Thursday, February 5, 2026

Are We Living in a Dystopian Novel?

At many times over the past decade, it has been hard to believe some of the things that have happened or are happening in the United States.  From overt and verbalized racism from the president and other top government officials to attempts to overthrow the 2020 presidential election by attacking the U.S. Capitol to bands of masked, militarized federal police forces on the streets of our cities, it seems in many ways like we are living in a dystopian novel.

For decades, novels that relayed or portrayed a dystopian future country or planet have been written and gained prominence.  Some of you very well may have read some of them in school, while others may have watched film or television adaptations of the novels, while still others of you may have done both.  While some of these books may have been written and published merely for entertainment value, others were intended to be satires and cautionary tales about the dangers of fascism, totalitarianism and authoritarianism.  Considering that some of these novels were written in the aftermath of World War II in the late 1940s and early 1950s, it can be very unsettling to see how accurately they portray things that we see happening around us every day.

Perhaps the most well-known and most frequented referenced dystopian novel is George Orwell’s Nineteen Eighty-Four.  First published in 1949, it tells the story of a fictional (or is it?) future in Oceania, a totalitarian state/country.  Oceania is led by Big Brother, a dictatorial leader.  In addition to introducing the concept of “big brother” to represent a repressive or overreaching government, it featured government surveillance and propaganda, with the latter largely to create a cult of personality related to Big Brother.  The “Ministry of Truth” churns out propaganda extolling the virtues of Big Brother and aimed at convincing the citizens of Oceania that things are great, in spite of concrete evidence to the contrary.  Anyone who has been paying attention sees these trends in our country today, with social media posts from The White House, the Department of Labor and other government agencies constantly praising President Trump and how prices are down even as everyday Americans see their grocery bills continue to skyrocket.  They tout job creation numbers and unemployment figures that are undercut by empirical data from the Bureau of Labor Statistics and others.  When there are was government shutdown last fall, Trump and his cabinet members – as well as others beholden to Trump – did a full court press to convince Americans that the shutdown was all the fault of the Democrats.  In press conferences, interviews and social media posts, we were inundated with daily instructions that “It’s the Democrats’ fault” when there was much evidence to the contrary.  The very fact that government entities and representatives were trying so hard to convince people who to blame was chilling. One recurring theme in Nineteen Eighty-Four and other dystopian novels is blaming someone else – “them,” “others,” “the enemy”– for everything bad that happens.  We have seen this countless times in the past several years, as Trump and his MAGA bootlickers try to pin the blame for all the ills of the country on immigrants or minorities or college professors.

In Nineteen Eighty-Four and other dystopian novels, one common theme is that the leader is always right.  When he (because it’s pretty much always a male) is actually wrong, interviews are given and press conferences are held to try to explain away inconsistencies or attempt to rewrite or reframe what the leader said or did.  How many times over the last year have we seen Karoline Leavitt stand at a podium and repeat blatant lies in defense of Trump?  After promising during the campaign last year that he would release the Epstein files, Trump and his administration have instead obstructed, redacted and moved the goalposts in an effort to hide the fact that they are hiding something.  Again, it’s the sort of behavior you routinely see leaders in dystopian novels exhibit.

In The Hunger Games, the corrupt Capital sends out groups of masked, heavily armed security forces (called “peacekeepers”) to keep the citizens in line and enforce the Capital’s rules. It does not take much to see much of the same thing in what has been happening in Minneapolis, Chicago and other cities with ICE.  Masked, heavily armed, questionably trained “police” forces indiscriminately arresting, assaulting and, yes, even killing innocent citizens.  They act with impunity and say that basic constitutional protections do not exist and that they take their orders directly from the executive branch.  Many of the peacekeepers in The Hunger Games are sadistic individuals who thrive on a show of force and violence. Sadly, it seems like the same can be said for some of those in ICE.

Another issue over the past few years has been the censorship of books and the disdain for reading, things that call to mind Ray Bradbury’s Fahrenheit 451, first published in 1953.  While we may not see the sorts of book burnings that occur in that novel, and that occurred in Germany during the Nazi regime, there have been Congressional hearings on censorship and banning books simply because some people find the material in those books objectionable.  In almost all of these dystopian novels, there is a hatred of education and a desire by the state for citizens to just follow along and do what those in power want them to do.  How many times in the past 10 years have we heard people denigrate college degrees or being educated, talking about how universities are “woke” and how they “indoctrinate” students?  Of course, those who are well read recognize that an uneducated populace is more easily manipulated, a theme that appears countless times across countless dystopian novels. Ironically, many of the people lambasting colleges and education are themselves graduates of elite, selective private universities.  Donald Trump went to Penn.  Josh Hawley went to Stanford and Yale.  Ted Cruz went to Princeton and Harvard.  Education at the highest levels was fine for them, but you shouldn’t do it because it will warp your mind and make you “woke.”  Of course, that’s because they know that an educated populace will see through their bullshit and understand that the game is rigged and those who are wealthy and in power are only concerned with remaining wealthy and in power.

A few months ago, Trump announced some upcoming “Patriot Games” in which a few people from each state would compete against one another for bragging rights and the entertainment of an elite few.  Anyone who has read The Hunger Games undoubtedly sees the chilling similarities between what happens in that novel and what Trump has proposed.

Finally, novels such as The Handmaid’s Tale describe a society in which the only value of women is to get pregnant and have babies.  Those who cannot or who choose not to are scorned and treated with contempt.  Heaven forbid a woman think and make choices for herself in terms of what is right for her in terms of getting an education, having a career or becoming a mother. Sadly, similar viewpoints have been espoused more and more often lately by some on the extreme right.  We have politicians and political talking heads advocating for the repeal of the 19th Amendment to the U.S. Constitution – you know, the amendment that gave women the right to vote – because they say women are “too emotional” and cannot be trusted to make good decisions in the voting booth.  As absurd as that notion is in and of itself, it’s blatantly hypocritical having seen what we’ve seen out of Trump and other MAGA folks over the past 10 years.  Donald Trump is the most emotionally unhinged person to ever occupy the White House and his frequent deranged rants on social media and in press conferences have shown him time and again to be mentally unstable.  So, it’s okay for someone like that to occupy the presidency but it’s not okay for the average female to be able to vote?  Men have controlled the levers of power in this country and all around the world for millennia and all it has gotten us are countless wars and an oligarchy that increasingly concentrates obscene wealth in the hands of a small contingency of males while millions are starving or homeless.  Lately, there has been talk of “marriage camps” and “money for babies” and other ways to try to convince women that they need only to worry about being a mother.  Don’t learn, don’t vote, don’t speak, don’t think for yourself.  Just keep popping out babies and everything will be wonderful.

It’s one thing to read some of the aforementioned dystopian novels and perhaps be taken aback by the conditions presented, while at the same time saying “That could never happen to us, here in the real world, here in the United States of America.”  But if you look around these days, you’ll see that some of these things ARE happening here today – and suddenly the worst of those fictional, oppressive government regimes doesn’t seem so far fetched or fictional.

 

Wednesday, October 22, 2025

Redesigning College Conferences

 At a time in our country when we can agree on very little anymore - even the definition of what is true and what isn't is somehow up for debate these days - college sports fans all over the USA can agree on one thing: college athletic conferences have gone off the rails.  We have an Atlantic Coast Conference that features schools from Texas and the San Francisco Bay Area. The Big Ten, formerly the bastion of the Midwest, now has 18 teams and spans from Southern California and the Pacific Northwest all the way to New Jersey.  While this is bad enough for football teams who potentially have to travel across multiple time zones for conference games, it is much, much worse for those non-revenue, so called "Olympic" sports because they have games during the week as opposed to just on weekends.

This unnecessary expansion - all due to greed and the almighty dollar - has ruined long-standing rivalries, which are one of the things that make college sports so compelling.

So, with that in mind, I propose a radical overhaul of college conferences.  Get rid of the old names and create eight truly regional, geographically logical conferences. 

A few guidelines or guiding principles in this conference redesign:

  • The conferences will all have 10 teams.  This allows for a full round-robin schedule in football (9 conference games) and a full double round-robin schedule in basketball (18 conference games).  This will foster rivalries because everyone will play everyone every year and it has the side benefit of really determining who is the best team in each conference.
  • Major college teams in each state will be grouped together wherever possible.
  • The service academies are considered "major college teams" in this scenario.
  • The focus is on grouping current "Power 4" teams in these conferences, with a few exceptions.  So, most of the "Group of 5" teams are out of luck.  Sorry!
NOTE: When I list the number of national championships that the teams in each conference have won since 2000, I am basing this on eight main sports, four men's sports (football, basketball, baseball and soccer) and four women's sports (basketball, softball, soccer and volleyball.)  Feel free to argue with my methodology if you want, but this is my list so I make the rules.

OK, with that out of the way, here we go...starting out West and working our way back East.

Conference 1
States represented:  California, Oregon, Washington
Potential names: Pacific Coast Conference, Left Coast Conference
Members: Cal, Fresno State, Oregon, Oregon State, San Diego State, Stanford, USC, UCLA, Washington, Washington State
Championships won since 2000: 33 (tied for 2nd place)
Comments:
  A conference that is truly a West Coast Conference and that only has teams in the Pacific Time Zone.  This is similar to the old Pac-8 conference, with two new California schools added.  The California schools included cover a broad swath of the state (Northern California/Bay Area, Central Valley, LA and San Diego). It restores the Apple Cup in Washington and the Civil War in Oregon.  We could potentially substitute San Jose State for Fresno State, but given that the Bay Area already has two teams included, including Fresno makes more sense to cover a broader section of California. From a media standpoint, you have 6 of the top 30 media markets in the country (LA, San Francisco Bay Area, San Diego, Sacramento, Portland, Seattle) and exclusivity in the late Saturday night "after dark" time slots.



Conference 2
States represented:  Arizona, Colorado, Idaho, Nevada, Utah
Potential names: Rocky Mountain Conference, Cactus Conference, Western Mountain Conference
Members: Air Force, Arizona, Arizona State, Boise State, BYU, Colorado, Colorado State, UNLV, Utah, Utah State
Championships won since 2000: 6 (8th place)
Comments: A mix of the old Pac-12 and the Mountain West, it features 2 schools from Arizona, 3 schools from Colorado and 3 schools from Utah.  This will significantly help with travel. We add a school from Nevada and a school from Idaho to make it a conference that truly spans the Rocky Mountain region of the country. 9 of the 10 schools are in the Mountain Time Zone. It keeps both the Holy War (BYU-Utah) and Territorial Cup (Arizona-Arizona State) as conference games and finally puts the Rocky Mountain Showdown (Colorado-Colorado State) as a conference game. From a media standpoint, you have Phoenix, Las Vegas, Salt Lake City and Denver.


Conference 3
States represented:  Arkansas, Oklahoma, Texas
Potential names: Red Dirt Conference, New Southwest Conference
Members: Arkansas, Baylor, Houston, Oklahoma, Oklahoma State, SMU, TCU, Texas, Texas A&M, Texas Tech
Championships won since 2000: 21 (6th place)
Comments:
Part old Southwest Conference and part Big 8/12, this is a conference that is concentrated in three states that either maintains or restores a plethora of great rivalries. Texas-Texas A&M. The Red River Showdown. Bedlam. The Revivalry. While Arkansas has generally been in a different conference from the rest of the schools for the past 30+ years, they also have long, historical rivalries with Texas and Texas A&M. Nearly every game is easily driveable for fans of either team, which should only help enhance the atmosphere at games. From a media standpoint, you have all of Texas (which includes 4 of the Top 35 media markets), as well as Oklahoma City, Tulsa, Little Rock and Northwest Arkansas.


Conference 4
States represented:  Illinois, Iowa, Kansas, Minnesota, Missouri, Nebraska, Wisconsin
Potential names: Great Plains Conference, Midwestern Conference
Members: Illinois, Iowa, Iowa State, Kansas, Kansas State, Minnesota, Missouri, Nebraska, Northwestern, Wisconsin
Championships won since 2000: 7 (7th place)
Comments: A mix of the old Big 8/Big 12 and the Big Ten, we are essentially taking the old North Division of the Big 12 and joining it with the Big Ten teams that are in the Central Time Zone.  You keep the Sunflower Showdown as a conference game and CyHawk becomes a conference game. The Missouri-Illinois Braggin' Rights game becomes a conference game as well. Nebraska has plenty of history with most of these teams, either from their Big 8/Big 12 days or from their time in the Big Ten.  All of the teams are in the same time zone and are in contiguous states. I realize that the long-time Big Ten schools may be loathe to give up their Big Ten identity, but there is (ironically) no way to keep the Big Ten together if we can only have 10 teams per conference and keep things geographically sensible. Media-wise, you have Chicago, Milwaukee, the Twin Cities, St. Louis, Kansas City, Omaha and Des Moines.


Conference 5
States represented:  Indiana, Michigan, Ohio, West Virginia
Potential names: Rust Belt Conference, Great Lakes Conference
Members: Cincinnati, Indiana, Michigan, Michigan State, Notre Dame, Ohio State, Penn State, Pittsburgh, Purdue, West Virginia
Championships won since 2000: 22 (5th place)
Comments: It's a combination of the traditional Big Ten teams from the Eastern Time Zone, with a couple of Big 12 teams and, of course, Notre Dame.  That gives you 3 teams from Indiana, 2 teams from
Ohio, 2 teams from Michigan, 2 teams from Pennsylvania and a team from West Virginia.  We keep several rivalries (Indiana-Purdue, Michigan-Michigan State, Michigan-Ohio State and Ohio State-Penn State) in tact as intraconference matchups.  We restore the annual Michigan-Notre Dame game and return the Backyard Brawl (Pitt-West Virginia) to being a conference game.  From a media standpoint, you have Detroit, Cleveland, Columbus, Cincinnati, Indianapolis and Pittsburgh. Condensing this conference makes most conference games easily driveable for most visiting fans.


Conference 6
States represented:  Alabama, Florida, Georgia, Louisiana, Mississippi
Potential names: Gulf Coast Conference, Deep South Conference
Members: Alabama, Auburn, Florida, Florida State, Georgia, Georgia Tech, LSU, Miami, Mississippi State, Ole Miss
Championships won since 2000: 36 (1st place)
Comments: 70% SEC and 30% ACC, this conference covers the Deep South and the extreme
southeastern part of the country.  It gets all of the big 3 programs in Florida in the same conference for the first time and puts the main two Georgia programs in the same conference as well.  It maintains existing rivalries, some of which have been non-conference rivalries, and it ensures that Alabama-Georgia, Georgia-Florida and other big games will occur every year in football and twice a year in basketball. From a media standpoint, you have all of Florida plus Atlanta, Birmingham and New Orleans. The conference would be a powerhouse in football and baseball, with some very strong teams in men's and women's basketball as well.


Conference 7
States represented:  Kentucky, North Carolina, South Carolina, Tennessee
Potential names: Upper South Conference, Appalachian Conference
Members: Clemson, Duke, Kentucky, Louisville, North Carolina, North Carolina State, South Carolina, Tennessee, Vanderbilt, Wake Forest
Championships won since 2000: 33 (tied for 2nd place)
Comments: 40% SEC and 60% ACC, this conference covers the upper and mid South regions. It consists all both major universities in South Carolina, keeps the four North Carolina Power 4 schools
together, it keeps Tennessee and Vanderbilt together and, for the first time, puts Kentucky and Louisville in the same conference.  Rivalries galore with all kinds of intrastate match-ups. It should be a premier basketball conference with the storied programs from Kentucky and Louisville joining the Research Triangle schools and Tennessee.  I suspect Tennessee fans would not like being separated from Alabama and Georgia, but if they wanted to, they could always schedule games against those school in non-conference.  As with the Big Ten division, there was no way to stay at 10 teams and keep the entire current SEC together.  Instead, we focus on the geographic proximity and in-state rivalries while still keeping a chunk of the old SEC together.  This conference would be particularly dominant in sports like soccer, basketball and baseball (30 combined championships in those sports since 2000). Major media markets included in this conference are Charlotte, Raleigh-Durham, Nashville, Memphis and Louisville.

Conference 8
States represented:  Connecticut, Massachusetts, Maryland, New Jersey, New York, Virginia
Potential names: Mid-Atlantic Conference, East Coast Conference
Members: Army, Boston College, Connecticut, Maryland, Massachusetts, Navy, Rutgers, Syracuse, Virginia, Virginia Tech 
Championships won since 2000: 28 (4th place)
Comments: This was the most difficult conference to assemble and it is arguably the least cohesive geographically.  However, that is largely a function of the lack of big time college sports programs in the Northeast.  Having said that, this conference keeps the two main college programs in Virginia in the same conference and adds programs in a contiguous state with Maryland and Navy.  Army-Navy remains a conference match-up and by grouping Boston College and UMass together, we have another in-state matchup. While this conference may be weak on the football side of things, its teams have combined for 20 men's and women's basketball national titles since 2000 (16 for UConn of course, but some for Maryland (2), Virginia and Syracuse as well) and 7 national championships in men's soccer, spread amongst 4 different teams.  Needless to say, this conference covers most of the major media markets in the Mid-Atlantic and Northeastern part of the country, including New York, Boston, Baltimore and D.C.

There you go!  What do you think?  While I realize this is a pipe dream because of the insane amount of money that the current college conferences generate, I think this is an alternative that balances the media considerations with geographic proximity.  It helps to foster in-state and regional rivalries and eases the travel burdens, especially for those sports besides football where many of the games are during the school week.

Sunday, July 27, 2025

Rust Belt Bucket List Road Trip - By The Numbers

A few weeks back, the missus and I did our summer vacation trip, something that we affectionately dubbed the "Rust Belt Bucket List Road Trip."  The main impetus for the trip was a chance to see the Cardinals play in two baseball stadiums neither of us had been to before.  However, given the locations of those games (Cleveland and Pittsburgh), it also afforded us the chance to see some of the other sites in Ohio and Pennsylvania, including the Rock and Roll Hall of Fame, another national park, two more college campuses and an amusement park that has been on my bucket list for decades: Cedar Point in Sandusky, OH - roller coaster heaven!  Rather than walk you through the various sites and sounds narratively, I thought I'd take an approach I first did back in the summer of 2017 and give you a review of our trip by the numbers.  Here we go...

Days away from home: 7.5
Miles driven: 1,707
States visited/traveled through: 5 (MO, IL, IN, OH, PA)
Hours spent at Cedar Point: 12
Roller coasters ridden at Cedar Point: 12 (it would have been higher if the lines hadn't been so long)
State license plates seen: 41
Canadian province license plates seen: 1
Slug bugs seen: 32 (I got 27, she got 5)
VW buses seen: 1
Jucks seen: 12 (1 got 11, she got 1) - Juck is what we call Jeep Gladiators, those Jeep pick-up trucks
Baseball stadiums visited: 2 (Progressive Field in Cleveland and PNC Park in Pittsburgh)
College campuses visited: 2 (Ohio State and Pitt)
Meals at Chick-fil-A: 3
Meals with family in Indiana: 2
Hotel nights: 6
Hotel nights actually paid for: 3 (the other three were on points)
Hotels stayed at: 4
Nights crashed with family: 1
Number of times we got drenched by a rain storm on a bridge: 1 (Roberto Clemente Bridge across the Allegheny in Pittsburgh)
Mayflies seen: Countless!  It was one of weirdest - and grossest - sites I've ever seen.  They were EVERYWHERE on virtually every flat surface- it was like a Biblical plague! Getting into your car without dozens of them getting in with you was an extreme challenge. It could be an Olympic sport!
Mini golf games played: 2 (I won one and we tied the other)
National parks visited: 1 (Cuyahoga Valley National Park)
Halls of Fame visited: 1 (Rock and Roll Hall of Fame in Cleveland.  We could have visited the Pro Football Hall of Fame in Canton but as a part of my 9 year, ongoing boycott of the imminently corrupt NFL, we did not)
Souvenir magnets purchased: 9
Souvenir shirts purchased: 3
Bucket list items checked off: 5 (2 new baseball stadiums, 1 new national park, Rock and Roll Hall of Fame, Cedar Point) 
Laughs laughed and good times had: Too many to count!


Thursday, June 26, 2025

In Memory of a Musical Genius - The Best of Brian Wilson

The Beach Boys were, unequivocally, one of the best known and most successful bands of the 1960s.  In a time when rock and popular music became dominated by British Invasion bands like The Beatles, The Rolling Stones and The Who (among many others), The Beach Boys and their sunny music managed to keep America on the charts.  Between 1963 and 1966, the band had 19 Top 20 hits, 13 of which made it into the Top 10, 8 of which made it into the Top 5 and 3 of which hit #1.  The band was known for its songs about surfing and cars and became emblematic of the popular vision of Southern California and the so-called “California sound.”

Similar to other groups from the 1960s, their early material was light and focused on young people, surfing, cars and girls.  However, as the 1960s progressed and moved toward being more experimental and progressive, so did the band’s music.

The driving force behind The Beach Boys was Brian Wilson.  He was one of their primary lead vocalists (known for his falsetto vocals) and the creative mind that wrote and produced most of the band’s output.  He coordinated and arranged the band’s trademark vocal arrangements and was at the forefront of the record producers who used the studio as an instrument unto itself.  His impact on popular music from the 1960s cannot be overstated. Sadly, drug use and mental illness negatively impacted him in the late 1960s and into the 1970s, which likewise resulted in the declining fortunes of the band.  In his later years, he managed to conquer his personal demons and make additional music.

As most of you probably know, Brian Wilson recently passed away at the age of 82, just days away from his 83rd birthday.  In his memory, I present my list of Brian Wilson’s (and, by extension, The Beach Boys) best songs.

10. “Help Me, Rhonda” (1965) – Written primarily by Wilson with some lyrical assistance from Mike Love, the song was a #1 smash, the band’s second. The chorus with the repetitions of “Help me, Rhonda, help help me, Rhonda” is instantly recognizable.  It was also a #1 hit in Canada and made it into the Top 5 in Sweden.

9. “Fun, Fun, Fun” (1964) – One of the band’s songs that touches the California ethos of hot-rods and hamburger stands.  The song was inspired by an actual incident involving the daughter of a manager of a radio station in Utah. It peaked at #5 on the charts in the U.S., while also cracking the Top 10 in Canada, Australia and New Zealand. “And she’ll have fun, fun, fun ‘til her daddy takes the t-bird away…”

8. “I Get Around” (1964) – Another hot-rod and girls song, it is primarily focused on the doo-wop vocals with Wilson’s voice soaring over those of his band mates. It was the band’s first #1 hit in the U.S. and it also topped the charts in Canada while reaching the Top 10 in the UK and New Zealand.  “Round round get around, I get around…”

7. “Don’t Worry Baby” (1964) – This one was originally released as the B-side of “I Get Around.”  While it also deals with car racing, it deals with it from a different angle. Instead of bragging about his car or his prowess as a driver, it instead has the protagonist worrying that he has taken things too far and then being reassured by his girlfriend – “Don’t worry, baby.” Wilson wrote the song with Roger Christian and the former’s lead vocal is one of his most acclaimed and praised in the entire Beach Boys canon.  In a 2011 interview, Wilson himself cited it as the best vocal he has ever done. It only peaked at #24 in the U.S. but it has grown to be considered one of the band’s (and Brian Wilson’s) finest songs.

6. “Surfin’ U.S.A.” (1963) – The Beach Boys’ first Top 10 hit, this song peaked at #3 in the U.S, while also charting in Canada, Japan and the UK. It is a rewritten version of Chuck Berry’s “Sweet Little Sixteen” with new lyrics that were evoked the stereotypical surfing culture of California. Wilson’s lyrics focus on surfing and include a list of 15 surfing spots, most of which are in the band’s native Southern California. It remains one of the band’s and Wilson’s most well-known songs. “If everybody had an ocean, across the U.S.A…”

5. “Surfer Girl” (1963) – This was the first song on which Brian Wilson was credited as the producer.  Wilson cited it as one of the first song he ever wrote. It is a sweet plea to be loved by the titular character.  It is much slower and more of a ballad than most of band’s early work, which helped this song stand out, as did the doo-wop vocals and Wilson’s own soaring lead vocal. It peaked at #7 in the U.S., while actually cracking the Top 5 in Canada and New Zealand.

4. “California Girls” (1965) – One of the band’s most well-known songs, Wilson himself cites it as his favorite song The Beach Boys ever did.  Its iconic first verse extolls the virtues of the girls in various parts of the U.S. (East Coast girls are hip, Southern girls have great accents, Midwest farmer’s daughter make you feel alright, and Northern girls’ kisses keep their boyfriends warm) while still wishing that they could all be California girls.  The song was an international smash, charting in 10 countries worldwide, peaking at #3 in the U.S. but reaching #2 in Canada and topping the charts in South Africa.  The song was famously covered by erstwhile Van Halen frontman David Lee Roth 20 years later as his first solo release, once again peaking at #3 in the U.S.  Roth’s version featured Brian Wilson’s youngest brother Carl on background vocals, joined by none other than Christopher Cross.

3. “God Only Knows” (1966) – 1966’s Pet Sounds is The Beach Boys’ most acclaimed album and this song was one of the singles from that album. (It was actually the B-side of our #2 song.)  The album is an early example of a concept album and focused on youth from a largely more introspective perspective than most of their earlier songs.  This particular song was groundbreaking both in its musical complexity and inverted chords as well as its use of God in the chorus and title, things that were essentially unheard of in popular music at the time.  The lyrics convey a seriousness and moroseness uncommon to most love songs as the narrator says that without his lover, life would not worth living and only God knows what would happen. Wilson cited The Beatles’ “Rubber Soul” as his inspiration for both the Pet Sounds record as a whole and this song in particular.  As may be predicted based upon the foregoing explanation, the song was only a minor hit at the time in the U.S., peaking at only #39.  However, it was more successful overseas, where it reached the Top 10 in Ireland, the Netherlands, Norway and the UK.  Over time, it has become one of Wilson’s most acclaimed works, ranking at #25 on Rolling Stone’s list of the 500 Greatest Songs of All Time.

2. “Wouldn’t It Be Nice” (1966) – Another track from Pet Sounds, this song is deceptively catchy.  It juxtaposes upbeat, joyous-sounding music with melancholic lyrics. The lyrics tell of a young couple in love who fantasize about getting older and being married and being able to live together, fall asleep together and wake up together every day.  Instead of focusing on the pleasures of youth like much of the band’s repertoire, it takes a more mature, introspective approach and instead shows a yearning to be older.  Longtime readers of this blog are well aware of my affinity for sad songs and wistful, melancholic lyrics and this song (as well as our #3 selection above) check those boxes.  The song peaked at #8 in the U.S., while also reaching the Top 10 in Australia, Canada and New Zealand. 

1. “Good Vibrations” (1966) – Anyone who is a fan of The Beach Boys and has been reading this list probably could have already figured out what #1 was. This track is, in many ways, the culmination of all of Brian Wilson’s skills in the studio and as a vocal arranger. It melds a catchy chorus with overlayed and overlapping vocals, as well as a wide variety of musical instruments.  In addition to the six members of the band, there were more than 20 other musicians who took part in the recording process, which was spread over an unheard of (at the time) 7 months and cost the modern equivalent of a quarter of a million dollars. Again, this is just for ONE song less than 4 minutes in length!  The result was both a commercial and critical smash that hit #1 in six countries and reached the Top 20 in 18 countries around the globe. Sadly, the success of this single also became the undoing of Brian Wilson, both personally and professionally.  His perfectionism and his desire to outdo what he accomplished with this song, coupled with his increasing drug use and mental illness, became debilitating. He soon retreated from public view and often spent days on end within his house and room, not going outside at all.  As a result, this was the last #1 and last Top 10 hit that Wilson was involved with.  The Beach Boys themselves did not have another Top 20 hit until 22 years later, when “Kokomo” topped the charts in 1988.  However, Brian Wilson had no involvement in that song, so “Good Vibrations” remains the pinnacle of the career of a uniquely talented but tortured artist.

Honorable Mention:

“In My Room” (1963)

“Surfin’ Safari (1962)

“Little Saint Nick” (1963)

Thursday, May 22, 2025

Norm Peterson's Greatest Hits

Cheers was a hit comedy that aired on NBC for 11 seasons from September 30, 1982 to May 20, 1993.  While I was too young to have watched the initial seasons, I caught them in re-runs and, by the early 1990s, it had become one of my favorite shows.  In fact, despite it having been off the air for more than 32 years, it is still one of my three favorite TV comedies of all time (along with Friends and Seinfeld).  My college friends will attest to my nightly ritual of watching Cheers re-runs at 10:35pm while enjoying a 32-ounce cup of Dr Pepper and a bag of microwave popcorn, all while sitting in my bean bag chair.

While Cheers brought us lots of funny episodes and loads of memorable characters, few are remembered as fondly as Norm Peterson, portrayed by George Wendt.  A regular at the bar, one gag that continued for the duration of the series was Norm entering the bar to a chorus of people yelling “Norm!” and then one of the bartenders asking Norm a question and getting a humorous or sarcastic response in reply.

In memory of George Wendt, who passed away earlier this week, I give you my Top 12 one-liners from Norm – his so-called “greatest hits”.

 

12.       Sam: “How’s life in the fast lane, Normy?”

            Norm: “Beats me. I can’t find the on ramp.”


11.       Woody: “What’s going on, Mr. Peterson?”

            Norm: “Let’s talk about what’s going IN Mr. Peterson.”

 

10.       Coach: “How’s life treating you, Norm?”

            Norm: “Like it caught me in bed with its wife.”

 

9.         Woody: “What’s going down, Mr. Peterson?”

            Norm: “My cheeks on this barstool.”

 

8.         Woody: “Hey, Mr. Peterson. What do you say to a cold one?”

            Norm: “See you later, Vera. I’ll be at Cheers.”

 

7.         Woody: “There’s a cold one waiting for you, Mr. Peterson.”

            Norm: “I know and if she calls, I’m not here.”

 

6.         Woody: “Hey, Mr. Peterson. Jack Frost nipping at your nose?”

            Norm: “Yeah, now let’s get Joe Beer nipping at my liver.”

 

5.         Sam: “What’s up, Norm?”

            Norm: “My nipples. It’s freezing out there.”

 

4.         Coach: “How’s a beer sound, Norm?”

            Norm: “I don’t know, Coach. I normally finish them before they get a word in.”

 

3.         Coach: “What’s shaking, Norm?”

            Norm: “All four cheeks and a couple of chins, Coach.”

 

2.         Sam: “What are you up to, Norm?”

            Norm: “My ideal weight if I were 11 feet tall.”

 

1.               1.               Sam: “What’s happening, Norm?”

Norm: “It’s a dog eat dog world, Sammy, and I’m wearing Mike Bone underwear.”

 

RIP, George Wendt, and thanks for the laughs. Here’s hoping St. Peter and a bunch of angels all greeted you with a big heavenly “NORM!” at the pearly gates.

Cheers!

Tuesday, April 22, 2025

Another Current Events Rant

It’s been a while since I’ve gone on a rant and I have some things to get off my chest, so sit back and let me vent…

Trump and Tariffs- I could rant for hours about Donald Trump and what a disaster he is and how much damage he is inflicting on our country and the world.  But, in order to be (somewhat) brief and focused, I will divide my thoughts into a couple of different areas.  First off, tariffs.  For one thing, I’m still not convinced that Trump knows how tariffs work and I know for damn sure that a lot of his followers don’t.  Tariffs are not a tax on other countries.  Other countries don’t pay tariffs.  The importing company (aka the company in the good old US of A) pays them.  So, if we charge a tariff on, say, computer chips coming in from China, it’s not CHINA that is paying the tariff – it is the U.S.-based company that is importing those computer chips that pays the tariff. So, while it may be additional dollars coming into the government’s coffers, it’s not money coming from foreign countries or entities providing those dollars. It’s American companies doing so.  And how do you think that the American companies will recoup those extra expenses?  They will raise prices on their products, which then means you and I will pay more for those products for no other reason than Trump mistakenly thinks it’s an awesome idea.

Tariffs have their place and can be useful, but only when they are applied strategically to certain products and industries, as opposed to broad-based tariffs on everything. In theory – and this is what Trump keeps saying – tariffs can bring some production/manufacturing back to the U.S. However, that takes a lot of time to occur, if it even occurs at all.  If a company wanted to decide to make those aforementioned computer chips in the U.S., there is a LOT of time and planning and expenses that go into that.  The company has to spend likely hundreds of millions of dollars to design and build the plant and to then staff the plant and it will likely be at least a few years before the plant is up and running.  What is the likelihood that the company is going to elect to do THAT instead of just pay the tariffs and then charge more for the computer chips they continue to get from China and call it a day?  That is certainly easier and cheaper than building and staffing a whole new factory.  Also, who is going to work at these factories?  Unemployment is already low and I can tell you from very recent experience, hiring people into factory or production facilities is NOT easy as is.  There generally are not a lot of people lining up to work in a factory or production environment, so adding more of those jobs is only going to exacerbate the existing labor struggles that exist.  So, we’re all going to be paying more now and in the future on the possible, maybe, off-chance that companies will spend hundreds of millions of dollars to do something that probably doesn’t make much financial sense for them to do.  It’s not difficult to see how Trump managed to lose money on casinos nor why he filed for bankruptcy multiple times.

 

Trump and DOGE- I think we can probably all agree that our federal government was bloated and there was probably a fair amount of waste, duplication of effort, etc.  No one is saying that the bureaucracy ran like a proverbial well-oiled machine.  If you want to cut the fat and streamline government, I’m 100% in favor of doing so.  But you don’t do it the way that Trump and Elon Musk are doing it.  You don’t just fire tens of thousands of people, many of whom you don’t know what they do or if what they do is necessary.  You take a more measured, surgical approach.  You take your time to audit the department, determine what it does well and what it doesn’t do well and you figure out a way to focus on the former and get rid of the latter.  If you do that, you can reduce and streamline the government bureaucracy but do it in a way that intelligently right-sizes things.  You don’t just take a sledgehammer or a chainsaw and cut the whole damn thing down indiscriminately.  People say the government should be run like a company, but even companies generally are strategic in making cuts or laying off employees. They reassess their needs and where cuts can be made and how to minimize the fallout with the remaining employees, customers, clients, etc. Trump and Musk are not doing that and they are creating a mess while making vague promises and assertions about all of the money they are allegedly saving us.

 Also, please do not forget that Musk has dozens of government contracts, so it’s not like we have an unbiased, impartial person making determinations on what stays and what goes.  We have someone who has his hand in the government’s pocket and is undoubtedly making decisions that will benefit himself now or at some point in the future.

 

Trump and “America First” – One of the biggest claims that Trump makes and that his followers constantly repeat is that he is putting “America First.”  Really, I’m supposed to believe that a man who used phony “bone spurs” to avoid serving his country in Vietnam has any interest in putting America first? I’m supposed to believe that a guy who has married women from foreign countries twice is going to put America first?  I’m supposed to believe a man who openly fawns over authoritarian leaders like Vladmir Putin and Viktor Orban has any interest in actually putting America first?  Trump only cares about one thing: himself.  He’s proven that time and time again over the years and the fact that a large component of our electorate and population are too delusional to see that is extremely alarming.

 

Why do we even vote in Missouri? – Missouri Republicans – who control virtually every facet of state government these days – now have a long history of undoing things that voters did at the ballot box.  For a party that constantly cries about “free and fair” elections and respecting the will of the voters, they consistently do the opposite in the Show-Me State.  From puppy mills to local minimum wage laws to now paid sick leave, Republicans in Missouri have been, for more than a decade now, disregarding what happens at the ballot box.  Here’s the general playbook:

             A)     Citizen-led initiative gets enough signatures to get a measure on the ballot

B)     Voters overwhelmingly approve measure at the ballot box

C)      Missouri Republicans don’t like what the voters did, so they insult their intelligence (“they were confused,” “they didn’t really know what they were voting for”) and then promptly draft and pass bills undoing what happened in B above.

You see, they talk about things like “small government” while consistently acting like they are the dismissive parent who knows best what we need.  When the City of St. Louis passed a minimum wage ordinance that set minimum wage in the city above what it was in the state, the Republicans in Jefferson City stepped in and said “Nope, we don’t like that” and passed laws essentially restricting a city from governing itself. All because they didn’t like what the local government did. That’s being Big Brother and is the opposite of “small government.”

Which brings us to our latest episode of “Missouri Republicans Undoing the Will of the People.” As part of Proposition A that was on the ballot last November – which was approved by nearly 58% of voters – employees are scheduled to be entitled to paid sick leave beginning on May 1.  Employees will accrue 1 hour of paid sick leave for every 30 hours worked, capped at 56 hours (7 days) used per year.  The earned paid sick leave could be used for the employee’s own illness or to care for a loved one. It’s really a small thing: thinking that someone who works hard for a living shouldn’t have to either A) lose money because they got sick and had to stay home or B) come to work sick – potentially infecting others – because they cannot afford to lose that money.  We can argue about what the right number of sick days is or how they should be used, but conceptually, I think most people agree that an employee should not be forced to choose between losing money or coming to work sick.  It’s kind of common sense, which is why (I believe) the bill passed overwhelmingly at the ballot box last November.

 While there were groups stumping for and supporting the proposition last fall, there were no groups campaigning against it.  Now we know why.  Instead of spending money to keep the proposition from passing in the first place, those groups (like the Missouri Chamber of Commerce) are just pressuring the state representatives and state senators whom they have financially supported in the past to do their bidding and get rid of paid sick leave. And it’s working!  The Missouri House has already passed a bill getting rid of paid sick leave and it is now with the Missouri Senate, where it is likewise expected to pass and then be signed by the governor.  So, more than 57% of Missouri voters made their voices heard in November and the Missouri GOP is essentially flipping them the bird less than 6 months later.

 As I said before, we can argue conceptually about how much sick leave people need or whether or not government mandating companies to provide paid sick leave is the right way to do it.  But, at the end of the day, the voters spoke and the elected leaders should not just be able to override that because they have a deep pocketed businessman in their ear telling them they should.  Sadly, this has happened multiple times in Missouri over the past 15 years and there’s no reason to believe it will change unless we hold those in Jeff City responsible and vote them out next year.  But we all know that won’t happen because of the letter after their name on the ballot the next time around.

 Just remember that the next time a Missouri Republican talks about standing up for the little guy and representing the best interests of Missourians, they are full of shit.  They only care about whoever is lining their pockets and that generally isn’t going to be you or me.          

Wednesday, August 7, 2024

Top 20 1980s Movie Soundtrack Songs

The 1980s were the proverbial Golden Age of movie soundtracks.  It seemed like every big movie in the '80s was accompanied by a hit soundtrack.  While listening to the VJ Big 40 on SiriusXM a few weeks back, I was blown away by the number of songs in the countdown that were from movie soundtracks.  From that realization came the idea for this blog post.

Here is my list of the Top 20 songs from movie soundtracks from the '80s.  To qualify for the list, the song had to be specifically written and recorded for the film in question and it had to be featured in the film. I made one minor exception to those qualifications, which we will discuss when we get to #9.  These qualifications unfortunately exclude gems like "In Your Eyes" by Peter Gabriel. While the song was prominently featured in an iconic scene in Cameron Crowe's 1989 film "Say Anything...", it was recorded for Gabriel's monster 1986 album So and it was released as a single and charted in that year, a few years before it appeared in the film.

So (pun intended), here we go.  Here is my list of the Top 20 Songs from '80s Movie Soundtracks.

20. Song: "She's Like the Wind"
Artist: Patrick Swayze
Songwriter(s): Patrick Swayze, Stacy Widelitz
Movie: Dirty Dancing (1987)
Peak Chart Position: #3 in the U.S. Billboard Hot 100
Comments: The first of three entries from the Dirty Dancing soundtrack, this ballad was written and performed by the main star of the film, Patrick Swayze. It was actually written for a different '80s movie, Grandview U.S.A. but it didn't make the cut. Given that, as a result of this song and his role in the film, Swayze could be considered a singer, songwriter, actor and dancer - a quadruple threat. Sure, the song may be a little cheesy, but it gets bonus points for being written and performed by film's star himself, something that did not happen with many of the songs on this list.

19. Song: "Nothing's Gonna Stop Us Now"
Artist: Starship
Songwriter(s): Diane Warren, Albert Hammond
Movie: Mannequin (1987)
Peak Chart Position: #1 in the U.S., Canada, Ireland, Portugal and the UK
Comments: Written by two of the industry's most prolific corporate/soundtrack songwriters, this song marks Warren's first #1 hit on the U.S. Billboard Hot 100.  It's a little sappy and schmaltzy - much like the movie for which it was the theme song - it's also undeniably catchy and a good representation of what the 1980s sounded like.

18. Song: "Purple Rain"
Artist: Prince 
Songwriter(s): Prince
Movie: Purple Rain (1984)
Peak Chart Position: #2 in the U.S.; #1 in Belgium, Finland, Scotland and the Netherlands
Comments: This is the first - but not the last - song from Prince and his Purple Rain soundtrack. A majestic, almost gospel-tinged number, this was the title track. Prince's impassioned, soulful vocals are backed by prominent synthesizers (it was the '80s, after all) and some guitar flourishes that hint at Prince's six-string prowess. While the single version is just a shade over 4 minutes in length, the full album version goes on for more than 8 minutes.

17. Song: "Maniac"
Artist: Michael Sembello
Songwriter(s): Dennis Matkosky, Michael Sembello
Movie: Flashdance (1983)
Peak Chart Position: #1 in the U.S. and Canada
Comments: Sembello's lone hit single in a lengthy career as a performer, songwriter and producer is a pulsating, up tempo number drenched in the synthesizers and electronic drums that ruled pop music in the '80s. This song is an example of the power of MTV in the early '80s as the song's video - which prominently featured clips from the film - helped propel the song and the movie to increased popularity.

16. Song: "I'm Alright"
Artist: Kenny Loggins
Songwriter(s): Kenny Loggins
Movie: Caddyshack (1980)
Peak Chart Position: #7 in the U.S.
Comments: Kenny Loggins was - without question - the undisputed king of hit soundtrack songs in 1980s. As a result, he will appear on this countdown three times with songs from three different soundtracks. This is his first entry on our list and it's also the earliest of the three, serving as it did as the theme song to a movie from 1980.  It will probably forever be linked with the dancing gopher from the film.

15. Song: "Flashdance...What a Feeling"
Artist: Irene Cara
Songwriter(s): Giorgio Moroder, Keith Forsey, Irene Cara
Movie: Flashdance (1980)
Peak Chart Position: #1 in the U.S. and more than a dozen other countries around the globe
Comments: This was not Irene Cara's first big '80s soundtrack hit, as she had previously topped the charts in 1980 with "Fame," the title track to the film of the same name in which she starred. Whereas that song was a post-disco number that represented the sound of music at the turn of the decade, this one helped - once again with the assistance of its video on MTV - solidify the 1980s as the decade of the movie soundtrack. Bonus points for the fact that Cara co-wrote this one, too.

14. Song: "Hungry Eyes"
Artist: Eric Carmen
Songwriter(s): John DeNicola, Franke Previte
Movie: Dirty Dancing (1987)
Peak Chart Position: #4 in the U.S.
Comments: Carmen, who after charting three Top 20 hits in the 1970s, had been nearly 10 years without a hit song when he cut this one for the Dirty Dancing soundtrack. It featured prominently in the film and catapulted Carmen back to fame - and least for a while. While this is Carmen's sole appearance on this list as a performer, it is not his last overall, as he co-wrote our #12 song.

13. Song: "Almost Paradise"
Artist: Mike Reno and Ann Wilson
Songwriter(s): Eric Carmen, Dean Pitchford
Movie: Footloose (1984)
Peak Chart Position: #7 in the U.S.
Comments: When you need a power ballad duet in the 1980s, you can scarcely do better than getting the lead singers from two huge rock bands to cut it.  Mike Reno was the lead singer of Loverboy and Ann Wilson was the primary lead singer of Heart. They come together to join forces in this powerhouse ballad from Footloose. How many slow dances at proms and weddings occurred to this song in the mid-'80s? I'd put that number in the tens of thousands.

12. Song: "The Heat Is On"
Artist: Glenn Frey
Songwriter(s): Harold Faltermeyer, Keith Forsey
Movie: Beverly Hills Cop (1984)
Peak Chart Position: #2 in the U.S.
Comments: It's somewhat ironic that Frey, who wrote and co-wrote a number of hit songs during his time with the Eagles (10 Top 10 hits and 5 #1s) struggled to recapture that success as a solo artist, only to finally ascend to the Top 5 with a song written by other people. With guitars, keyboards and an incessant saxophone hook, this song helped propel the Beverly Hills Cop soundtrack to double platinum status. It became an unofficial theme song of the 1985 St. Louis Cardinals, with a version remixed and released that included audio clips and highlights during the teams run to the NL pennant and World Series.  Since that team remains my favorite baseball team of all time, this song has always had a warm place in my heart.

11. Song: "If You Leave"
Artist: Orchestral Manoeuvres in the Dark (OMD)
Songwriter(s): Andy McCluskey, Paul Humphreys, Martin Cooper
Movie: Pretty in Pink (1986)
Peak Chart Position: #4 in the U.S.
Comments: First heard during the closing scene at the prom in Pretty in Pink, this song became OMD's biggest hit. It was commissioned by the film's writer, John Hughes, who was looking to repeat the success he had with the closing song from The Breakfast Club (more on that later). Catchy and synth-laden, it's a great representation of pop music in the '80s from one of the decade's seminal Brat Pack films.

10. Song: "Danger Zone"
Artist: Kenny Loggins
Songwriter(s): Giorgio Moroder, Tom Whitlock
Movie: Top Gun (1986)
Peak Chart Position: #2 in the U.S.
Comments: While the 1980s is often remembered as the decade of teenage comedies and the Brat Pack, it also boasted its own set of powerhouse action flicks.  Few of those were bigger than Top Gun. It had the machismo of fighter jets for the guys and shirtless oiled-up beefcakes playing volleyball for the ladies.  It was the perfect popcorn flick, complete with a soundtrack to match.  This upbeat, synth-heavy rocker marks Loggins's second appearance on our countdown but not his last.

9. Song: "Cruel Summer"
Artist: Bananarama
Songwriter(s): Steve Jolley, Tony Swain, Sara Dallin, Siobhan Fahey, Keren Woodward
Movie: The Karate Kid (1984)
Peak Chart Position: #9 in the U.S., #3 in South Africa, #7 in Ireland
Comments: This song technically doesn't meet my criteria for the list, in that it wasn't written for The Karate Kid.  It was actually recorded and released in the UK in 1983 as a standalone single.  However, the song wasn't even released in the U.S. until more than a year later - after it had been featured prominently in The Karate Kid. It's use in the song was perfect, with its less than upbeat lyrics about summer intertwined with visuals of Daniel's struggles to adjust to his new life in California. Interestingly, despite its appearance in the film which prompted its U.S. release and subsequent success, it never appeared on the soundtrack album because the band would not allow it. So despite not being written and recorded for the movie and not appearing on the soundtrack, I have included it on this list because its U.S. and international success was almost entirely predicated on its use in the film.

8. Song: "(I've Had) The Time of My Life"
Artist: Bill Medley and Jennifer Warnes
Songwriter(s): John DeNicola, Donald Markowitz, Franke Previte
Movie: Dirty Dancing (1987)
Peak Chart Position: #1 in the U.S., Canada, Australia, Belgium, The Netherlands, and South Africa
Comments: The third and final entry from Dirty Dancing was the biggest hit of the three, as well as capturing an Oscar, a Grammy and a Golden Globe. It effectively served as the theme song of the film, as well as its finale with the long awaited, long practiced dance move in which Jennifer Grey runs, leaps and is held aloft by Patrick Swayze. So popular was the song and that scene, there's no telling how many injuries were treated by ERs around the country from couples attempting to reenact the famous scene. The song also marked Bill Medley's lone #1 hit outside of his work with The Righteous Brothers.

7. Song: "St. Elmo's Fire (Man in Motion)"
Artist: John Parr
Songwriter(s): David Foster, John Parr
Movie: St. Elmo's Fire (1985)
Peak Chart Position: #1 in the U.S. and Canada
Comments: This is likely the least well known song on this list but it's one that I've always liked.  While I have never seen the movie (I was only 11 at the time and the film has a lot of sex scenes), I remember the song well.  Interestingly, while it was the theme song for the movie and the first single from the soundtrack, the lyrics actually have less to do with the film and more to do with a Canadian paraplegic athlete (Rick Hansen) traveling around the world in a wheelchair to raise awareness for spinal cord injuries. He called his journey the "Man in Motion Tour" and that moniker became the inspiration for the lyrics and parenthetical in the song's title.

6. Song: "Footloose"
Artist: Kenny Loggins
Songwriter(s): Kenny Loggins, Dean Pitchford
Movie: Footlose (1984)
Peak Chart Position: #1 in the U.S., Canada, Australia, Colombia, New Zealand, Peru and South Africa
Comments: Kenny Loggins - the '80s soundtrack king - is back on our countdown for the third and final time. It was the theme song to the Kevin Bacon starrer about a city boy who winds in a small town where dancing is banned. It is an undeniably catchy song and it's nearly impossible to not dance a little jig - or at least tap your foot - to the song. In a five decade career that has included 14 Top 40 hits, this is Loggins's only #1 on the U.S. Billboard Hot 100. Incidentally, while Loggins appears on our list three times, he also charted Top 40 hits with three other soundtrack songs in the '80s, but those songs didn't make the cut.

5. Song: "The Power of Love"
Artist: Huey Lewis and the News
Songwriter(s): Huey Lewis, Chris Hayes, Johnny Colla
Movie: Back to the Future (1985)
Peak Chart Position: #1 in the U.S., Canada, Australia, Japan
Comments: This song has nothing at all to do with the film's storyline, but it was featured during a couple of scenes during the film.  It was the band's first #1 hit on the Billboard Hot 100 charts - no doubt helped by its inclusion in the biggest film of 1985 - and it remains their best selling single. Interestingly, while the song was nominated for an Academy Award for Best Original Song, it lost to Lionel Ritchie's "Say You, Say Me" from White Nights, a song that doesn't even make our countdown.

4. Song: "Take My Breath Away"
Artist: Berlin
Songwriter(s): Giorgio Moroder, Tom Whitlock
Movie: Top Gun (1986)
Peak Chart Position: #1 in the U.S., U.K., Belgium, Europe, Ireland and the Netherlands
Comments: Whereas the first installment from Top Gun on this countdown represented the macho, fighter jet side of the film, this song represents the "forbidden love" portion of the story. It was prominently featured during the love scene between Maverick and Charlie...you know the scene...the silhouetted one with the gratuitious shots of Tom Cruise's and Kelly McGillis's tongues. Like the film, the song was a massive hit, becoming Berlin's only Top 10 hit, though it also led to the dissolution of the band. This song also marks the third appearance on our list of Giorgio Moroder, an Italian composer who worked on numerous movie soundtracks in the 1980s - everything from Flashdance and The NeverEnding Story to Top Gun and Scarface. He was the behind the scenes Kenny Loggins, if you will.

3. Song: "When Doves Cry"
Artist: Prince 
Songwriter(s): Prince
Movie: Purple Rain (1984)
Peak Chart Position: #1 in the U.S., Canada, Australia
Comments: Prince's second entry on our list is his second - but not last - from his film Purple Rain. It shows a little bit of his guitar flourish - especially toward the end - but focuses more on synthesizers and drum machines. It sounds very different from his other two songs on our countdown and helps illustrate the breadth and diversity of Prince as a performer. It became of one of Prince's signature songs, topping the charts in three different countries and reaching the top 10 in eight others.

2. Song: "Let's Go Crazy"
Artist: Prince 
Songwriter(s): Prince
Movie: Purple Rain (1984)
Peak Chart Position: #1 in the U.S.
Comments: Prince's third and final entry on our list is, like the other two, from his film Purple Rain. Prince was, by all accounts, a guitar virtuoso, though his music seldom accentuated that fact.  This song, however, is one that does. From the opening organ chords to the screeching guitar solo that ends the song, it is probably Prince's hardest rocking hit song. Guitar riffs and two separate solos remove all doubt about his abilities as a guitarist. 40 years after its release, this tune is arguably Prince's most popular and enduring.

1. Song: "Don't You (Forget About Me)"
Artist: Simple Minds 
Songwriter(s): Keith Forsey, Steve Schiff
Movie: The Breakfast Club (1985)
Peak Chart Position: #1 in the U.S., Canada, Netherlands
Comments: An iconic closing song to arguably the most iconic Brat Pack film of the '80s, this was an obvious choice for our top spot.  Interestingly, the song wasn't written by any members of the band and they initially rejected it until lead singer Jim Kerr's then wife, Chrissy Hynde of Pretenders fame, convinced him to record it.  The "hey hey hey" in the song's introduction and the "la la la" sing-along section at the end of the song were both improvised and added by Kerr with the intention of being changed to actual lyrics later on but he was convinced to keep it as. AmericanSongwritter.com has described the song as "an '80s masterpiece" and "an American teen anthem." I agree and that's why it tops our list.

There you have it, my list of the Top 20 movie soundtrack songs from the '80s. Are there any I missed?  I'd love to hear your thoughts.

As always, thanks for reading!