 2 teams from

Ohio, 2 teams from Michigan, 2 teams from Pennsylvania and a team from West Virginia.  We keep several rivalries (Indiana-Purdue, Michigan-Michigan State, Michigan-Ohio State and Ohio State-Penn State) in tact as intraconference matchups.  We restore the annual Michigan-Notre Dame game and return the Backyard Brawl (Pitt-West Virginia) to being a conference game.  From a media standpoint, you have Detroit, Cleveland, Columbus, Cincinnati, Indianapolis and Pittsburgh. Condensing this conference makes most conference games easily driveable for most visiting fans.

Conference 6
States represented:  Alabama, Florida, Georgia, Louisiana, Mississippi

Potential names: Gulf Coast Conference, Deep South Conference
Members: Alabama, Auburn, Florida, Florida State, Georgia, Georgia Tech, LSU, Miami, Mississippi State, Ole Miss

Championships won since 2000: 36 (1st place)

Comments: 70% SEC and 30% ACC, this conference covers the Deep South and the extreme

southeastern part of the country.  It gets all of the big 3 programs in Florida in the same conference for the first time and puts the main two Georgia programs in the same conference as well.  It maintains existing rivalries, some of which have been non-conference rivalries, and it ensures that Alabama-Georgia, Georgia-Florida and other big games will occur every year in football and twice a year in basketball. From a media standpoint, you have all of Florida plus Atlanta, Birmingham and New Orleans. The conference would be a powerhouse in football and baseball, with some very strong teams in men's and women's basketball as well.

Conference 7
States represented:  Kentucky, North Carolina, South Carolina, Tennessee

Potential names: Upper South Conference, Appalachian Conference
Members: Clemson, Duke, Kentucky, Louisville, North Carolina, North Carolina State, South Carolina, Tennessee, Vanderbilt, Wake Forest

Championships won since 2000: 33 (tied for 2nd place)

Comments: 40% SEC and 60% ACC, this conference covers the upper and mid South regions. It consists all both major universities in South Carolina, keeps the four North Carolina Power 4 schools

together, it keeps Tennessee and Vanderbilt together and, for the first time, puts Kentucky and Louisville in the same conference.  Rivalries galore with all kinds of intrastate match-ups. It should be a premier basketball conference with the storied programs from Kentucky and Louisville joining the Research Triangle schools and Tennessee.  I suspect Tennessee fans would not like being separated from Alabama and Georgia, but if they wanted to, they could always schedule games against those school in non-conference.  As with the Big Ten division, there was no way to stay at 10 teams and keep the entire current SEC together.  Instead, we focus on the geographic proximity and in-state rivalries while still keeping a chunk of the old SEC together.  This conference would be particularly dominant in sports like soccer, basketball and baseball (30 combined championships in those sports since 2000). Major media markets included in this conference are Charlotte, Raleigh-Durham, Nashville, Memphis and Louisville.

Conference 8
States represented:  Connecticut, Massachusetts, Maryland, New Jersey, New York, Virginia

Potential names: Mid-Atlantic Conference, East Coast Conference
Members: Army, Boston College, Connecticut, Maryland, Massachusetts, Navy, Rutgers, Syracuse, Virginia, Virginia Tech 

Championships won since 2000: 28 (4th place)

Comments: This was the most difficult conference to assemble and it is arguably the least cohesive geographically.  However, that is largely a function of the lack of big time college sports programs in the Northeast.  Having said that, this conference keeps the two main college programs in Virginia in the same conference and adds programs in a contiguous state with Maryland and Navy.  Army-Navy remains a conference match-up and by grouping Boston College and UMass together, we have another in-state matchup. While this conference may be weak on the football side of things, its teams have combined for 20 men's and women's basketball national titles since 2000 (16 for UConn of course, but some for Maryland (2), Virginia and Syracuse as well) and 7 national championships in men's soccer, spread amongst 4 different teams.  Needless to say, this conference covers most of the major media markets in the Mid-Atlantic and Northeastern part of the country, including New York, Boston, Baltimore and D.C.

There you go!  What do you think?  While I realize this is a pipe dream because of the insane amount of money that the current college conferences generate, I think this is an alternative that balances the media considerations with geographic proximity.  It helps to foster in-state and regional rivalries and eases the travel burdens, especially for those sports besides football where many of the games are during the school week.