Tuesday, December 20, 2022

5 Best Christmas Songs of the Last 50 Years

Seasons Greetings, music fans and, in particular, Christmas music aficionados.  I'm back with a semi-annual post about Christmas music.  This time around, I'm giving you my Top 5 Picks for the best Christmas songs of the past 50 years.  Why 50 Years?  Well, besides being a nice round number that represents a half-century, I'm rapidly approaching that landmark birthday so this is, in essence, the 5 best Christmas songs to come out during my lifetime.  But "5 Best Christmas Songs of the Last 48 Years" just doesn't quite have the same ring to it, does it?

In order to make the list, the song has to be a new composition, as opposed to a new arrangement or recording of an older song.  In addition, it has to have been released in 1972 or later, though all of these songs are well within that time frame.  The only bad thing about the 1972 cutoff is that it robs of us some absolute gems that came out in 1970 and 1971, including John Lennon's "Happy Xmas (War is Over)", "Feliz Navidad" by Jose Feliciano, Donny Hathway's soulful "This Christmas," and the soft rock perfection of "Merry Christmas, Darling" by The Carpenters.  It's mind-blowing to think that all four of those modern Christmas hits - songs that are frequently played every December - were all released within a year of one another.

Without further ado, here is my list, counting down from #5...

5.) "Christmas in Dixie" by Alabama (1982) - This song, the only Alabama song credited to all four band members, differs from most Christmas songs in its focus on the Southern U.S. and the warmer weather in those parts.  While it makes mention of some northern cities (namely New York City, Chicago and Detroit), it also calls out southern locations like Memphis, Atlanta, Jackson, Charlotte and Fort Payne, AL. The sole country music entry on this list, it features the band's trademark harmonies.

4.) "Christmas Eve/Sarajevo 12/24" by Trans-Siberian Orchestra (1996) - One could argue that this song technically violates my rules about being a new composition seeing as how it's largely based around two well-known traditional carols: "God Rest Ye Merry Gentlemen" and "Carol of the Bells".  However, the song's mix of orchestral strings mixed with arena rock electric guitars is such a dramatic makeover that it ceases to be its source music and becomes something else entirely.  The concept of the song - which is entirely instrumental and actually based on a true story - tells the tale of a lone cello player playing a long-forgotten Christmas carol on his cello in the midst of the war-torn city of Sarajevo at the height of the Bosnian war.  It alternates between soft and loud sections, the soft sections being string instruments playing "God Rest Ye Merry Gentlemen" while the loud sections are electric guitars and rock instruments playing "Carol of the Bells."  The overall effect is mesmerizing.  More light show displays have undoubtedly been set to this song over the past 25 years than any other Christmas song.

3.) "Same Old Lang Syne" by Dan Fogelberg (1980) - Some may argue that this song isn't a true Christmas song in the traditional sense, but seeing as how the events the song describes take place on Christmas Eve, I beg to differ.  The song tells a largely autobiographical tale of two former lovers who have a chance encounter in a grocery store on Christmas Eve.  They begin talking and reminiscing and decide to go get a drink to continue their conversation, only to discover that all of the nearby bars are closed.  Instead, they buy a six pack and drink it in the female's car while continuing to catch up on each other's lives.  It's a sad, poignant piece and few singer-songwriters have ever so deftly intertwined music and storytelling lyrics as well as Fogelberg does on this piece.  You can completely visualize what he is describing and anyone who has ever had an awkward encounter with a former flame can undoubtedly empathize with the story it tells.  The song is a soft rock gem that deserves far more airplay that it receives.

2.) "Last Christmas" by Wham! (1984) - In late 1984, Wham! was one of the biggest new wave pop bands on the planet, coming off two monster hits, "Wake Me Up Before You Go-Go" and "Careless Whisper," earlier that year. They kept that hit streak going with this upbeat but melancholy holiday number that is the epitome of synthpop in the mid 1980s.  It has been covered numerous times in the ensuing 30+ years, by everyone from Taylor Swift and Ariana Grande to The Backstreet Boys and the cast of Glee, further cementing how catchy and popular it was.

1.) "All I Want for Christmas is You" by Mariah Carey (1994) - I'm sure that many of you had probably already deduced that this song was going to land in the top spot.  Written by Carey along with frequent collaborator Walter Afanasieff, this song became an instant Christmas classic almost from moment it hit the airwaves in the fall of 1994.  It was a global success, hitting the top spot on charts in more than 25 countries, from North America to Europe to Australia.  Most incredibly, the song hit #1 on the Billboard Hot 100 in 2019, a whopping 25 years after its release, breaking a myriad of records in the process.  What makes it such a great song?  It's an upbeat, happy song that is a mix of various music styles, from pop and R&B to gospel and dance.  Carey's vocals soar and it is has a fun, nostalgic sound where it appeals to fans of '60s vocal groups like The Beach Boys and The Mamas and the Papas as much as it does to modern day pop music aficionados.  It was one of those rare songs that was hailed both by music critics as well as average pop music fans.  It is a modern yet timeless gem of a song and that's why it takes the top spot on our list.

Honorable Mention: "Christmas All Over Again" by Tom Petty and the Heartbreakers, "Do They Know It's Christmas?" by Band Aid and "Christmas Wrapping" by The Waitresses

Thanks for reading...and a VERY Merry Christmas to each and every one of you!


Thursday, October 6, 2022

Concert Review - American Aquarium

This is the fourth in my series of reviews of concerts that I've recently attended.  Please check out my previous reviews of the George Strait concert at Arrowhead Stadium in Kansas City, Turnpike Troubadours in Chesterfield, MO and Randy Rogers Band in Chesterfield, MO

Next up...American Aquarium

Headliner: American Aquarium
Opening Act(s): Mike McClure
Date: September 18, 2022
Venue: Delmar Hall (St. Louis, MO)

Set List:
  • Chicamacomico
  • All I Needed
  • The Long Haul
  • Casualties
  • Saint Mary's
  • Just Close Enough
  • Lonely Ain't Easy
  • Wildfire
  • Losing Side of Twenty-Five
  • Wolves
  • Harmless Sparks
  • Before the Dogwood Blooms
  • A Better South
  • Six Years Come September
  • Southern Sadness
  • The Luckier You Get
  • Wichita Falls
  • I Hope He Breaks Your Heart
  • Burn. Flicker. Die.
  • The First Year
  • When We Were Younger Men
  • Katherine Belle
Review: This was my first time seeing this band from Raleigh, NC and I was very impressed.  Lead singer and primary songwriter BJ Barham is absolutely one of the most energetic performers I have ever seen.  He was bouncing all over the stage and seemed to pour every ounce of his energy into his performance and his singing, to the point where he was drenched in sweat by the end of the show.  What he may lack in vocal range he absolutely makes up for in the passion he pours into his music.  The band's setlist list spanned from songs from their newest album Chicamacomico all the way back to 2008's Bones.  While Barham didn't say much during the majority of the set, he spoke for quite a while before playing a solo, acoustic version of "The First Year" and he proved himself an engaging, funny and self-deprecating storyteller.  The background he provided for that song (written about the first year after his mother's death) made the song that much more powerful and poignant.  It was definitely a highlight of the show.

Oklahoma and Red Dirt music legend Mike McClure opened the show.  McClure has had a two decade career writing and performing, as well producing songs for Oklahoma music royalty like Cross Canadian Ragweed and Turnpike Troubadours.  For his 30 minute set, however, it was just him and an acoustic guitar, with occasional vocal accompaniment from his wife.  It was easy to see why he is so respected in music circles.  One interesting highlight of his performance was an alternate version of the Turnpike Troubadours song "The Funeral," which he wrote with Turnpike front man Evan Felker.  

Highlights:  Besides the aforementioned "The First Year," other highlights of the performance were their stellar offerings of "All I Needed", "The Long Haul," "Before the Dogwood Blooms," "A Better South" and "Burn. Flicker. Die."

Lowlights:  It's a very minor quibble, but I was hoping to hear "The World is On Fire." Besides that, it was a terrific show.

Overall TGR Grade:  A

Sunday, October 2, 2022

Concert Review - Randy Rogers Band

This is the third in my series of reviews of concerts that I've recently attended.  Please check out my previous reviews of the George Strait concert at Arrowhead Stadium in Kansas City and Turnpike Troubadours in Chesterfield, MO.

Next up...Randy Rogers Band

Headliner: Randy Rogers Band
Opening Act(s): Wade Bowen
Date: September 2, 2022
Venue: Chesterfield Amphitheater (Chesterfield, MO)

Set List:
  • Better Off Wrong
  • Buy Myself A Chance
  • Tonight's Not The Night (For Goodbye)
  • I'll Never Get Over You
  • One More Goodbye
  • Drinking Money
  • Nothing But Love Songs
  • One Woman
  • Fuzzy
  • Chupacabra
  • Steal You Away
  • This Time Around
  • Down and Out
  • Lonely Too Long
  • Speak of the Devil
  • Picture Frames
  • You, Me and a Bottle
  • Interstate
  • San Antone
  • Last Last Chance
  • Too Late for Goodbye
  • In My Arms Again
  • Kiss Me in the Dark
  • Just Stay Here and Drink (Merle Haggard cover with Wade Bowen)
Review: It was a night of Texas Country in the Gateway City, as Texans and good buddies Randy Rogers and Wade Bowen shared the bill on a rainy night in the St. Louis area.  While Randy's trademark raspy voice was a little more so than normal on a few songs, the band cranked out a great, long set of songs.  They did a good job of playing songs from across their lengthy discography, including two new songs - "Nothing But Love Songs" and "Pictures Frames" from their forthcoming Homecoming album.  Rollercoaster is still my favorite album of theirs and I was happy to hear three songs from that record.  Rogers didn't say a whole lot as the front man and fiddler Brady Black almost stole the show with his high energy performance.  One interesting (and somewhat disappointing note) was that there were no duets by Rogers and Bowen (besides the encore cover of a Merle Haggard), despite the fact that they've recorded two full records together.  I would have loved to have heard them team up for "Standards" or "In The Next Life," but alas it didn't happen.  Besides that, the band churned out a lengthy, straightforward set that kept the crowd happy, despite the rain that got progressively harder during their set.

Wade Bowen opened and was very impressive.  He sounds live just like he does on record.  While I'm only familiar with a handful of his songs, he sounded great.  Interestingly, he did play one of the songs from his first duet album with Randy Rogers, albeit sans Rogers.  Bowen played a couple of his songs off his recently released album and those were good enough that I subsequently downloaded a few of them.

Highlights:  The opening trio of songs were a great kickoff to the show, while the back-to-back songs from Rollercoaster ("This Time Around" and "Down and Out") were standouts as well, with the former featuring Black's blistering fiddle solo.

Lowlights:  Besides the weather, which kept people hunkered under umbrellas for most of the show, the omission of any duets between Rogers and Bowen was disappointing.  When two artists have collaborated on two albums and they are touring together, you expect to hear at least a few duets on the setlist.

Overall TGR Grade:  A-

Wednesday, September 14, 2022

Concert Review - Turnpike Troubadours

This is the second in my series of reviews of concerts that I've recently attended.  Please check out my previous review of the George Strait concert at Arrowhead Stadium in Kansas City.

Next up...my favorite group of the past 10 years: Turnpike Troubadours!

Headliner: Turnpike Troubadours
Opening Acts: Old 97s and Muscadine Bloodline 
Date: August 19, 2022
Venue: The Factory at the District (Chesterfield, MO)

Set List:
  • Every Girl
  • 7&7
  • The Winding Stair Mountain Blues
  • The Bird Hunters
  • Good Lord Lorrie
  • Easton & Main
  • Before the Devil Knows We're Dead
  • Pay No Rent
  • The Housefire
  • A Tornado Warning
  • Something to Hold On To
  • Gin, Smoke and Lies
  • Whole Damn Town
  • Kansas City Southern
  • Diamonds & Gasoline
  • All Your Favorite Bands (Dawes cover)
  • Long Hot Summer Day
  • 1968
  • Morgan Street
  • Long Drive Home
Review: This is the fourth time I've seen Turnpike Troubadours and, due to their 2-year hiatus following frontman Evan Felker's issues, the first time I've seen them in more than 4 years.  Every single time, they have delivered an incredible show.  Felker looked healthy and happy and his voice sounded as great as ever.  He seemed to be genuinely enjoying himself, which is a treat in and of itself.  They played a broad array of songs from all four of their albums, but they leaned heaviest (seven songs, almost 1/3 of their set list) on their first album, Diamonds & Gasoline, which is still my sentimental favorite of theirs.  From the opening chorus of "Every Girl" to the final farewell of the appropriately placed closing song of "Long Drive Home," the six-piece band was in sync and the sell-out crowd was in full voice, singing along with every word.  Ryan Engelman's scorching Telecaster lead the way, complimented wonderfully by the superb fiddle work by Kyle Nix.  Special props to multi-instrumentalist MVP Hank Early, who played no fewer than four instruments during the show: steel guitar, banjo, dobro and accordion.  It never ceases to amaze me how a band who has had essentially zero radio exposure can sell-out venues and inspire such a devoted fan base.  But then I remember how great this band in on record and how tremendous they are live and it baffles me that they aren't playing arenas or stadiums instead of medium-sized venues.  Whereas most of the mediocre pop junk that gets played on so-called "country" radio is bland, overly produced, sophomoric garbage, Turnpike Troubadours are real country for intelligent audiophiles who appreciate deep, evocative, storytelling lyrics paired with stellar musicianship.

Old 97s played nearly an hour-long set prior to Turnpike and Rhett Miller's energy and antics on stage were solid.  While they didn't play some of my favorites off their songs - how do you NOT play "Murder (Or a Heart Attack)"?? - they pumped through a solid cross section of their substantial catalog, including a cover of Merle Haggard's "Mama Tried," which featured bassist Murray Hammond on lead vocals.

Mobile, Alabama-based Muscadine Bloodline took the stage first and gave a worthwhile performance that lasted a little more than 30 minutes.  While I'd never heard of them prior to the show, they impressed me enough to get me to check out some of their songs on Spotify.  The vocal interplay between the co-lead vocalists Charlie Muncaster and Gary Stanton was great.  High points of their set included "Can't Tell You No" and "Dead on Arrival."  They also played back-to-back Travis Tritt covers ("Here's a Quarter (Call Someone Who Cares)" and "T-R-O-U-B-L-E") which were well received by the still arriving crowd.

Highlights:  It's hard to beat the opening salvo of the first two songs off Diamonds & Gasoline, "Every Girl" and "7&7."  Two of my favorite songs, back-to-back is a pretty incredible way to kick things off.  The back-to-back offerings off A Long Way From Your Heart - "The Housefire" followed by "A Tornado Warning" (my two favorite songs off that album) was another highlight.  Finally, getting to see my first concert at The Factory and getting to enjoy my favorite band in concert with my son was pretty great, too.

Lowlights:  Throughout the show, the steel guitar seemed a little too low in the mix to where it didn't pierce through the rest of the band's sound like it does on record, which was a mild disappointment.  While I enjoyed the new venue - it was very nice and a good place to see a concert - traffic getting out of the parking lot afterwards was a nightmare.

Overall TGR Grade:  A

Monday, September 12, 2022

Concert Review - George Strait

Hello, dear readers.  It's been a looong time since I've posted and much has changed since my last blog post.  For now, however, I'm going to ease back into things by reviewing some of the concerts I've been to recently.  I've been to three in the past month and a half and have two more coming up in the near future, so I'm going to tackle them one at a time.  The highlights, the lowlights and my overall thoughts on the shows.

Here we go...

Headliner: George Strait
Opening Acts: Chris Stapleton, Little Big Town and Parker McCollum  
Date: July 30, 2022
Venue: Arrowhead Stadium (Kansas City, MO)

Set List:
  • Here For A Good Time
  • Ocean Front Property
  • Check Yes or No
  • I Can Still Make Cheyenne
  • Wrapped
  • Marina del Rey
  • I Got a Car
  • I Saw God Today
  • Every Little Honky Bar
  • How 'Bout Them Cowgirls
  • I Just Wanna Dance With You
  • That's What Breaking Hearts Do
  • Give It Away
  • Codigo
  • Waymore Blues (Waylon Jennings cover)
  • The Weight of the Badge
  • The Fireman
  • The Chair
  • Barmaid
  • Amarillo By Morning
  • Run
  • Come On Joe
  • It Just Comes Natural
  • I'll Always Remember You
  • Troubadour
  • Unwound
  • Encore
    • All My Exes Live in Texas (with Chris Stapleton)
    • You Wreck Me (Tom Petty cover with Chris Stapleton)
    • Take Me to Texas
    • The Cowboy Rides Away
Review: George sounded great, as great as the first time I saw him in concert almost 25 years ago. Even at 70 years old, his voice is as great as ever.  My only beef was that there were several big hit songs that I wanted to hear that he didn't play.  Now, anytime you're talking about an artist whose career has spanned more than 40 years and who has 50 #1 hits and dozen other Top Tens, it's impossible for them to play all of their hits.  I get that and fully expected it going in.  But no "I Cross My Heart?" No "Blue Clear Sky?" No "Carrying Your Love With Me?"  It seemed like those could have been played in lieu of some of the more obscure songs that were included and especially in lieu of the two unnecessary covers that were included.  When you're an artist as accomplished as George Strait, you shouldn't need to include covers in your show unless it was a cover you recorded and had a hit with. Beyond that, the sound, George's voice, the musicianship of the Ace in the Hole Band, and the lighting were all top notch.  A big production fit for a sold-out stadium show.

Chris Stapleton was very good.  He doesn't do much on stage, but his voice and the vocal interplay between him and his back-up singing wife were great.  And, unlike George, he played pretty much all of his big songs and filled up the huge venue with just his voice and an acoustic guitar.

Little Big Town was good and energetic, even if it did rain for a bit during their set.  I'm not much of a fan of theirs, but the vocal harmonies were stellar and they were certainly entertaining.

Parker McCollum?  Ehh...whatever.  Dude wore a flat-billed baseball cap and a gold chain.  He looked more hip hop than anything else and his songs sounded like a million other songs on country radio these days.  He was fine but nothing that really grabbed me and made me want to delve into his music more.

Highlights: The early one-two-three punch of "Ocean Front Property," "Check Yes or No" and "I Can Still Make Cheyenne" and the later back-to-back of "Amarillo By Morning and "Run." Bringing Stapleton out for "Exes" was a treat, too.

Lowlights:  Not really any, besides the few covers George played instead of his own songs.

Overall TGR Grade:  B+

Wednesday, April 14, 2021

Unbelievably Believable

“This is unbelievably believable. “It's unbelievable because in the moment we're all amazed when great things happen. But it's believable because great things don't happen without hard work.”

The words above come from Robert Griffin III's Heisman Trophy acceptance speech back in 2011.  Those same words seem appropriate as a description of my reaction to the fact that the BAYLOR BEARS ARE NATIONAL CHAMPIONS IN BASKETBALL!

Much has been said and written about the job that Scott Drew has done with the Baylor program.  Some people have called it the best rebuilding job in college basketball history.  But to "rebuild" something implies that there was a foundation or something there from which to rebuild.  In the case of Baylor basketball, I'm not sure that's really the case.

Many of you may be aware of the sordid goings on that ultimately led to Scott Drew's arrival in Waco.  His predecessor, Dave Bliss, was fired after one player murdered another player and then Bliss tried to cover up illicit and impermissible tuition payments by painting the deceased player as a drug dealer.  It was a disgusting and disturbing situation which led to Bliss's termination as well as the termination of the athletic director and the resignation of the university president, not to mention the tragic death of the player.  At that point in time, considering all of the awful things that had occurred, the Baylor head coaching job wasn't just a bad job - it might have been the worst major conference job in the country.  Scott Drew accepted the job knowing that the program was going to be handed serious penalties (including an unprecedented ban on all non-conference games in the 2005-06 season) and scholarship reductions.  Needless to say, it was a daunting task and he was not walking into a good situation.

But, even if you said aside the mess that the program became under Bliss, Baylor was a moribund program with little history of success or prestige.  Sure, they went to two Final Fours in three years between 1948 and 1950, but then they followed that up with decades of irrelevance.  Sure, they had a few really good players who went on to have successful NBA careers (Vinnie "The Microwave" Johnson and Brian Skinner), but that's about it.  Consider the following:

  • Between 1951 and 2010 (60 seasons), Baylor had zero NCAA tournament wins
  • Between 1951 and 2007 (57 seasons), Baylor only had 1 NCAA appearance
  • In the 2,197 games of Baylor basketball history prior to Drew's arrival in Waco, Baylor had only been ranked in the Top 25 for two of them
It wasn't like Scott Drew was walking into a program that was emerging from a scandal but had a robust basketball history.  He was taking over a program that was emerging from a terrible scandal that had next to nothing to offer in terms of attractiveness to sell to recruits.  No recent prior success, no storied history. But Scott Drew took it on and did so with a smile.  Even through those first few years when he was forced to routinely play multiple walk-ons because of scholarship limitations.  Even through those first three seasons when the Bears went 21-53 and were the doormats of the Big 12.  He believed that he could build not just a competitive program but a championship-caliber program.

That belief first bore some semblance of fruit in 2008 when Baylor won 20 games and was selected for the NCAA tournament for the first time in 20 years.  The Bears' stay in the NCAA tournament was short-lived, getting knocked out in the first round by Purdue.  They followed that up in the 2008-09 season with another 20 win campaign and a run to the championship game of the NIT.  But Drew and the Bears finally broke through on a national level in 2010 when they won a school record 28 games and advanced to the Elite Eight where they lost a heartbreaker to Duke after some questionable, late game officiating.  ("It was a block!!!")  The Bears returned to the Elite Eight two years later when they set another school record with 30 wins.  Drew still had his doubters - he wasn't the best at making in-game adjustments and some highly touted recruits didn't seem to develop during their time in Waco - but he had at least made Baylor basketball relevant again and proved that it could compete not just within the Big 12 but on a national scale. 

The Bears won an NIT championship in 2013, followed by four consecutive NCAA tournament appearances, including two Sweet 16s.  But the best was yet to come...

Anchored by the best backcourt in America, the Bears went on a two year run of excellence that pushed them to the upper echelon of college basketball programs.  In 2019-20, the Bears at one point won 23 games in a row - including a blowout win over Kansas at Allen Fieldhouse - in route to their first ever #1 ranking and a 2nd place conference finish.  They were on the cusp of a #1 seed in the NCAA tournament when COVID hit and the tournament got cancelled.  Baylor fans everywhere were despondent.  The best team in school history never got a chance to show what they could do on the biggest stage.  Some of their much ballyhooed backcourt seemed headed to the NBA and it looked like the Bears' window to finally get back to the Final Four was closing.

...And then a funny thing happened.  Those incredible guards decided to keep the band together and come back to Waco for one more year.  And, as good as the Bears were in 2019-20, they were even better in 2020-21, routinely trouncing opponents with a shut down defense and an explosive offense that led the nation in 3 point field goal percentage. They finally ended Baylor's conference championship drought with the first conference title since 1950 - a run of 71 years.  But that was just the appetizer before the main course; just the preview of coming attractions before the main event.  Baylor didn't just go on to make the Final Four and win a national championship.  They did emphatically.  Consider the following:

  • In their last 7 halves of basketball (2nd half of Sweet 16 vs. Villanova, Elite Eight vs. Arkansas, Final Four vs. Houston and national title game vs. Gonzaga), Baylor trailed for a TOTAL of less than 5 minutes.
  • They never trailed against Arkansas or Gonzaga, leading from buzzer to buzzer.  While they did briefly trail early on against Houston, they were up by 25 at halftime.  They didn't just win those games, they completely dominated their opponents, removing any doubt about who the best team in the country was.
And this Baylor team looked and played nothing like some of their predecessors.  While Baylor's two Elite Eight teams were led by a lot of size and length than made their 2-3 zone very effective, this year's team played a tenacious man-to-man defense.  While Drew was oft criticized in his early years for not being a very good Xs-and-Os guy and not being very good at making adjustments, his team thrived this year in the 2nd half of games.  I can't tell you how many times this year the Bears were locked in a close game at halftime only to come out and blow the doors off the opponent in the 2nd half.  Drew showed that he can coach not just well enough to win games and make the NCAA tournament.  He showed that he can coach well enough to win a national championship...something that seemed like a complete pipe dream before he came to Waco.

Remember the fact I shared earlier - that in 2,197 games of Baylor basketball over 99 seasons prior to Drew's arrival, the Bears had only been ranked in 2 of them?  In Drew's 18 seasons in Waco, they have been ranked for 263 games.  Quite the difference, right?

When Scott Drew gave his introductory press conference, he talked about not just winning games but winning conference championships and national championships.  To many, that was the typical "win the press conference" spiel, the sort of thing that pretty much every coach says in pretty much every introductory press conference.  At the time that Drew uttered those words, they seemed far-fetched, unrealistic, unbelievable.

Now, 18 years later, those words aren't just believable -- they are reality.  The Baylor Bears are on top of the college basketball world...and I'm still in shock.  But I'm also very, very happy.  For Baylor students, alumni and fans all around the world.  For Baylor players past and present who strove to reach that mountaintop and helped pave the way.  But, most of all, I'm happy for Scott Drew, a relentlessly positive, upbeat Christian man who walked into about the worst college basketball situation possible and through hard work, patience and unyielding faith helped turn the seemingly impossible task into a real life happy ending.

Sic 'em Coach Drew and sic 'em Bears!

Wednesday, February 24, 2021

Another Current Events Rant

It has been a while since I've gone on one of my patented rants about current events.  I suspect some of you will agree with some of my comments below, while I suspect some of you will vehemently disagree with others.  You are entitled to your opinion just like I am and that's all this is: a Festivus-style airing of grievances.  Let's go...

Climate Change, Forced Electrification and Natural Gas- If the polar vortex and record winter cold last week taught us nothing else, it's that we need reliable energy and safeguards in place to ensure people are able to heat their homes in bitter winter cold and cool their homes during scorching summer heat waves.  If Texas taught us nothing else (more on that in a bit), it's that maybe a little regulatory oversight isn't be a bad thing.  Solely trusting in and relying upon energy companies to "do the right thing" to winterize their equipment and ensure that the power grid is capable of handling weather extremes is clearly not the answer.  From windmills to gas pipelines to electrical substations, shortcuts were taken and corners were cut and the results were nearly catastrophic.

We also should hopefully now all understand the importance of diversification in our respective national energy portfolios.  Much like financial advisors encourage investors to diversify their portfolios and not put all of their proverbial eggs in one basket, we as a nation need to apply that same lesson to our energy needs.  Forced electrification is a bad idea.  Solely relying on so-called "renewable energy" like wind and solar is likewise a bad idea.  Wind and solar should certainly be a part of the solution but we also need things like natural gas or electricity from coal to help balance things out.  That way, if the winds aren't blowing and the sun isn't out, we still have energy resources we can use to heat homes and businesses.  Pipelines may be repugnant to some but they also help ensure energy reliability and energy independence, not to mention offer some really good paying jobs.  We can't just shut them down and then cross our fingers and hope for nationwide sunny, windy, mild weather.

Don't get me wrong - climate change is real and we need to take steps to address it.  But much like investing all of your 401k in Enron stock was a bad idea in the early 2000s, relying solely on renewable energy is a bad idea in 2021.  If we focus on balancing things out between renewable sources like solar and wind and more reliable things like natural gas, we can help fight climate change while also avoiding horrifying scenes like we saw in Texas last week.

Texas politicians - Speaking of Texas, it was NOT a very good week for most politicians in Texas, in particular the governor (who blamed frozen windmills for the power crisis while ignoring the fact that said windmills only account for a small percentage of the energy Texans use) and a certain Senator who flipped his constituents the bird and decided to take a vacation while the people he is supposed to represent are, in some cases, literally freezing to death.  More on that jackass in a minute.  Some of the very politicians who were making fun of California for rolling blackouts last year looked like idiots when similar rolling blackouts showed up in the Lone Star State.  From Greg Abbott to Ted Cruz to Rick Perry to some small town yahoo mayor named Tim Boyd, Texas politicians had a very, very bad week last week.  However, there was one notable exception. Beto O'Rourke, who was defeated in his campaign for Senate in 2018, rose to the challenge and made phone calls and arrangements to get people into warming centers, amongst other things.  I wonder if Texans will remember the stark difference between how Cruz handled the crisis vs. how O'Rourke handled it when they go to the polls in 2024.

Ted Cruz - A college acquaintance recently referred to Cruz as a "despicable loser" when responding to one of Cruz's gratuitous Facebook posts following the Cancun debacle and I really can't think of a better phrase to describe him.  Keep in mind, this is a guy who responded to insults about his wife and father made by Donald Trump in 2016 by endorsing Trump and becoming his lapdog for the next 4 years.  He even tried to overthrow the 2020 presidential election to keep the guy who insulted his family in power.  Talk about despicable and spineless!  Then, when the rest of Texas is hunkering down in cold houses without power and water, Cruz responds to the crisis by taking a family trip to Cancun where they will stay at the friggin' Ritz Carlton.  Then, when he gets caught playing hooky, he lies about how long he was going to be there and then blames his daughters.  Now that's what you call a stand-up guy!

To me, however, the most galling thing about Cruz is that he casts himself as somebody who is fighting for the average American.  Never mind that the guy was born in Canada, went to a private high school, Princeton for his undergrad and Harvard for law school.  Never mind that he apparently has the resources to not just book a vacation on a whim but to do so in Mexico at a luxury hotel.  He bashes career politicians while neglecting to point out that he's spent his entire adult life in politics.  He's as divorced from reality as any politician in the country.  He lambasts Democrats for being too partisan while being the epitome of a partisan hack himself.  If the voters of Texas look at Ted Cruz and say "Yeah, give me more of that!," I don't know what can be done to help them.

Josh Hawley - No discussion of out of touch politicians can be had without including Missouri Senator Josh Hawley, whom I not so fondly refer to as Senator Phony Carpetbagger.  Like Cruz, he portrays himself as being a champion for the average American, usually by playing up the fact that he grew up in a small town in Missouri.  Of course, that little narrative ignores that fact that he went to high school at an elite private prep school in Kansas City and that he did his undergrad at Stanford and law school at Yale.  He then taught in London before moving back to Missouri to plot his political future.  When running for Attorney General in 2016, he aired ads blasting his opponents as only being concerned with using the Attorney General role as a springboard for higher office.  (The ad used a bunch of ladders to illustrate the point.)  But then, after winning election as Attorney General, he does the very thing that he excoriated his opponents for doing.  Barely more than a year later, he ran for Senator.

But it's more than that.  He claims to be in touch with the average Missourian while not even living or having a house in Missouri.  In order to vote in this past fall's election in Missouri, he used his sister's address as his own address.  Why?  Because the only house he owns and lives at is in Virginia.  In early January, after making it known that he was going to contest the presidential election results on January 6, he whined and complained about people who demonstrated outside of his Virginia home.  He blasted them on Twitter. He said they made his wife and young child feel threatened.  But what happened when rioters broke into the U.S. Capitol a few days later and actually threatened and killed people?  He went hours without saying a damn word about it before issuing a lame tweet sort of condemning the attack.  He's a smarmy, calculating, power hungry snake who will do and say whatever he thinks might help him get elected to higher office.  While I thought Trump was dangerous, I think Hawley is even MORE dangerous because he's more polished and more capable of concealing his schemes and machinations.

Rush Limbaugh - I'm not one to rejoice over the death of anyone, but I will say that the world is definitely a better place without Rush Limbaugh on the airwaves.  He was intolerant and divisive and he helped foment the political discord that has been growing in this country for the past few decades.  I'll never understand how a thrice divorced drug addict ever managed to become a voice for so-called "family values."  Then again, many of the people who viewed him as such also thought a twice-divorced, adulterous con man was a great president, so perhaps those folks are a bit delusional.  Unfortunately, Limbaugh is a native Missourian, so the yahoos in Jeff City want to honor him with a Rush Limbaugh Day in Missouri.  Because celebrating a garrulous, xenophobic bigot is always such a good look for a state.  Sadly, these days, it seems very on-brand for the Show-Me State.

QAnon/MAGA Morons - Have all of those doofuses who bought into the whole QAnon satanic pedophile cabal, Donald Trump as savior people come to their senses yet?  Or are they still waiting with baited breath for that much ballyhooed Emergency Broadcast Message?  The fact that so many people fell for that garbage would be incredibly sad if it wasn't so scary.

Minimum Wage Increases - I realize that most of my rant thus far as skewed to the left, so let me balance it out a bit.  There's still a lot of talk about a $15 national minimum wage.  This is, quite frankly, not a great idea.  While I agree that a $7.25 minimum wage is too low, I think we need to rely on states, municipalities and businesses to address the issue rather than it be driven by federal edict.  Thirty states + DC along with countless cities have already increased their respective minimum wages above (and, in most cases, well above) the federal minimum wage.  While I think the "minimum wage hikes kill jobs" argument made by some conservatives is a little overblown, there is a tipping point where an increase in wages will result in either more automation or fewer hours for those low wage employees.  I also think that the wage rates necessary in Seattle or San Francisco or New York may not make as much sense in Poplar Bluff, MO or Tifton, GA.  While it's unconscionable for employers like Amazon to skimp on employee wages while making money hand-over-fist, I also know that there are some small businesses that genuinely can't afford to pay every one of their employees twice as much as they are now.  They are already hanging on by a thread and the increased cost could put them out of business. Rather than taking a one size fits all approach, I think it needs to be an approach that's tailored both by the geographic location of the business as well as the size of said business.  A Target or a Walmart in a large city or suburban area can afford to pay more per hour than a small diner or antiques business in a small town and they shouldn't both be forced to play by the same set of rules.

I think the people advocating for the $15 federal minimum wage need to look at what has happened at grocery stores and big box stores all across the country over the last decade.  Go to a Target or a Walmart and notice that only a few registers have cashiers (with undoubtedly long lines) while the number of "self service kiosks" has increased.  This is partly a response to increased wages for employees.  They may pay the employees $12 an hour instead of $9 an hour but they are also going to have fewer of those employees and more self checkouts.  I'm not saying I agree with that approach by the corporations but we also need to be realistic and acknowledge that it exists and it might be exacerbated if we push the wage envelope too far too fast.

College Loan Forgiveness - Let me start out by saying that I am incredibly grateful that my parents paid for my college education, so I was able to graduate without any student debt.  My wife and I are fortunate enough to be in a position to do the same for our kids.  Having said that, I know there are millions of young people who rely on college loans in order to get that college degree. However, the notion that we should just up and forgive all college loans doesn't strike me as a good idea, either.  If banks and other loan agencies are just forced to forgive that debt and not collect that money, that money still has to come from somewhere - either the government or they are going to raise interest rates on other loans.  Also, forgiving college loans now may make it more difficult to get similar loans for future prospective students.  What bank or agency is going to lend a student money if they know they aren't ever going to get that money back?  Rather than focusing on just unilaterally forgiving college loans, the focus should be on making college more affordable in the first place to reduce the need for those loans.  One of the best ways to do that is for state governments to stop cutting education funding or diverting that money to other pet projects.  If states did a better job of funding their colleges and universities, those schools could potentially keep tuition lower.  More affordable tuition = less need for loans.

The Filibuster in the U.S. Senate - Many people much smarter than me have written treatises in support of and against the filibuster.  In short, the filibuster essentially means than it takes 60 votes in the Senate to approve a bill and pass it into law.  There are a few ways around it but that is the general intent.  However, the result is that only the most non-controversial legislation ever gets passed and instead our Senators waste their time and our tax money mindlessly arguing and engaging in partisan politics.  For most of the first 200 years of our country, the filibuster and this "60 vote" threshold was seldom employed.  It wasn't until the 1970s when it became more common.  The result? In the late 1950s (1957-59), 25% of bills introduced in the Senate became law.  By 2005, that number had been cut in half to 12.5%.  Just 5 years later, in 2010, that amount was a miniscule 2.8%.  So, when it seems like Congress never does anything, it's because they don't and the filibuster is a big culprit of that.  The notion that 59% of a voting body can be in favor of something but essentially be overruled by 41% is not healthy.  I understand that, conceptually, the 60 vote threshold should result in more moderate legislation in order to get enough buy-in to get it passed.  But as American politics have become more and more partisan and compromise has become a dirty word, it has just resulted in gridlock and a lack of bills being passed.  The other impact is that it has resulted in more increased use of executive orders by presidents.  Because the Senate has, in essence, abdicated their responsibility and can't get anything passed, the executive branch instead tries to get things done via executive fiat.  This can be a very dangerous path and it is surely not what the Founders had in mind when they tried to craft a government with three co-equal branches.  I think we can all agree that we do not want the executive branch - regardless of which party holds the White House - to become too powerful.  The time has come to dump the filibuster - something that isn't required by the Constitution - and move to a simple majority vote.  In this way, perhaps Congress can actually spend time legislating and passing laws as opposed to doing little else besides arguing.

The Golden Globes - I'll finish things on a less serious (and less political) note and give my take on a few huge misses by The Golden Globes in terms of nominations.  The fact that Better Call Saul, one of the best shows on TV (not just currently but ever) is not nominated for best drama series is a JOKE.  The show is nuanced, the cinematography is incredible, the acting top notch and the gradual unfolding of the titular character from ambulance chasing Jimmy McGill to the criminal lawyer Saul Goodman of Breaking Bad is nothing short of brilliant.  It's criminal (pun intended) that the show wasn't even nominated.  Likewise, the fact that Rhea Seehorn's didn't receive a nomination for her portrayal of Kim Wexler is ridiculous.  She was arguably as big a piece of last season as Bob Odenkirk's title character and the fact that she didn't even receive a nomination is an injustice.  Her performance in the final scene of the penultimate episode of the season ALONE should have garnered a nomination.  It was an incredibly tense scene that was largely carried by Seehorn. Also, I'm about 3/4 of the way through the final season of Schitt's Creek and I still don't understand what the fuss is all about.  I'll tackle that a bit more in an upcoming blog post but I think that show is every bit as overrated as Better Call Saul is underrated.  I am in total agreement with the serious and multiple acting nominations for Ozark, a show that has gotten better with each successive season.  My only beef with that show - aside from Julia Garner's way too frequent use of the f word - is that it wasn't actually filmed in Missouri.

Whew....that was a long one with a lot of content.  Thanks for sticking with it through the whole thing and reading it until the end.  I feel better having gotten that rant out of my system.