The Beach Boys were, unequivocally, one of the best known and most successful bands of the 1960s. In a time when rock and popular music became dominated by British Invasion bands like The Beatles, The Rolling Stones and The Who (among many others), The Beach Boys and their sunny music managed to keep America on the charts. Between 1963 and 1966, the band had 19 Top 20 hits, 13 of which made it into the Top 10, 8 of which made it into the Top 5 and 3 of which hit #1. The band was known for its songs about surfing and cars and became emblematic of the popular vision of Southern California and the so-called “California sound.”
Similar to other groups from the 1960s, their early material was light and focused on young people, surfing, cars and girls. However, as the 1960s progressed and moved toward being more experimental and progressive, so did the band’s music.
The driving force behind The Beach Boys was Brian Wilson. He was one of their primary lead vocalists (known for his falsetto vocals) and the creative mind that wrote and produced most of the band’s output. He coordinated and arranged the band’s trademark vocal arrangements and was at the forefront of the record producers who used the studio as an instrument unto itself. His impact on popular music from the 1960s cannot be overstated. Sadly, drug use and mental illness negatively impacted him in the late 1960s and into the 1970s, which likewise resulted in the declining fortunes of the band. In his later years, he managed to conquer his personal demons and make additional music.
As most of you probably know, Brian Wilson recently passed away at the age of 82, just days away from his 83rd birthday. In his memory, I present my list of Brian Wilson’s (and, by extension, The Beach Boys) best songs.
10. “Help Me, Rhonda” (1965) – Written primarily by Wilson with some lyrical assistance from Mike Love, the song was a #1 smash, the band’s second. The chorus with the repetitions of “Help me, Rhonda, help help me, Rhonda” is instantly recognizable. It was also a #1 hit in Canada and made it into the Top 5 in Sweden.
9. “Fun, Fun, Fun” (1964) – One of the band’s songs that touches the California ethos of hot-rods and hamburger stands. The song was inspired by an actual incident involving the daughter of a manager of a radio station in Utah. It peaked at #5 on the charts in the U.S., while also cracking the Top 10 in Canada, Australia and New Zealand. “And she’ll have fun, fun, fun ‘til her daddy takes the t-bird away…”
8. “I Get Around” (1964) – Another hot-rod and girls song, it is primarily focused on the doo-wop vocals with Wilson’s voice soaring over those of his band mates. It was the band’s first #1 hit in the U.S. and it also topped the charts in Canada while reaching the Top 10 in the UK and New Zealand. “Round round get around, I get around…”
7. “Don’t Worry Baby” (1964) – This one was originally released as the B-side of “I Get Around.” While it also deals with car racing, it deals with it from a different angle. Instead of bragging about his car or his prowess as a driver, it instead has the protagonist worrying that he has taken things too far and then being reassured by his girlfriend – “Don’t worry, baby.” Wilson wrote the song with Roger Christian and the former’s lead vocal is one of his most acclaimed and praised in the entire Beach Boys canon. In a 2011 interview, Wilson himself cited it as the best vocal he has ever done. It only peaked at #24 in the U.S. but it has grown to be considered one of the band’s (and Brian Wilson’s) finest songs.
6. “Surfin’ U.S.A.” (1963) – The Beach Boys’ first Top 10 hit, this song peaked at #3 in the U.S, while also charting in Canada, Japan and the UK. It is a rewritten version of Chuck Berry’s “Sweet Little Sixteen” with new lyrics that were evoked the stereotypical surfing culture of California. Wilson’s lyrics focus on surfing and include a list of 15 surfing spots, most of which are in the band’s native Southern California. It remains one of the band’s and Wilson’s most well-known songs. “If everybody had an ocean, across the U.S.A…”
5. “Surfer Girl” (1963) – This was the first song on which Brian Wilson was credited as the producer. Wilson cited it as one of the first song he ever wrote. It is a sweet plea to be loved by the titular character. It is much slower and more of a ballad than most of band’s early work, which helped this song stand out, as did the doo-wop vocals and Wilson’s own soaring lead vocal. It peaked at #7 in the U.S., while actually cracking the Top 5 in Canada and New Zealand.
4. “California Girls” (1965) – One of the band’s most well-known songs, Wilson himself cites it as his favorite song The Beach Boys ever did. Its iconic first verse extolls the virtues of the girls in various parts of the U.S. (East Coast girls are hip, Southern girls have great accents, Midwest farmer’s daughter make you feel alright, and Northern girls’ kisses keep their boyfriends warm) while still wishing that they could all be California girls. The song was an international smash, charting in 10 countries worldwide, peaking at #3 in the U.S. but reaching #2 in Canada and topping the charts in South Africa. The song was famously covered by erstwhile Van Halen frontman David Lee Roth 20 years later as his first solo release, once again peaking at #3 in the U.S. Roth’s version featured Brian Wilson’s youngest brother Carl on background vocals, joined by none other than Christopher Cross.
3. “God Only Knows” (1966) – 1966’s Pet Sounds is The Beach Boys’ most acclaimed album and this song was one of the singles from that album. (It was actually the B-side of our #2 song.) The album is an early example of a concept album and focused on youth from a largely more introspective perspective than most of their earlier songs. This particular song was groundbreaking both in its musical complexity and inverted chords as well as its use of God in the chorus and title, things that were essentially unheard of in popular music at the time. The lyrics convey a seriousness and moroseness uncommon to most love songs as the narrator says that without his lover, life would not worth living and only God knows what would happen. Wilson cited The Beatles’ “Rubber Soul” as his inspiration for both the Pet Sounds record as a whole and this song in particular. As may be predicted based upon the foregoing explanation, the song was only a minor hit at the time in the U.S., peaking at only #39. However, it was more successful overseas, where it reached the Top 10 in Ireland, the Netherlands, Norway and the UK. Over time, it has become one of Wilson’s most acclaimed works, ranking at #25 on Rolling Stone’s list of the 500 Greatest Songs of All Time.
2. “Wouldn’t It Be Nice” (1966) – Another track from Pet Sounds, this song is deceptively catchy. It juxtaposes upbeat, joyous-sounding music with melancholic lyrics. The lyrics tell of a young couple in love who fantasize about getting older and being married and being able to live together, fall asleep together and wake up together every day. Instead of focusing on the pleasures of youth like much of the band’s repertoire, it takes a more mature, introspective approach and instead shows a yearning to be older. Longtime readers of this blog are well aware of my affinity for sad songs and wistful, melancholic lyrics and this song (as well as our #3 selection above) check those boxes. The song peaked at #8 in the U.S., while also reaching the Top 10 in Australia, Canada and New Zealand.
1. “Good Vibrations” (1966) – Anyone who is a fan of The Beach Boys and has been reading this list probably could have already figured out what #1 was. This track is, in many ways, the culmination of all of Brian Wilson’s skills in the studio and as a vocal arranger. It melds a catchy chorus with overlayed and overlapping vocals, as well as a wide variety of musical instruments. In addition to the six members of the band, there were more than 20 other musicians who took part in the recording process, which was spread over an unheard of (at the time) 7 months and cost the modern equivalent of a quarter of a million dollars. Again, this is just for ONE song less than 4 minutes in length! The result was both a commercial and critical smash that hit #1 in six countries and reached the Top 20 in 18 countries around the globe. Sadly, the success of this single also became the undoing of Brian Wilson, both personally and professionally. His perfectionism and his desire to outdo what he accomplished with this song, coupled with his increasing drug use and mental illness, became debilitating. He soon retreated from public view and often spent days on end within his house and room, not going outside at all. As a result, this was the last #1 and last Top 10 hit that Wilson was involved with. The Beach Boys themselves did not have another Top 20 hit until 22 years later, when “Kokomo” topped the charts in 1988. However, Brian Wilson had no involvement in that song, so “Good Vibrations” remains the pinnacle of the career of a uniquely talented but tortured artist.
Honorable Mention:
“In My Room”
(1963)
“Surfin’
Safari (1962)
“Little Saint
Nick” (1963)